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Joined 2 years ago
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Cake day: July 25th, 2024

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  • They can set the asking price to whatever they want but I have zero interest in the “why” in terms of a high price, which for me is anything over about £450. Anything more than that and it simply isn’t appealing to me. I don’t care whether that’s reasonable or not in terms of their costs. My wallet cannot in any form justify anything more on what is primarily a toy. It’s one of the reasons I don’t have a current gen console but have had at least one from each generation going back to the mid 1990s.

    If you ask more than I’m willing to spend, no sale. Sorry, guys.






  • Sigh, I was trying to meet you in the middle. I’m in no mood to fight with you.

    Edit: It’s a new day and I see people have decided to upvote you so fuck it, arsehole mode is go.

    I was agreeing that a film doesn’t have to feel long despite being long, however whether a film feels long or not has no bearing on its runtime.

    Film length has no inherent bearing on whether a film is good or not, when well executed, and therefore I want more short films because I have time for them.

    BECAUSE IT DOESN’T MATTER FOR QUALITY PURPOSES, as you just said.

    I was not arguing about whether it “deserves” to be long. That’s an entirely different question and fuck off for trying to put words in my mouth. Couldn’t just not be a cunt, could you?



  • A well constructed film does not feel rushed in a shorter run time.

    I like long films, like really long ones. Ones where the length is part of the experience. For example, I loved Apocalypse Now Redux.

    What I don’t like is films that are substantially longer than they need to be. I don’t want them pared down, I want them built around the format their story suits rather than padded out. I like breathing room (mostly!) but it’s a fine line to walk.

    A good film opening gets on with things quickly, getting the viewer up to speed, but too often I find myself quoting Springfieldians from Marge vs. The Monorail - “GET TO THE MONEY!”