Computer / Software

Martinic revisit the Prodigy with a software version of this Moog classic.

True additive synthesizers are few and far between. And additive synthesizers with an accessible interface are almost non‑existent. Almost...

The new version of Scaler Music’s Carbon Electra soft synth incorporates intelligent tools from their Scaler 3 software.

Percussion lacking a certain something? Emergence Audio’s new Envoy instrument could be just the thing...

Steinberg’s spectral editor opens up yet more powerful processing options.

Hot on the heels of version 6, Pigments 7 brings workflow improvements, increased efficiency and some really rather special new effects.

Arturia’s software version of the Memorymoog may be better than the original...

HEDD’s Mk2 monitors and BASS subs now benefit from comprehensive remote control.

Toontrack turn EZkeys 2 into a musical time machine with their latest EKX expansion.

Cherry Audio’s take on the Crumar DS‑2 could be better than the original...

Since RX11 came out, there’ve been huge leaps in AI‑based audio repair and separation tools. iZotope’s boffin’s have now delivered their reply — can RX12 reclaim its crown?

Twenty‑five years is a long time in software, but NI’s Absynth is still with us, still green and still a force to be reckoned with.

When it comes to remote Atmos collaboration Source‑Connect 4.1 is currently the only game in town.

Can a piece of music software that’s almost as old as this magazine still inspire in 2026?