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Large photographic artwork showing a mound of straw or manure inside a worn, dimly lit chapel-like room with stained walls and tall columns.
Exhibitions at Galleria Lorcan O’Neill, Gagosian, and Sant’Andrea de Scaphis
Three side-by-side photos show a person in casual outfits: posing for a mirror selfie indoors beside a dog, embracing another person on a city sidewalk, and taking an outdoor selfie while holding up a peace sign. Faces are blurred.
“Sofia’s crime is not her betrayal of the documentarian’s fiduciary duty to biographical explication but the tasteful neutering of Marc’s histrionic import”
Alt text: A large black-and-white billboard image by Hudinilson Jr. installed on the facade of Martins&Montero in São Paulo, showing a close-up figure with pink lips.
Across São Paulo’s galleries, artists turn to screens, Xeroxes, and neons, breathing life into Brazil’s modernist and queer histories.
A color landscape drawing depicting a rocky outcropping in the foreground while in the background missiles go off and mushroom clouds rise
“One hopes that the tech barons expanding their empires into Reno understand that the city and its environs are not a blank slate”
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