Artist Sculpture / Photography

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The Killing of A. Pretti, 2026
screen light on analogue photo paper
18 x 13 cm

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The Killing of R. Good, 2026
screen light on analogue photo paper
18 x 13 cm

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Max Leiß
Hand , 2025
Robinia wood, 22 x 11 x 5.5 cm

recently, some sculptures in the series show anomalies

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Max Leiß
Hand , 2025
Arolla pine, 30 x 11 x 5 cm

I guess I can‘t stop working on this series these days because I urge to find some humanity

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so, I hope art will somehow help us to work for a better world in 2026, engage against injustice, genocide and ecologic destruction.
art doesn’t seem to be very effective in that sense but maybe the search for beauty, mystery and reason still helps to keeps up hope. pathetic enough - have a good start everyone!

untitled, 2022
screen light on analogue photo paper, 18 x 13 cm

MxL OP ,
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thanks! three would already be a lot, as they say ;)

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fascism rising (später war es zu spät)
2020, screen light on analogue photo paper, 13 x 18 cm

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this work will be on view at the exhibition „One hundred“ at Tony Wuethrich Galerie, Basel, opening this Saturday, Dec 6

untitled (screen light print)
2022
Fine Art Print, framed
34 x 24 x 3 cm

MxL OP ,
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thank you!

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  • MxL OP ,
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    thanks!

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    Max Leiß
    untitled (screen light print), 2024
    analogue print, 18 x 13 cm

    „Gewiß macht die Schönheit keine Revolutionen, aber der Tag kommt, da die Revolutionen ihrer bedürfen. Ihr Gesetz, das die Wirklichkeit bestreitet und ihr zugleich die Einheit gibt, ist auch das der Revolte. Kann man ewig die Ungerechtigkeit zurückweisen, ohne aufzuhören, die Natur des Menschen und die Schönheit der Welt zu grüßen?
    Unsere Antwort ist: ja. Diese unbotmäßige und zugleich treue Moral ist auf jeden Fall die einzige, den Weg einer wahrhaft realistischen Revolution zu erhellen. Indem wir ihre Schönheit erhalten, bereiten wir den Tag ihrer Wiedergeburt vor, da die Zivilisation in den Mittelpunkt ihrer Gedanken, fern von den formalen Prinzipien und den erniedrigten Werten der Geschichte, jene lebendige Kraft stellen wird, welche die Welt und Menschen gemeinsame Würde begründet und die wir nun zu definieren haben gegenüber einer Welt, die sie beleidigt.“
    Albert Camus, Der Mensch in der

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    Max Leiß
    untitled (screen light print), 2024
    analogue print, 18 x 13 cm

    my eyes are burnt, my brain hurts.
    I accuse both my German and Swiss governments of severely violating their obligations deriving from the Genocide Convention, the Geneva Conventions and other intransgressible principles of international humanitarian law, facing the horrifying war crimes against palestinian civilians, children, and international journalists.
    Strong actions against all war crimes, stop the double standards

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    Max Leiß
    untitled (screen light print), 2024
    analogue print, 18 x 13 cm

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  • MxL OP ,
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    its the working model in plaster, so there are small nails where to point with the tool that helped to copy into marble- coordinates in space, yes

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    @ArcangeloAmbrosi
    thanks! what is power carving? so I guess its traditional :)

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    Max Leiß
    Le studio imaginaire (Kattahaus), 2012
    silver gelatin print (2015), framed, 90 x 129 x 4 cm

    currently exhibited at Filiale Basel

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    Max Leiß
    Le studio imaginaire (Quai du Maroc), 2019
    silver gelatin print (2025), framed, 32 x 25,5 x 3 cm

    currently exhibited at Filiale Basel

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    Max Leiß
    Le studio imaginaire (Île de Frioul), 2013
    silver gelatin print (2025), framed, 32 x 25,5 x 3 cm

    currently exhibited at Filiale Basel

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    indeed a magic place

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    Max Leiß
    Reclining figure, 2023, (detail) stainless steel, 90 x 510 x 12 cm

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    inauguration of „Wegstücke“, 2025, sculpture for public space at Kunstmeile Recklinghausen.
    Looking forward!

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    Max Leiß
    Blinded, 2023
    screen light on analogue photo paper, framed
    33 x 26.5 x 2.5 cm

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    Max Leiß
    Blinded, 2023
    screen light on analogue photo paper, framed
    42.6 x 32.8 x 2.5 cm

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    Max Leiß
    free Assange (screen light print), 2022
    analogue print
    22 x 12.7 cm

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    Max Leiß
    untitled (screen light prints), 2022
    analogue prints, various sizes

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    Max Leiß
    untitled (screen light prints), 2022
    analogue prints, ca. 13 x 9 cm each

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    Max Leiß
    untitled (screen light print), 2022
    analogue print, 18 x 13 cm

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    Max Leiß
    exhibition view from the solo show „Zeichensatz“ at Kunsthaus Baselland, Muttenz/Basel 2016