Achja, die Avocado-Keule. Bekanntlich essen ja nur VeganerInnen Avocados und das ausschließlich. Der Verzehr von Avocados ist durchaus problematisch (Waldrodung, Monokulturen, Transportwege, Wasserverbrauch). Wir sollten dennoch nicht ignorieren, dass die Treibhausgasbilanz trotz globaler Transporte und der Wasserverbrauch eines Kilogramms Avocados immer noch weit besser ist als bei Tierprodukten, selbst wenn diese aus der Region stammen. (Bpsw. 1.000L Wasser/Kg Avocado vs. 15.000L Wasser/Kg Rindfleich)
Lasst uns alle einfach Avocados in Maßen genießen. Dass Avocados keine perfekten Früchte sind, ist im Übrigen kein Grund, Tiere auszubeuten.
Hey y'all! Here we are reading and discussing Section C.4 of AFAQ the following 2(!) weeks, which is about why does the market become dominated by Big Business! ...
https://www.angrymetalguy.com/wp-content/uploads/2025/12/House-by-the-Cemetary-Cover-Art-350x350.jpgFrom Imperial Doom to The Passage of Existence, Monstrosity has one of the most solid death metal discographies on record.1 And while I’ve always gravitated toward those early Corpsegrinder albums, the performance Mike Hrubovcak turned in on The Passage of Existence was brutally good. Now, when he’s not creating sick cover art or contributing to his other projects—Azure Emote, Hypoxia, or Imperial Crystalline Entombment—Hrubovcak partners with the inimitable, no-band-too-big-or-small-for-me-to-play-in, personal injury lawyer guitarist Rogga Johannson to front House by the Cemetary. Just a year and some change off the heels of HbtC’s 2024 sophomore effort, The Mortuary Hauntings, and rounded out this time by ex-The Hate Project drummer Thomas Ohlsson, House by the Cemetary is ready to stuff your holiday stocking with their third opus, Disturbing the Cenotaph. Let’s dig in and see which of Santa’s lists House by the Cemetary ends up on.
House by the Cemetary play drop-of-water-in-a-vast-ocean OSDM, so if you’re looking for something wholly original and mindblowing, you should look elsewhere. Far removed from their HM-2 abusive Rise of the Rotten debut, Disturbing the Cenotaph forgoes the fuzz, supplying a bevy of mid-paced Rogga riffs that Hot Topic kids listening to Six Feet Under or Bone Gnawer might bang their heads to (“Island of the Dead,” “Phantom Intrusions”). Foregoing scalpels, Rogga turns in a solo-less performance that bluntly forces trauma through brute-force chugs, with the occasional wade into melodic waters (“Burial Disturbance”), imparting some level of diversity. And while Rogga handles bass duties as well, there’s not a whole lot on offer that draws my attention to that instrument’s existence on Disturbing the Cenotaph. Meanwhile, Ohlsson does a decent job of keeping everything in line with a serviceable death-metal drum performance. House by the Cemetary relies almost exclusively on tropes to survive, even its influences trodding well-worn horror paths from Fulci, to Night of the Living Dead and Texas Chainsaw Massacre.
Despite House by the Cemetary’s adherence to a strict, almost Lite Brite® death metal template, there were a couple of moments on Disturbing the Cenotaph that drew my attention. One track I gladly revisited was “Massive Cadaver Resurrection,” with its very late-era Carcass vibe filled with a nice groove and some steely melodicism that spilled over into follow-up song “Undead Apocalypse,” which seemed to use the same set of notes as its predecessor but employed them at a slower, doomier pace; the track easily evoking images of a street filled with lumbering zombies. Notwithstanding these two songs, the only ones on the album that flirt around the four-minute mark as well, for what it’s worth, there’s not a lot on Disturbing the Cenotaph that elevates House by the Cemetary out of that vast ocean of also-rans.
https://www.angrymetalguy.com/wp-content/uploads/2025/12/House-by-the-Cemetary-Band-Photo-500x368.jpg
Disturbing the Cenotaph is plagued with many of the same flaws as the last Rogga project I reviewed, Leper Colony, which also had a very paint-by-numbers approach. There are a couple of remaining factors, however, that save Disturbing the Cenotaph, albeit tenuously, from suffering a similar fate. For one, Mike Hrubovcak is a hell of a death metal vocalist, and his discernible yet deadly growls, howls, and screams go a long way toward keeping House by the Cemetary from sinking to the bottom of the death metal sea. Second, Håkan Stuvemark’s (WOMBBATH) mix is surprisingly warm and makes Disturbing the Cenotaph a pretty easy listening experience, though, comparatively speaking, “Chopsticks” is still “Chopsticks,” even if it’s mixed with a DR of 11.
There’s nothing wrong with simple. In fact, I love me some simple, knuckle-dragging death metal if, even in its simplicity, it can move me. My problem with Disturbing the Cenotaph, despite its great vocals and warm production, is that it feels lifeless and void of any real power. I’m comforted in knowing I can get a quality fix of Hrubovcak’s vocals by revisiting Monstrosity or Hypoxia, and of Rogga’s riffs, by way of Ribspreader or Paganizer. As it stands, I might throw “Massive Cadaver Resurrection” on a 2025 playlist, but beyond that, I will not be returning to Disturbing the Cenotaph beyond this review’s final period.
Rating: 2.0/5.0 DR: 11 | Format Reviewed: 320 kb/s mp3 Label: Pulverised Records Website: Bandcamp Releases Worldwide: December 12, 2025
The Good Country Index measures what countries contribute to the world outside their own borders, and what they take away: it’s their balance-sheet towards humanity and the planet
Would be interesting to see what multinational experts (for lack of a better term) think about the list. Hungary at #20 was a surprise to me, even moreso due it being #1 in science & technology(!)
https://www.angrymetalguy.com/wp-content/uploads/2025/11/Anterbila-Avart-01-350x350.jpgBilled as blackened folk metal and boasting a sound that will remind listeners of the aughts-era Darkthrone, Änterbila1 returns with sophomore album Avart. Three years removed from their self-titled debut, the foursome from Gävleborg County, Sweden, retains the core sonic principles of Änterbila and dunks them into the muck, invoking a darker, grimier aura. Where the plight of peasantry informed Änterbila’s sensibilities, Avart looks to national folklore for inspiration. Rather than interpreting that folklore through the eyes of those who passed the stories on, though, Avart revisits lore from the perspective of the other side, the witch to Grimms’ Hansel und Gretel, imparting a sinister edge to the music. Is Änterbila’s latest platter sharp enough to brandish, or does it need more time with the honing rod?
The marriage of black and folk metal can take different forms, with folk infusions coming from instrumentation, melodies, and/or folk and pagan themes. **Änterbila offers all of them, but presented disparately as stark components rather than fused together as an interconnected whole. Bookend instrumentals “Låt till Far” and “Eklnundapolskan” feature strings, a bagpipe, and choral harmonies between them, not unlike Saor or Summoning. These tracks conjure rustic firesides with an air of excitement as strange tales are told around them. Avart’s other six tracks are categorically different, hovering between pagan-leaning, late-eighties Bathory (“Kniven”) and the punky pluck of early Vreid (“Jordfäst”). I even catch a whiff of Bizarrekult (“Årsgång”) in the midst. None of the flavors are bad on their own, but without more cohesion, they’re a bit confusing on the same plate.
Avart is a lively affair, with snappy licks, punky riffs, and burbling kick rolls that whisk listeners through half an hour of sprightly black metal. Bandleader and founder Jerff wields axe and vocal duties, with Raamt abetting in six-string antics. The guitars trem pick their way through Avart, embracing an unadorned style that takes a few simple melodies, interchanges them every now and then, and rides through four or five minutes. There’s nothing inherently wrong with this stripped-down approach, but without more distinctive hooks or emotive vocals, the songs bleed together. Drop me in the middle of any of the songs, and I’ll have a tough time naming which one it is unless Jerff repeats the title several times (“Kniven,” “Jordfäst”). Another issue Änterbila grapples with throughout Avart is repetition. Even with such a compact runtime, there’s not always enough substance to justify track lengths. “Jordfäst” could explore its ideas in two-thirds the time, for example, but instead pushes them past optimal duration. As it currently stands, there’s enough material for a solid EP, but relentless refrains without variations make shallow wells, and drawing from them too often becomes tedious.
Änterbila’s strengths lie in creating a dangerously charming atmosphere and not overstaying their welcome. Avart’s old school production underscores its low-fi mood, perfect for settings of yore where things lurking within shadows go bump in the night. Even though the mix isn’t polished, it ably captures Svaltunga’s punchy bass and drummer Monstrum’s quadrupedal onslaught. There flows an energy in the music that crackles with roguish vigor, and it’s here that Änterbila excels. It’s a shame lyrics weren’t included as part of the press kit since dark folklore provides such fertile ground for music. Understanding what the (presumed) native Swedish translates to could have heightened my appreciation for what secrets Avart holds. Still, the runtime is trim and helps deflect some of the monotony of simpler song structures, keeping the overall package easily digestible.
Änterbila possesses all the ingredients for a rollocking good time, but fumbles with the recipe. The folk metal tag is a bit misleading, and given that the folk elements are so well-executed in the intro and outro, it’s disappointing that Änterbila didn’t incorporate them throughout the entire album. Doing so could have thwarted the uniformity across the remaining songs, adding dynamism and a through-line that brings everything together with reinforced congruity. Every time I spin Avart, I hope to find something I’d missed previously, because I want to like it more than I do. Avart seethes with potential, and while I don’t regret any of the time I spent with the album, I don’t expect to return to it, either. Hopefully, the next iteration delivers on the promise Änterbila has established here.
The fingerprints of Russia and Saudi Arabia are all over the decision text in Brazil. But a group of nations led by Colombia and the Netherlands offer hope
COPs have been collective failure probably since #1. I've been following since #20 and were total shit and somehow managed to get shittier.
We can't pretend petrostates will play nice. We can't pretend power hungry countries will act in any way but short term greed under the maximum power principle.
We are going to have to work in trade blocs. Basically, countries that don't meet climate and environmental standards get tarrifed/embargoed from large trade blocks of compliant countries.
#Tournesol est un outil web open-source développé par une association non caritative, qui évalue la qualité des vidéos pour combattre les fake-news et les contenus non recommandables.
I feel like it's all gotta be from #8 right? It makes it pretty easy to get >0 legitimately, seems like it would be hard for anyone working on black holes to not have a double digit score from that alone.
Though I could see some cheeky positive values from #13, assuming the theory is a well established one, Randi style. (Or #20 for the typo)
Great! I have bound your hands and feet using #20 steel wire from the very spool that I was spawned. Would you like to continue using one of these templates?
Ultimate Black Panther #20 has some crazy world-building and it's much better read than the first issues.
Ultimates #16 - As political as ever. It was great to see revolution from normal people perspective, and that cost to reclaim freedom can be very high.
This list is an absolute gem in finding what are the trending state-of-the-art open source programs. I have found so many cool open source projects I feel addicted to browsing more..
Amsterdam verbietet Werbung für Fleisch ( taz.de )
Vorreiter Amsterdam: Der Gemeinderat der niederländischen Hauptstadt erlässt ein Werbeverbot für Wurstwaren und andere Klimaschädlichkeiten.
ComicList: New Comic Book Releases List for 01/21/2026 ( gocollect.com )
List is up! Let's see here.. ...
January 21's New Marvel Comics: The Full List ( www.marvel.com )
I feel like I haven't heard from Joe Biden in a while
I wonder what he's up to very-smart
Starship Development Thread January 2026
SpaceX Starship page ...
An Anarchist FAQ Reading Group - Section C.4 - Week #19, Week #20
Hey y'all! Here we are reading and discussing Section C.4 of AFAQ the following 2(!) weeks, which is about why does the market become dominated by Big Business! ...
The 2025 Hater’s Guide To The Williams-Sonoma Catalog | Defector ( defector.com )
https://lemmy.world/pictrs/image/54f8f8df-7677-4596-9215-9dd564979e14.png ...
15 Signs Linux Is Not For You ( itsfoss.com )
You love giving your data away ...
The Good Country Index ( index.goodcountry.org )
The Good Country Index measures what countries contribute to the world outside their own borders, and what they take away: it’s their balance-sheet towards humanity and the planet
Another Cop wrecked by fossil fuel interests and our leaders’ cowardice – but there is another way ( www.theguardian.com )
The fingerprints of Russia and Saudi Arabia are all over the decision text in Brazil. But a group of nations led by Colombia and the Netherlands offer hope
Mandelson pees in street – but why is no one questioning his pedo friends? ( www.thecanary.co )
Kensington and Chelsea Council are investigating disgraced US ambassador Peter Mandelson for pissing in the street. ...
What old movies hold up because of a lack of special effects or because clever use of effects?
What older movies made a good use of either side stepping special effects or have effects that somehow still hold up today? Why are they good movies?
Croissance & PIB, les limites (avec Heu?reka !) ( skeptikon.fr ) French
Bienvenue sur ma chaîne ! Pensez à vous abonner ! ...
xkcd #3155: Physics Paths
xkcd #3155: Physics Paths ...
Top 10 drunkest countries
For only the most sophisticated readers
[German Literature, Fandom, Academia] Perry Rhodan! Peacelord of the Universe! Heir of the Cosmos! -- Or: Is all sci-fi inherently fascist? ( old.reddit.com )
This is an automated archive made by the Lemmit Bot. ...
I picked up these 4 Pratchett books! Haven't read him before; recommendations for them?
https://lemmy.world/pictrs/image/83114c80-f1d2-4539-bf7e-c762cba9cd27.jpeg ...
ComicList: New Comic Book Releases List for 09/17/2025 ( gocollect.com )
New list is up! They used the same pic as last week, huh? Oh well, let's see here.. ...
I got hooked on browsing openalternative.co is "Most Popular" list ( openalternative.co )
This list is an absolute gem in finding what are the trending state-of-the-art open source programs. I have found so many cool open source projects I feel addicted to browsing more..