BABAR, the detector for the SLAC PEP-II asymmetric e+e- B Factory operating at the γ resonance, was designed to allow comprehensive studies of CP-violation in B-meson decays. Charged particle tracks are measured in a multi-layer silicon vertex tracker surrounded by a cylindrical wire drift chamber. Electromagnetic showers from electrons and photons are detected in an array of CsI crystals located just inside the solenoidal coil of a superconducting magnet. Muons and neutral hadrons are identified by arrays of resistive plate chambers (...) inserted into gaps in the steel flux return of the magnet. Charged hadrons are identified by dE/dx measurements in the tracking detectors and by a ring-imaging Cherenkov detector surrounding the drift chamber. The trigger, data acquisition and data-monitoring systems, VME- and network-based, are controlled by custom-designed online software. Details of the layout and performance of the detector components and their associated electronics and software are presented. © 2002 Elsevier Science B.V. All rights reserved. (shrink)

This article is an investigation of the nature of suspension of judgement as it is conceived by Sextus Empiricus. I carry out this investigation by examining what I take to be Sextus’ most pertinent remarks on the topic and by considering them in the context of contemporary philosophical work on the nature of suspension. Against the more frequently encountered idea that Sextus is operating with a privative conception of suspension, I argue that Sextus instead has a metacognitive account of suspension, (...) whereby suspending constitutively involves acknowledging that one is not in a position to tell whether or not p. (shrink)

One of the most remarkable recent findings in developmental biology has been the colinear and homologous relationships shared between the Drosophila HOM‐C and vertebrate Hox homeobox gene complexes. These relationships pose the question of the functional significance of colinearity and its molecular basis. While there was much initial resistance to the validity of this comparison, it now appears the Hox/HOM homology reflects a broad degree of evolutionary conservation which has reawakened interest in comparative embryology and evolution.The evolutionary conservation of protein (...) motifs in many gene families (including those for growth factors, secreted and membrane bound signalling factors, adhesion molecules, cytoplasmic receptor kinases, nuclear receptors and transcription factors) has lead to speculation on the extent to which these homology relationships represent common developmental processes and underlying molecular mechanisms. Structural identities in a protein may indicate the biochemical/molecular function that a protein plays in cellular and developmental processes, without reflecting a conserved role in a cascade of developmental events. However, the analysis of genes encoding transcription factors has provided evidence suggesting that there are gene complexes in arthropods and vertebrates which are true homologues and which may share common roles in the specification of regional identity along embryonic A‐P axis. These genes comprise the Box/HOM‐C homeotic complexes. This review will detail some of the evidence for this proposed relationship and will speculate on the functional implications. (shrink)

Robustness has long been recognized as an important parameter for evaluating game-theoretic results, but talk of ‘robustness’ generally remains vague. What we offer here is a graphic measure for a particular kind of robustness (‘matrix robustness’), using a three-dimensional display of the universe of 2 × 2 game theory. In such a measure specific games appear as specific volumes (Prisoner’s Dilemma, Stag Hunt, etc.), allowing a graphic image of the extent of particular game-theoretic effects in terms of those games. The (...) measure also allows for an easy comparison between different effects in terms of matrix robustness. Here we use the measure to compare the robustness of Tit for Tat’s well-known success in spatialized games (Axelrod, R. (1984). The evolution of cooperation. New York: Basic Books; Grim, P. et al. (1998). The philosophical computer: Exploratory essays in philosophical computer modeling. Cambridge, Mass: MIT Press) with the robustness of a recent game-theoretic model of the contact hypothesis regarding prejudice reduction (Grim et al. 2005. Public Affairs Quarterly, 19, 95–125). (shrink)

It is becoming increasingly clear that the deepest problems currently exercising philosophers of mind arise from an ill-begotten ontology, in particular, a mistaken ontology of properties. After going through some preliminaries, we identify three doctrines at the heart of this mistaken ontology: (P) For each distinct predicate, “F”, there exists one, and only one, property, F, such that, if “F” is applicable to an object a, then “F” is applicable in virtue of a’s being F. (U) Properties are universals, not (...) particulars. (D) Every property is either categorical or dispositional, but not both. We show how these doctrines influence current philosophical thinking about the mind, suggest and defend an alternative conception of properties, and indicate how this conception provides answers to two puzzles besetting contemporary philosophy of mind: the problem of mental causation and the problem of qualia. (shrink)

In this monograph the author presents the special and general theories of relativity from a geochronometrical viewpoint. The amount of mathematics demanded is not too great, and one can get quite far along on the material on vectors presented early in the book. The first three chapters especially derive from the work of A. A. Robb several decades ago: they treat foundations of geochronometry, one-plus-one geochronometry and its generalization to a one-plus-three system. Later chapters cover such staples as the Lorentz (...) transformation, the metric and dynamical tensors, dynamical relationships of particles, accelerating and curving events, geodesics, and applications to the red-shift of spectral lines and bending of light-rays. The best introduction to the study of the foundation of physics is physics itself; so those philosophers interested in the foundations of relativity theory will find here a lucid and logically respectable exposition of that theory, and in that way an understanding of its fundamentals and problems will be reached.—P. J. M. (shrink)

Book Reviews K. Robb, Literacy and Paideia in Ancient Greece. New York: Oxford University Press, 1994. Pp. x + 13o. Cloth, $45.oo. Robb's book can perhaps best be viewed in the context of previous studies of orality and literacy in the ancient Greek world, especially those of E. A. Havelock: Preface to Plato , The Literate Revolution and Its Cultural Consequences , and The Muse Learns to Write . Havelock's work has stimulated much discussion, some of it still very polemical (...) , and insofar as Robb shares some of Havelock's beliefs about the influence of alphabetic literacy on Plato and other representatives of the so-called "Literate Revolution," he is vulnerable to similar criticisms. And yet Robb claims not only Havelock among "oralist pioneers" , but also such diverse scholars as P. Friedl/inder, J... (shrink)

John Robb é professor do Departamento de Arqueologia e Antropologia da Universidade de Cambridge, no Reino Unido. Texto traduzido por Fernando Ozorio de Almeida (Dept. Arqueologia, UERJ) e revisado por Lavínia Fávero (editora e tradutora). O telefone celular na cultura medieval tardia: um ensaio tecnológico[1] John Robb Departamento de Arqueologia e Antropologia, Universidade de Cambridge (Reino Unido) Nota do autor: esse artigo é uma reflexão ambígua sobre a cultura material, experimentalmente….

ABSTRACT In American-British philosophy around the turn of the twentieth century, every philosopher and their dog had something to say on time. Thinkers worried about our experience of time, and the metaphysics of time. This introduction to the special issue, Time in American-British Philosophy 1880s-1930s, investigates that obsession, explaining how its philosophers spilled pints of ink on time, and produced the first-ever surveys of time. I historically contextualise their work and explore some of its driving causes, including experimental psychology of (...) time perception, and theological worries over evolution. This article concludes by surveying the rich, wide-ranging papers within this collection, covering time in Shadworth Hodgson, William James, Mary Calkins, Victoria Welby, Bertrand Russell, G. E. Moore, A. A. Robb, Alfred North Whitehead, Norman Kemp Smith, J. M. E. McTaggart, Karin Costelloe-Stephen, Hilda Oakeley, May Sinclair, and George P. Adams. (shrink)

Questions about the status of literary truth are as old as literary criticism, but they have become both more intricate and more compelling as literature has grown progressively more self-conscious and labyrinthian in its dealings with "reality." One might perhaps read The Iliad or even David Copperfield without raising such issues. But authors like Gide , Nabokov, Borges, and Robbe-Grillet seem continually to remind their readers of the complex nature of literary truth. How, for instance, are we to deal (...) with a passage like the following from William Demby's novel The Catacombs:"When I began this novel, I secretly decided that, though I would exercise a strict selection of the facts to write down, be they 'fictional' facts or 'true' facts taken from newspapers or directly observed events in my own life, once I had written something down I would neither edit not censor it ."1What does this sentence mean? When an apparently fictional narrator distinguishes between "fictional" and "true" facts, what is the status of the word "true"? It clearly does not mean the same as "fictional," for he opposes it to that term. Yet it cannot mean "true" in the sense that historians would use, for he calls what he is writing a novel, and even if he quotes accurately from newspapers, the events of a narrator's life are not "historically" true. · 1. William Demby, The Catacombs , p.93. Peter J. Rabinowitz, assistant professor at Kirkland College, is currently working on articles on Raymond Chandler, Faulkner, and Dostoyevsky and is, as well, a music critic for the Syracuse Guide. He wrote his doctoral dissertation in comparative literature on the philosophical implications of Nabokov's use of humor and terror. "Truth in Fiction" is the first article he has had published in a scholarly journal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE DISTINCTION BETWEEN RES SIGNIFICATA AND MODUS SIGNIFICANDI IN AQIDNAS'S THEOLOGICAL EPISTEMOLOGY GREGORY RoccA, O.P. Dominican School of Philosophy and Theology Berkeley, California ST. THOMAS AQUINAS often refers to the distinction between res significata and modus significandi. He asserls that, whie the :absolute and analogical predicates of positive theology may be pveditcated of God with regard to their RS,1 they mrust,be denied of God with regard to their MS.2 (...) The distinotion, then, is an imporlant element in his 1 For brevity's sake I will refer to res significata, by RS and to modus significand.i by MS; I will also speak of the res/modus distinction. The following abbreviations for Aquinas's works will be used: BDH=Flropositio in librum Boethii De hebdomadibus (Marietti ed., 1954); DA=the disputed question De anima (ed. J. H. Robb [Toronto: PIMS, 1968]) ; DDN=Flropositi super librum Dionysii De divinis nominibus (Marietti ed., 1950); DP=De potentia (Marietti ed., 1949); DSS=De substantiis separatis (Leonine Commission, vol. 40, 1969); DV=De veritate (Leonine Co=ission, vol. 22, 197276 ); Herm.=Sententia libri Peri hermeneias (Marietti ed., 1955); John= Leotura super Johannem (Marietti ed., 1952); Meta.=Sententia libri Metaphysioorum (Marietti ed., 1950); Phys.=Sententia libri Physioorum (Marietti ed., 1965) ; Quod. = Quaestiones quodlibetales (Marietti ed., 1956) ; BOG= Summa contra gentiles (Marietti ed., vols. 2-3, 1961) ; SDO=Eropositio super librum De causis (Marietti ed., 1955) ; SS=Scriptum super libros Sententiarum (Paris: Lethielleuro, 1929, 1933, 1947); ST=Summa theologiae (Alba/ Rome: Editiones Paulinae, 1962). The English translations are my own. For Thomas's positive theology of the divine names, see Gregory Rocca, "Analogy as Judgment and Faith in God's Incomprehensibility: A Study in the Theological Epistemology of Thomas Aquinas" (Ann Arbor: University Microfilms International, 1989) 540-615. 2 A characteristic text: "In every name predicated by us [of God], imperfection is found with respect to the name's mode of signifying [MS], 173 174 GREGORY ROCCA, O.P. theological epistemology and onomatofogy.3 For some, however, the distinction wou1d ultimately lead us back to the univocist camp of Duns Scotus,4 for they see it as hiding within itself 1 a latent core of univocity. One writes that the predication involved in 1anafogy of attribution is both univocal and equivocail: " It is univocal, insofar as it ai1ways denotes the siame proprietas rei; it is equivoca,J since, through a differrent modus significandi, it •connotes ' a different existentiail mode of the denoted proprieta.'J." 5 Another writes, in simil.ar fashion, that "the :same property is signifi·ed, hut the way in which the property inheres in the subject is different." a Another contends tha;t the idis:tinJCtion between RS and MS is a" bogus distinction between what words realily mean and what they mean to us." 7 If the res/niodus distinction is an imwhich does not belong to God, though the thing signified [RS'] is suitable to God in some eminent manner " (SOG l.30.277) ; the same sentiment is found in many other texts such as SS L35.LL ad2 and ST l.13.3. Thomas often explains the saying of Pseudo-Dionysius, that negations about God are true while affirmations are vague, by claiming that affirmations are true as regards their RS but not as regards their MS (SS l.22.l.2. adl; l.4.2.l. ad2; SOG l.30.277; DP 7.5 ad2; ST l.13.12. adl; SDO 6.161). a Hampus Lyttkens, however, thinks the distinction plays no essential role in Thomas's theory of the divine names (" Die Bedeutung der Gottesprltdikate bei Thomas von Aquin," N eue Zeitschrift fur systematisahe Theologie und Religionsphilosophie 6 [1964] 277-80). Klaus Muller claims the application of the res/modus distinction to the divine names " says really nothing at all" (Thomas van Aquins Theorie und Praxis der Analogie. Der Streit um das rechte Vorurteil und die Ana,lyse einer aufsohlussreichen Diskrepanz in der "Summa theologiae ", Regensburger Studien zur Theologie 29 [Frankfurt am Main/Bern/NY: Peter Lang, 1983] 100). 4 See Richard Swinburne, The Coherence of Theism (Oxford: Clarendon, HJ77) 78-80. s Jan Pinborg, Logik und Semantik im Mittelalter: liJin uberblick, Afterword by... (shrink)

In his rieview-like outline the author gives us a view of an important stream of the American and English philosophical thought of the XXth century, which has been unjustly neglected. First he briefly describes the five generation waves of the American personalism - from G. H. Howinson, J. W. E. Bowen, P. A. Bertocii. M. L. King up to C. R. Robb. He sheds light on the specific aspect of the development of this stream in Great Britain. Further, he examines (...) the mean sterams of the Anglo-American personalism, its idealiastic as well as its realistic branches. He presents all sterams of these two branches, emphasizing their respective characte_ristic features in the works of their important representatives. More than hundred representatives of personalism proof the manifold of the interpretations of the fundamental concept of the person. (shrink)

The main project of this dissertation is to analyze various temporal conceptions of modality for discrete n-dimensional spacetime. The first chapter contains an introduction to the problem and known results. Chapter 2 consists of a study of logics which are analogues of the so-called 'logic of today and tomorrow' and 'logic of tomorrow' investigated by Segerberg and others. We consider the analogues of these successor logics for 2-dimensional integral spacetime. We provide axiomatizations in monomodal and multimodal languages and prove completeness (...) theorems. We also establish that the irreflexive successor logic in the "standard" modal language is not finitely axiomatizable. ;Chapter 3 investigates the axiomatization problem for 2-dimensional integral spacetime frames with Robb's irreflexive 'after' relation. We provide an axiomatization in a multimodal language and prove that this axiomatization is complete. We use this result to prove the system in the "standard" modal language is decidable. ;In Chapter 4 we take up the problem of what the correct Diodorean modal logic is for 2-dimensional integral spacetime. We show that the corresponding Diodorean modal logic is not S4.2, nor indeed any known modal system. We then present several candidate axioms and prove their independence in the context of S4.2. We also study some of the sublogics of the Diodorean modal logic for 2-dimensional discrete spacetime . ;The final chapter contains some general results. First we prove that for every n ≥ 2 the n-dimensional frame determines a unique Diodorean modal logic. We also consider temporal logics in the language with F and P for two kinds of irreflexive spacetime frames. We prove that for every n ≥ 2 the n-dimensional frame with Robb's 'after' relation determines a unique temporal logic. We also prove a generalized completeness theorem for n-dimensional irreflexive successor logics. Finally, in an appendix, we provide a list of selected open problems and indicate directions for future research in this area. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Elliot Rubinstein BUÑUEL'S WORLD, OR THE WORLD AND BUNUEL* THE line OF descent from Surrealist cinema to chosiste fiction—the line which all the remarks that follow are meant at least to trace—is, if not direct, surely collateral. But the genealogy is so complex as to resist detailing in a brief paper. What I offer may be taken for preliminaries, observations on the cinema of Bunuel prompted in large part (...) by a rereading of Robbe-Grillet's For a New Novel. ' The world of any Bunuel film is first of all, in William S. Pechter's phrase, the worst of all possible.2 But the phrase misleads, implying that better worlds are imaginable, let alone photographable, let alone otherwise available. Neithersexual fascination {L'Aged' or, El [ This Strange Passion], Ensayo de un crimen [The Criminal Life ofArchibaldo de la Cruz], Abismos de pasión [Wuthering Heights], Diary ofa Chambermaid, Belle de Jour) nor faith (Nazartn, Robinson Crusoe, Vindiana, The Milky Way), nor any other agency of spiritual transcendence delivers us to a world fit for human habitation. Trailing clouds, but not of glory, do we come, and beneath these clouds we proceed to make fools and martyrs and killers of one another, of ourselves. Unhappily, such views, seized upon as novelties, leave Buñuel at the mercy of some of the most sophomoric adulators ever to hound a major artist. Happily, Buñuel's vision justifies his views; happily, his career transcends his vision. His particular achievement is the sheer variety of worlds he has discovered or reanimated, none quite like *This article, and the one by Stanley Cavell which follows it, grew out of remarks presented at the annual convention of the Modern Language Association, December 30, 1977. The title of the symposium was "Chosisme and the Cinema: the Perception of Physical Reality in Cinema and Literature." 237 238Philosophy and Literature another except in the way it is seen—and each the worst of all possible. The world of Nazartn appears, on the relentlessly gray surface of its film stock, the most conventional in any of Buñuel's works. (I am not thinking of, for one must try to think as little as possible of, some of the potboilers Buñuel had to produce during his Mexican captivity of the late 1940s and 1950s.) Its story of a persecuted priest is left to progress without worrisome spatial or temporal discontinuities. The myth on which its story feeds, explicit in the title, is the most familiar of all, and the inescapable implications of the Quixote and of Dostoyevsky 's tale of the Grand Inquisitor further cater to our certainty of the correctness of our responses. The sole plainly Surreal moment occurs when the picture of Jesus on the priest's wall explodes into a wicked Bosch-like grin, but the image is subjective, "psychological," reflecting the delirium of a wounded prostitute whom the priest is sequestering, and seen only by her. Emotional valences are respected: there is nothing perplexing about the characters' reactions and interplayings. And things are in their place. Such an account of Nazartn recalls Robbe-Grillet's account of Balzacian fiction: All the technical elements of narrative—systematic use of the past tense and the third person, unconditional adoption of chronological development, linear plots, regular trajectory of the passions, impulses of each episode toward a conclusion, etc.—everything tended to impose the image of a stable, coherent, continuous, unequivocal, decipherable universe. Since the intelligibility of the world was not even questioned, to tell a story did not raise a problem. The style of the novel could be innocent, (p. 32) I trust there is no reason to belabor the frailness (I mean with respect to any reading of Balzac) of an argument that pushes to that last sentence. Still, the point is plain enough, and, in its way, and, in its limits, true enough. Because Nazarin (based, by the way, on a novel of Galdós) tells a story in an age when "To tell a story has become strictly impossible" (p. 33) it cannot lay claim to a place in the realm of New Narrative. But there is more to Nazarin than... (shrink)

Hegel opens the first book of his Science of Logic with the statement of a problem: “The beginning of philosophy must be either something mediated or something immediate, and it is easy to show that it can be neither the one nor the other, so either way of beginning finds its rebuttal.” Despite its significant placement, exactly what Hegel means in his expression of this problem and exactly what his solution to it is, remain unclear. In this book, Robb Dunphy (...) provides a detailed engagement with Hegel’s “problem of beginning”, locating it within Hegel’s account of significant approaches to the topic of beginning in the history of Western philosophy, as well as making an extended case for the influence of Pyrrhonian Scepticism on the beginning of Hegel’s Logic. Dunphy’s discussion of the various putative solutions that Hegel might be thought to put forward contributes to debates concerning Hegel’s views on the methodology of logic, the relation between his Logic and his Phenomenology of Spirit, and differences between his Encyclopaedia presentation of logic and that of his greater Science of Logic. Hegel and the Problem of Beginning also functions as a critical commentary on Hegel’s essay, “With what must the beginning of the science be made?” which should be of interest to both researchers and students working on the opening of Hegel’s Logic. (shrink)

Alfred A. Robb. THEOREM 54 If P1 and P2 be a pair of parallel inertia planes while an inertia plane Q1 has parallel general lines a and b in common with P1 and P2 respectively and if Q2 be an inertia plane parallel to Q1 through some ...

This volume is dedicated to questions about the nature and method of metaphysics in Classical German Philosophy. Its chapters offer original investigations into the metaphysical projects of many of the major figures in German philosophy between Wolff and Hegel. The period of Classical German Philosophy was an extraordinarily rich one in the history of philosophy, especially for metaphysics. It includes some of the highest achievements of early modern rationalism, Kant's critical revolution, and the various significant works of German Idealism that (...) followed in Kant's wake. The contributions to this volume critically examine certain common themes among metaphysical projects across this period, for example, the demand that metaphysics amount to a science, that it be presented in the form of a system, or that it should proceed by means of demonstration from certain key first principles. This volume also includes material on influential criticisms of metaphysical projects of this kind. Metaphysics as a Science in Classical German Philosophy is a useful resource for contemporary metaphysicians and historians of philosophy interested in engaging with the history of the methodology and epistemology of metaphysics. (shrink)

This book examines the progress of literacy in ancient Greece from its origins with the introduction of the alphabet in the eighth century to the fourth century, when the major cultural institutions of Athens became totally dependent on alphabetic literacy. Professor Robb introduces much new evidence and re-evaluates older evidence to demonstrate that early Greek literacy can only be understood in terms of the rich oral culture that immediately preceded it, one that was dominated by the oral performance of epical (...) verse, or "Homer". The eventual dependence of Athenian democratic institutions, notably law and higher education, on the technology of writing contributed to the "miracle" of Greece. (shrink)

In this chapter, Robb Dunphy is concerned with the nature of G.E. Schulze's scepticism as he presents it in his 1792 work Aenesidemus, and with its relation to the metaphysical projects of Kant, Reinhold, and later German Idealists. After introducing Schulze's text, Dunphy turns to a recent interpretation offered by Jessica Berry, who claims that the extent to which Schulze endorsed a genuinely Pyrrhonian Scepticism has gone unacknowledged, both by his idealist contemporaries and by the majority of the secondary literature (...) on the period. Berry suggests that this unacknowledged Pyrrhonism in Aenesidemus provides the resources for a more radical criticism of the German Idealists' scientific, systematic metaphysical ambitions, to which they remain fundamentally vulnerable. Despite agreeing that an exploration of Schulze's debt to Pyrrhonism represents a valuable addition to our understanding of his scepticism, in the latter parts of the chapter Dunphy suggests that the Berry's attribution of a Pyrrhonian Scepticism to Schulze should to some extent be rejected, and that such a scepticism is perhaps not quite as problematic for the projects of Kant and the German Idealists as she suggests. (shrink)

Recent discussions of mental causation have focused on three principles: (1) Mental properties are (sometimes) causally relevant to physical effects; (2) mental properties are not physical properties; (3) every physical event has in its causal history only physical events and physical properties. Since these principles seem to be inconsistent, solutions have focused on rejecting one or more of them. But I argue that, in spite of appearances, (1)–(3) are not inconsistent. The reason is that 'properties' is used in different senses (...) in the principles. In (1) and (3), 'properties' should be read as 'tropes' (properties here are particulars), while in (2) 'properties' should read as 'types' (properties here are universals or classes). Although mental types are distinct from physical types, every mental trope is a physical trope. This allows mental properties to be causally relevant to physical effects without violating the closed character of the physical world. (shrink)

A commonly raised criticism against celebrity culture is that it celebrates people who become famous without any connection to their skills, talents or achievements. A culture in which people become famous simply for being famous is criticized for being shallow and inauthentic. In this paper we offer a defence of celebrity by arguing against this criticism. We begin by outlining what we call the Talent Argument: celebrity is a negative cultural phenomenon because it creates and sustains fame without any connection (...) to the accomplishments that arise from an expression of talent or skill. By appealing to the metaphysics of talent and skill, we argue against the Talent Argument and propose that being a celebrity requires the skills that are necessary to acquire and maintain one’s status as a celebrity. A celebrity is more likely to be talented and successful in their expression of these skills, and even celebrities who are ‘famous for being famous’ will often display talents and skills that give rise to their fame. This means that those who critique celebrity culture should not do so by appealing to the Talent Argument. We show how our account of celebrity, talent and skill works to reject both the strong version of the Talent Argument, as well as a weaker and more plausible version of the argument we call the Valuable Talents argument. We conclude by noting that our analysis has demonstrated the need to explore more closely the kinds of skills that are necessary to cultivate celebrity status. This allows for a more nuanced understanding of what a celebrity is, and the values that are attached to celebrity culture. (shrink)

In an era of cancel culture, digital identities and thriving conversation surrounding parasocial relationships, we question today the nature of the celebrity, the scope of their power and influence, as well as the ethical issues these implicate. It is a wonder, then, that philosophy is a discipline that has, as of yet, contributed surprisingly little to this debate despite the growing philosophical literature on connected philosophical topics that serve as a starting point for the philosophical inquiry into the nature and (...) value of fame and celebrity. For example, the literature on the philosophy of admiration, achievement, skills and talents, epistemic authority, virtue and moral psychology can all serve to analyse the important questions arise when considering what fame is, and the way that it influences the way we live. Offering the first introductory overview of the key philosophical issues involved in the nature and value of fame and celebrity, this edited collection provides a new perspective and voice to the conversation. Divided into four parts, its first focuses on conceptual differences between fame and celebrity, the experience of being famous, how celebrities interact with the public, and what motivates people to desire or pursue fame. The second part of the volume explores fame and virtue as well as the ways in which ethical issues intertwine with fame, concluding with an examination of the nature of fame in relation to contemporary online culture. As digital technologies expand, cultural commentators remark that we are all becoming celebrities, scrutinized by the public gaze whether we like it or not. This book therefore answers a pressing need, for if celebrity culture continues to expand and consume our social lives, the case for a philosophical reflection on the nature and value of this culture becomes even more necessary. (shrink)

Originally published in 1921, this book presents a concise study of time and space relations by the renowned British physicist Alfred Robb (1873-1936). The text is one of a series of works on the topic of special relativity written by Robb from 1911 onwards. An appendix section is included. This book will be of value to anyone with an interest in special relativity, the development of physics and the history of science.

In this article I develop an interpretation of the opening passages of Hegel's essay ‘With what must the beginning of science be made?’ I suggest firstly that Hegel is engaging there with a distinctive problem, the overcoming of which he understands to be necessary in order to guarantee the scientific character of the derivation of the fundamental categories of thought which he undertakes in the Science of Logic. I refer to this as ‘the problem of beginning’. I proceed to clarify (...) the nature of the problem, which I understand to be motivated by a concern to avoid arbitrariness, and then to detail the nature of Hegel's proposed solution, which turns on understanding how the concept of ‘pure being’, understood in a specific sense to be both mediated and immediate, avoids the concerns about arbitrariness which accompany attempts to begin merely with something mediated, or merely with something immediate. On this basis, I offer a number of criticisms of alternative approaches to the beginning of Hegel's Logic. (shrink)

In this chapter I consider three different positions on the a priori/a posteriori distinction that have been attributed to Hegel, specifically in the context of the epistemology of the metaphysical claims he defends in his Realphilosophie. I outline and briefly provide evidence for a reading of Hegel that understands him to retain the distinction in question, but to hold that the metaphysical claims he defends in the context of his philosophy of nature and his philosophy of spirit typically involve elements (...) of both a priori and a posteriori knowledge. I then defend this interpretation against two competitors. The first of these also takes Hegel to retain the distinction, but holds that the conclusions of his Realphilosophie, like those of his logic, are principally to be understood as known a priori. The second takes Hegel to abandon the a priori/a posteriori distinction altogether. I argue that these alternatives are less compelling. (shrink)

This paper is an articulation and defense of a trope-bundle theory of material objects. After some background remarks about objects and tropes, I start the main defense in Section III by answering a charge frequently made against the bundle theory, namely that it commits a conceptual error by saying that properties are parts of objects. I argue that there’s a general and intuitive sense of “part” in which properties are in fact parts of objects. This leads to the question of (...) qualitative unity: in virtue of what are certain properties unified as parts of an object? In Section IV I defend an account of unity for complex material objects. It turns on the thesis that the properties of such objects are structural properties. After addressing some objections, I turn in Section V to the question of unity for simple material objects. Here a different and more radical account is needed, for simples, since they do not have structural properties, are not subsumed by the account of Section IV. I defend the view that a simple object just is a simple property, so that identity delivers the desired unity. (shrink)

This is about a proposed solution to the exclusion problem, one I've defended elsewhere. Details aside, it's just the identity theory : mental properties face no threat of exclusion from, or preemption by, physical properties, because every mental property is a physical property. Here I elaborate on this solution and defend it from some objections. One of my goals is to place it in the context of a more general ontology of properties, in particular, a trope ontology.

Talents often play a significant role in our personal and social lives. For example, our talents may shape the choices we make and the goods that we value, making them central to the creation of a meaningful life. Differences in the level of talents also affect how social institutions are structured, and how social goods and resources are distributed. Despite their normative importance, it is surprising that talents have not yet received substantial philosophical analysis in their own right. As a (...) result, the current literature is rife with conceptual ambiguity: a talent is referred to as all of a skill, potential, ability, capacity, endowment, and a natural gift. In response to this confusion, in this paper I develop an account of what a talent is, based on the debate concerning the metaphysics of ability and dispositions. I argue for a position that I call ‘talent dispositionalism’: S has a talent for skill A in circumstances C iff S has the general disposition to excellently develop and maintain A when, in circumstances C, she tries to excellently develop and maintain A. On this account, a talent is not the skill itself, but a general iterated ability for the excellent development and up-keep of a particular skill, constituted by an agent’s dispositional properties. I defend the account against four objections usually levelled against traditional dispositionalist theories of ability, and highlight some ways the account may influence debates in other areas of philosophical inquiry. (shrink)

Almost thirty years ago, in an attempt to undermine what he termed “the principle of alternate possibilities”.

This essay is concerned with a passage from §24 of Hegel’s Encyclopaedia, in which Hegel characterises the concepts or ‘thoughts’ developed in the discipline of metaphysics by saying that they ‘used to count as expressing the essentialities of things’. I begin by drawing attention to Hegel’s use of the past tense in this passage and suggest that it looks problematic for conceptual realist interpreters of Hegel’s idealism, who want, roughly, to attribute to him the view that thoughts or ‘thought-determinations’ express (...) the essentialities of things. I then develop this challenge with help from Robert Pippin, who takes Hegel, in this passage, to be rejecting the metaphysical projects of pre-Kantian European rationalism. If Pippin is right, then in this passage Hegel is in fact distancing himself from the view that conceptual realist accounts attribute to him. In the final part of the article, I re-examine some of Hegel’s remarks concerning the history of European metaphysics and offer an alternative, better explanation of Hegel’s use of the past tense in the passage in question, one which neutralises the objection to conceptual realist accounts of Hegel’s idealism. (shrink)

This paper argues firstly that the argument of Hegel's Phenomenology of Spirit is necessary for the justification of the beginning of his logical project, and secondly that Hegel's attempt to secure the beginning of his Science of Logic by relying upon the argument of the Phenomenology fails. I argue firstly that the position taken up at the beginning of Hegel's Logic is constructed in such a fashion that it relies upon the argument of the Phenomenology to justify it. I then (...) offer some support for the view of the relationship between the two texts defended by Maker in order to see how the two might be thought to be compatible. Finally, in the longest part of the paper, I offer a number of reasons for thinking that attempts to render the two compatible in this fashion fail. I therefore conclude that, as it stands, the beginning of Hegel's Logic is not secured against objection in the way that Hegel wants it to be. (shrink)

This is an account of Sceptical investigation as it is presented by Sextus Empiricus. I focus attention on the motivation behind the Sceptic’s investigation, the goal of that investigation, and on the development Sextus describes from proto-Sceptical to Sceptical investigator. I suggest that recent accounts of the Sceptic’s investigative practice do not make sufficient sense of the fact that the Sceptic finds a relief from disturbance by way of suspending judgement, nor of the apparent continuity between proto-Sceptical and Sceptical investigation. (...) I offer an alternative account which turns on the suggestion that the Sceptic accepts that justification is the norm of belief. (shrink)

Is Taylor Swift a philosopher? -/- What can her songs tell us about ethics and society? -/- What is the nature of friendship? -/- Should you forgive someone for breaking your heart? -/- Taylor Swift is a “Mastermind” when it comes to relationships, songwriting, and performing sold-out stadium tours. But did you know that Taylor is also a philosophical mastermind? -/- Taylor Swift and Philosophy is the first book to explore the philosophical topics that arise from Taylor Swift’s life and (...) music. Edited and authored by Swifties who also happen to be philosophers and scholars, this fun and engaging book is written with general readers in mind—you don’t have to be a devoted fan or a specialist in philosophy to explore the themes, concepts, and questions expressed in Taylor’s songs. -/- Presenting top-tier research and new perspectives on important contemporary issues, twenty-seven chapters discuss the philosophical contexts of Taylor’s work, such as the ethics of reputational damage, the impacts of first impressions, the moral obligation to speak out against injustice, and much more. -/- Taylor Swift and Philosophy is a must-read for Swifties who want to deepen their appreciation and understanding of Taylor’s work, as well as for philosophy students and scholars with an interest in popular culture and media studies. (shrink)

In this paper, I propose that Derrida’s writing on the impossibility of justice has the potential for fruitful dialogue with Ruth Chang’s contemporary account of practical rationality. For Derrida, making a just decision must always come with a moment of undecidability, a “leap” into the unknown with an experience of doubt and anxiety that continues to “haunt” the decision-maker. By contrast, in her work on rationality, Chang proposes that hard decisions are difficult to make because the alternatives are “on a (...) par,” such that there are no rational differences between the alternatives that would contribute to choosing one over the other. Hard decisions are made by expressing one’s own rational agency, generating will-based reasons to commit to or “drift” into one of the alternatives. Derrida writes of anxiety, doubt, and impossibility, yet Chang writes of commitment, agency, and rationality. Despite these differences, there are important comparisons and connections between the two accounts that are worth exploring. I suggest that the moment of the decision which Derrida describes as heterogeneous to knowledge can be understood as a moment of parity in which there is a lack of given reasons, as explained by Chang. Chang’s account of rational agency provides an interpretation of how decision-making is possible despite the undecidability as described by Derrida. This notion of commitment and agency as explained by Chang is not incompatible with Derrida’s insistence that the responsible decision is haunted by anxiety and doubt. Instead, I suggest that Derrida’s writing highlights uncertainty as central to understanding the nature of hard choices and how to navigate the demands of justice. (shrink)

In this article I consider Sextus’ account of the Five Modes and of the Two Modes in his Outlines of Pyrrhonism. I suggest that from these we can derive the basic form of a number of different problems which I refer to as “Agrippan problems,” where this category includes both the epistemic regress problem and the problem of the criterion. Finally, I suggest that there is a distinctive Agrippan problem present at the beginning of Hegel’s Science of Logic.

E.J. Lowe has recently proposed a model of mental causation on which mental events are emergent, thus exerting a novel, downward causal influence on physical events. Yet on Lowe's model, mental causation is at the same time empirically undetectable, and in this sense is "invisible". Lowe's model is ingenious, but I don't think emergentists should welcome it, for it seems to me that a primary virtue of emergentism is its bold empirical prediction about the long-term results of human physiology. Here (...) I'll try to restore emergentism's empirical status, but my broader aim is to use Lowe's model to explore some central topics in the mental causation debate, including the "causal closure" of the physical world and the nature of causal powers. (shrink)

Is simulation some new kind of science? We argue that instead simulation fits smoothly into existing scientific practice, but does so in several importantly different ways. Simulations in general, and computer simulations in particular, ought to be understood as techniques which, like many scientific techniques, can be employed in the service of various and diverse epistemic goals. We focus our attentions on the way in which simulations can function as (i) explanatory and (ii) predictive tools. We argue that a wide (...) variety of simulations, both computational and physical, are best conceived in terms of a set of common features: initial or input conditions, a mechanism or set of rules, and a set of results or output conditions. Studying simulations in these terms yields a new understanding of their character as well as a body of normative recommendations for the care and feeding of scientific simulations. (shrink)

A revelatory alternative to the standard economic models of human behavior that proposes an exciting new way to understand decision-making "Willful is a breakthrough in economics. Richard Robb's tremendously insightful book shows how much of our behavior is not explained by existing theories of human action and explains in sparkling prose why understanding decisions made seemingly without reason presents a fuller picture of our world."--Edmund S. Phelps, Nobel Laureate in Economics Why do we do the things we do? The classical (...) view of economics is that we are rational individuals, making decisions with the intention of maximizing our preferences. Behaviorists, on the other hand, see us as relying on mental shortcuts and conforming to preexisting biases. Richard Robb argues that neither explanation accounts for those things that we do for their own sake, and without understanding these sorts of actions, our picture of decision-making is at best incomplete. Robb explains how these choices made seemingly without reason belong to a realm of behavior he identifies as "for-itself." A provocative combination of philosophy and economics that offers a key to many of our quixotic choices, this groundbreaking volume provides a new way to understand everything from investing to how hard we work to how we manage daily interactions. (shrink)

The wit and wisdom of The Golden Girls comes alive in this collection of short essays that examines many of the issues discussed on the hit TV show and how Dorothy, Blanche, Rose, and Sophia handled them-written by #1 New York Times bestselling author Robb Pearlman. Over the years, Blanche, Rose, Dorothy, and Sophia have remained roommates, confidants, and best friends no matter what life (or the stray ex) throws their way. Having handled life's messy situations with style and humor, (...) the Girls have a lanai's worth of golden wisdom ready to share with you. Funny, irreverent, and timeless, the life lessons the Golden Girls bring from the television into your life are guaranteed to put a smile on your face, some warmth into your heart, and maybe even some St. Olaf into your thinking. (shrink)

In any event, I realize fully that the parole, the speech, the "word" of a writer such as myself, has something strange and even contradictory about it, even within its own creator. At the moment when I write, let us say, La Jalousie or Glissements progressifs du plaisir, what I propose is improbable and consequently unacceptable; that is, my parole as a writer or as a cinéaste in my novels or in my films is abrupt, inexplicable, nonrecuperable for any correctly (...) organized discourse. Nevertheless, you have noticed that I speak with the same clarity as any professor, and this constitutes an extremely interesting contradiction because it goes to the very heart of the debate; order and disorder never cease to interact, to contaminate each other, to practice a sort of mutual recuperation. If, having written a novel of disorder, I don't find someone—for example, Bruce Morrissette, about La Jalousie—to prove that it has order, I'll do it myself. The principle of order is so crucial that I wish to prove that the disorder which I've created I can myself transform into order. But, as soon as I have shown that it has its order, from that moment on I've destroyed the interest of my work. I have brought about within an organized discourse, organized according to the normal logic of Cartesianism, the recuperation of something which was in fact a machine of war against order. I often run into people who say to me after a film, "Ah, it's a pity that you didn't come to explain all of that before the film. We didn't understand a thing, and it is such a fine thing that you have explained it." And I reply, "Yes, but don't trust that too much," because what I've said is not at all the film. It is even almost the opposite; it is the way in which I show myself that there is in what I created a part which is in spite of everything, explainable by established order, and a part increasingly large, because order progresses. Alain Robbe-Grillet, novelist, film maker, and essayist, is the author of Les Gommes , Le Voyeur , La Jalousie , Dans le labyrinthe , La Maison de rendez-vous , Projet pour une révolution à New York , and Topologie d'une cité fantôme . His films include: L'Année dernière à Marienbad , L'Immortelle , Trans-Europ-Express , L'Homme qui ment , L'Eden et après , Glissements progressifs du plaisir , and Le Jeu avec le feu . He has presented his views on contemporary fiction in Pour un Nouveau Roman. Bruce Morrissette, author of books on Alain Robbe-Grillet and Sunny Distinguished Service Professor in the department of Romance languages and literature at the University of Chicago, has translated "Order and Disorder in Film and Fiction." He is the author of "Post-Modern Generative Fiction: Novel and Film". (shrink)

The literary friendship between Alain Robbe-Grillet and Roland Barthes lasted 25 years. Everything attests to their deep and mutual intellectual esteem: their private correspondence, their published texts, their conversations - notably in the famous dialogue which gives its name to this work. Robbe-Grillet freely said he had very few true friends but, next to the publisher Jérôme Lindon, he always cited the name of Roland Barthes. In 1980, he wrote his own ‘I love, I don’t love’, published here (...) for the first time, thinking about his friend. In 1985, he predicted: ‘It is his work as a writer which will remain’. Ten years later, in 1995, he imagined him as an impatient, blithe novelist, merrily rewriting - ‘euphorically, with inexhaustible happiness’ - The Sorrows of Young Werther. This small collection of conversations and short texts by Robbe-Grillet is like the deferred echo of those that Roland Barthes dedicated to him in his Critical Essays in 1964. It offers fresh insight into the development of Robbe-Grillet’s own work as well as that of Barthes, and is a unique testimony to one of the most important literary friendships of our time. (shrink)

An adequate solution to the problem of mental causation should deliver, not just the efficacy of mental properties, but the efficacy of mental properties as such, of mentality in its own right. But this appears to block an identity solution from the outset. Any property that’s both mental and physical, the argument goes, has a dual nature, and this just reintroduces the problem of mental causation, now framed in terms of these two natures. But a powers ontology promises to save (...) the identity theory, at least from this problem. Such an ontology identifies a mental property’s mental and physical “natures” with just the property itself. A mental property is, at once, both wholly mental and wholly physical, so that to causally engage the physical nature of a mental property is to engage its mental nature as well. (shrink)