I took these two indoor solarigraphy photos in my attic, using the windows through which a lot of light entered during sunset. I took the same shot with two cameras: a Braun Paxina IIb and a Polaroid EE33. I am very happy with the result of the first photo, but unfortunately the second one did not turn out well. The Polaroid is powered by two AA batteries, and the shutter can only stay open for just over a week (without mods), which is not enough for indoor solarigraphy. In addition, it does not have a tripod mount, so I could not set it up securely.
Despite that, I am very happy that I was able to bring back to life the Polaroid camera for which film cartridges have long been out of production. Now I have set up my Polaroid in a different location, secured it, ensured stability and plenty of light, and I am still testing it. The results will be available soon. 😊 Thank you all for your comments and reactions! 🙏
The exposure time was 31 days for the Paxina and was intended to be 32 days for the Polaroid, but it ended up being approximately 7 days.
This is one of my first three solarigraphy shots. The exposure time was 34 days.
Unfortunately, I set the angle incorrectly, but you can partially see the paths of the setting sun in the sky. You can see when the sky was clear during sunset and when it was not. I set the same frame on two wider 6x9 cameras to capture as much of the sun as possible during the day, until sunset. The results will be available in the coming month or two! 😅
Last autumn days in Norway. We passed by an old historic farm and were lucky to be the only people visiting the heritage farm with its colourful houses. The sun brought warmth and beautiful light as it crossed the surrounding mountains. Green meadows and trees, still unaware of the upcoming snow.
The image by European Elopement and Wedding photographer Sturmsucht depicts a tranquil, rustic scene in mountainous Norway, illuminated by warm, golden sunlight. In the foreground, a woman with long reddish-brown hair, wearing a dark flowing dress and a white top, walks up a gentle grassy path to the left, suggesting a peaceful stroll. To the right, two traditional wooden houses stand side by side: the closer one is deep red with horizontal planks and a steeply pitched, moss-covered terracotta roof; the other, slightly behind, is made of weathered brown wood with a prominent white-framed window and a white chimney. A rustic wooden fence winds through trees in the middle ground. In the distance, rolling green hills and a hazy mountain ridge stretch beneath a soft, partly cloudy sky. Lush foliage and scattered trees enhance the natural beauty. The overall atmosphere is one of quiet rural charm, evoking an old village or farmstead nestled in a serene valley.
After months of building and refining, Frames for iPhone is finally reaching a new level of maturity and stability. Seeing it in action makes me proud of what’s been accomplished.
Next up: bringing the same thoughtful experience to Android. Excited to tackle this next chapter!
A man in dark, short clothing takes a photo of a woman wearing a hat and a brown blouse sitting on a rock. She has blond hair. In the background, you can see a bay with cliffs and the sea.
📷 Going #retro! I took an old 1950s box camera (Kodak Duaflex II) out for a wander through an abandoned car graveyard. To make things even more fun, I loaded up with an interesting film!
This #MediumFormat film has an unique look, muted & desaturated grainy vibes the photos looks like an Instagram filter. No edits, no tweaks. Just scanned the film after developing.
Crisis is a liturgy of steadiness. You do not command the wind; you learn to still your hands as it moves through you. The Rolleiflex does not forgive—two lenses seeing slightly different worlds, forever arguing about what is real, a wedge of glass bending one lie toward another until they almost agree. Each exposure is a ritual of control without control—pre-focus, rock forward, exhale, surrender. The bee kneels to the aster; the photographer kneels to the frame. Breath meets the shutter; discipline meets devotion. You do not conquer the moment—you offer yourself to it, perfectly still, knowing it will hurt you if you move.
Two black sheep with white heads are looking towards the camera out on a green field. There are more black sheep grazing. The field is in shadow, while the fells in the background are illuminated by the setting sun. The fells are covered in small white dots, which are white sheep.
The picture shows a mountain lake surrounded by tree-covered rocks. Two boats are floating near the shore. The sun is shining onto the lake and the trees through a layer of clouds giving the scene a warm and calm feeling.