@xenophora@mastodon.art avatar xenophora , to random
@iotar@mastodon.online avatar iotar , to random

Why haven't there been significant Clyfford Still memes?

ALT
@xenophora@mastodon.art avatar xenophora , to random
@chantalart26@pixelfed.art avatar chantalart26 , to random
@isabellebonameaulemordan@pixelfed.fr avatar isabellebonameaulemordan , to random

Aïe aïe aïe, mon site s'est fait attaquer cette nuit, il est HS. Mon amie Inès est occupée à le réparer mais ça va prendre un peu de temps...
Cette peinture s'appelle Les virus.
Il s'agit d'aquarelles de toutes sortes dont des Ganzaï sur papier BFK Rives, il fait 25/33 cm.
Très bonne soirée à toutes et à tous !

Oh dear, my website was attacked last night and is now down. My friend Inès is busy fixing it, but it will take a little time...
This painting is called Les virus (The Viruses).
It consists of watercolours of all kinds, including Ganzaï on BFK Rives paper, measuring 25/33 cm.
Have a great evening, everyone!







@plastyczny@mastodon.social avatar plastyczny , to random Polish
@denosfrank@pixelfed.social avatar denosfrank , to random

My work in the exhibition 'Dans les collines' that opens today explores the psychological terrain between presence and absence, certainty and doubt. Many of the 17 pieces reflect an ongoing interest in internal conflict—how unresolved emotions, memory, and perception shape our experience of the world and of ourselves. Through layered surfaces, ambiguity in form, and shifts in tone, I aim to create spaces that hold contradiction without needing to resolve it.
The Profanities series, for instance, examines how parts of ourselves that feel difficult or disruptive are often the most revealing. These works question the boundary between vulnerability and visibility, and the emotional cost of being witnessed without true understanding. Other paintings, rooted more in landscape or atmosphere, reflect on movement, transition, and the quiet tension between belonging and dislocation.
Underlying much of the work is a desire to slow down perception—to invite reflection on what is emerging, fading, or quietly persisting beneath the surface. Whether pointing to frustration, renewal, or emotional suspension, each piece traces the shape of experience as it unfolds, never entirely fixed, but always deeply felt.

https://expodanslescollines.com/frank-den-os

Festive opening by the vice president of the Indre department today at 18h00.

@plastyczny@mastodon.social avatar plastyczny , to random Polish
@plastyczny@mastodon.social avatar plastyczny , to random Polish
@plastyczny@mastodon.social avatar plastyczny , to random Polish
@plastyczny@mastodon.social avatar plastyczny , to random Polish

Wassily Kandinsky
Moscow Zubovskaya Square Study
1916

@plastyczny@mastodon.social avatar plastyczny , to random Polish
@frankdenos@pixelfed.art avatar frankdenos , to random