Departing from what Levey and Sznaider (2002) in their seminal work ‘Memory Unbound’ refer to as ‘cosmopolitan memory’ that emerges as one of the fundamental forms ‘collective memories take in the age of globalization’, this article will consider the underlying ethical implications of global memory formation that have yet to be adequately theorized. Since global disseminations of local memory cultures and the implicit canonization of its traumas are intimately related to the concept of archive, I (...) will first focus on what Derrida (1996) in Archive Fever calls ‘archival violence’ and will show its inherent relation to the formation of cosmopolitan memory. Another related concept that I will use and that will problematize the transformation of living, embodied memory into archival, cultural memory upon which the formation of cosmopolitan memory depends is the witness. Using Agamben’s writing (2002) in this context that in Remnants of Auschwitz focuses on the foundational (im)possibilities of bearing witness, I will show that this transformation that determines the very possibility of cosmopolitan memory is far from unproblematic and readily accessible as Levy and Sznaider seem to assume. What will emerge as the most distinctive concern of global memory formation is the ethical material of difference as that which both makes its imperatives historically and politically exigent and that which signifies the difficulties of its unified articulation. Solidarity with the suffering of the other that mobilizes the very formation of cosmopolitan memory is also what should solicit vigilance against the universalistic ritualizations of its prerogatives. (shrink)

This article analyzes the distinctive forms that collective memories take in the age of globalization. It studies the transition from national to cosmopolitan memory cultures. Cosmopolitanism refers to a process of `internal globalization' through which global concerns become part of local experiences of an increasing number of people. Global media representations, among others, create new cosmopolitan memories, providing new epistemological vantage points and emerging moral-political interdependencies. The article traces the historical roots of this transformation and outlines the (...) theoretical foundations for the emergence of cosmopolitan memories through an examination of how the Holocaust has been remembered in Germany, Israel and the USA in the course of the last fifty years. It is precisely the abstract nature of `good and evil' that symbolizes the Holocaust, which contributes to the extra-territorial quality of cosmopolitan memory. As such, memories of the Holocaust contribute to the creation of a common European cultural memory. (shrink)

At the centre of the cosmopolitan impulse is the instinctive need to belong. Using the Ancient Greek pre-polis deification of the hearth (hestia), a space of connectivity, this chapter traces the understanding of self as an ever-widening progression towards belonging. Belonging is not singular, and the focus on the pre-polis Ancient Greek concept of the goddess Hestia, and her realm of the hearth, provides a foundation for understanding the multiplicity of belonging. This chapter suggests a move away from the (...) polis-centric mentality of the ‘outsider’ to a more hestia-centric perspective of inclusion and cooperation. (shrink)

At the heart of the Israeli-Palestinian conflict rages a struggle between two foundational tragedies: the Jewish Holocaust and the Palestinian Nakba. The contending ways in which both events are commemorated is a known feature of the conflict. Less known are marginal attempts to jointly deliberate on them. This article draws on such attempts to theorize a postnational conception of memory. Deliberating on the Holocaust and the Nakba, it argues, challenges the way nationalism structures ‘our’ and ‘their’ relationship to the (...) past. While nationalism seeks the congruence of memory and territory, postnationalism challenges this congruence. Doing so entails extending the communicative bounds of memory beyond national members, disrupting the territorialization of memory along national lines, and critically revising national narratives in light of a cosmopolitan memory. The article explores these three dimensions and offers a typology that differentiates the way nationalism and postnationalism mediate our relationship to the past. (shrink)

At the beginning of the 21st century the conditio humana cannot be understood nationally or locally but only globally. This constitutes a revolution in the social sciences. The `sociological imagination' (C. Wright Mills) so far has basically been a nation state imagination. The main problem is how to redefine the sociological frame of reference in the horizon of a cosmopolitan imagination. For the purpose of empirical research I distinguish between three concepts: interconnectedness (David Held et al.), liquid modernity (Zygmunt (...) Bauman) and cosmopolitization from within. The latter is a kind of class analysis after class analysis, which takes on board globalization internalized. For the purposes of social analysis, therefore, it is necessary to distinguish systematically between the national manifestation on the one hand and cosmopolitan reality of `global flows', currents of information, symbols, money, risks, people, social inequalities, on the other. This internal involuntary and often unseen cosmopolitanization from below of the national sphere of experience is occurring, however, with the power of economic globalization. So what does inner `cosmopolitanization' mean? The key concepts and questions of a way of life, such as nourishment, production, identity, fear, memory, pleasure, fate, power and politics, can no longer be located and understood nationally, but only globally whether in the shape of globally shared collective futures, capital flows, impending ecological or economic catastrophes, global foodstuff chains, transnational power games, or the `Esperanto' of pop music. In this article I look at transformation in the understanding of space-time, of identity, of the production paradigms, as well as at the resulting consequences for key sociological concepts like class and power and, within this frame, point to certain dilemmas of cosmopolitanism. (shrink)

A fruitful direction for research on the European cultural heritage is to adopt a transnational approach. Rather than see cultural heritage as predominantly expressed in national contexts, it could be seen as primarily transnational and as plural. Such a view would also suggest a conception of national histories as themselves products of transnational encounters. In this perspective, the European dimension is not then necessarily something over and above nations, but part of their heritage. Moreover, as fundamentally transnational, the European heritage (...) is not exclusively confined to Europe. Cultural heritage is not something that is fixed or based on an essence; it is produced and reinterpreted by social actors in different but overlapping contexts. This is also an interpretative approach that draws attention to the entangled nature of memories and especially the cultural logic by which new conceptions and narratives of heritage emerge from the encounter and entanglement of different memories. Such an approach offers new opportunities for comparative research on the European heritage as an entangled mosaic of histories and memories. This approach thus rejects not only particularistic but also universalistic ones such as alternative Eurocentric accounts. (shrink)

Philosophical attention to problems about global justice is flourishing in a way it has not in any time in memory. This paper considers some reasons for the rise of interest in the subject and reflects on some dilemmas about the meaning of the idea of the cosmopolitan in reasoning about social institutions, concentrating on the two principal dimensions of global justice, the economic and the political.

This is a tribute to Ulrich Beck and a rumination on his legacy in work on cosmopolitanism, translation, anxiety, and memory. Historical transitions and symbolic transmissions open up urgent questions about the connection between the structure of collective memory and the system of cosmopolitical thought. Public memory is embedded in an affective matrix of anxiety which is capable of creating the conciliatory conditions of political virtue and of fueling the terror of political passion. The vicious and sudden (...) turn of cosmopolitan memory from reconciliation to revenge is less surprising if anxiety is seen as the translational moment that mediates relations between remembering and forgetting. Anxiety forces the discourse of cosmopolitan memory to confront its own alterity, negotiating a knife-edge balance between sympathy and antipathy. The ethics of cosmopolitanism is an anxious ethics of the past that refuses to die, confronting a future that will not wait to be born. (shrink)

Ulrich Beck’s quest to unshackle the social sciences from their methodological nationalism has yielded numerous influential concepts. In his last work he theorized the transformation of a globally connected world through the notion of ‘metamorphosis’ understood as a form of radical (paradigmatic) change. This transfiguration is driven by different perceptions of catastrophism, carrying the potential to re-shape world risk society. In this essay I critically assess what Beck refers to as ‘emancipatory catastrophism’. I suggest substituting emancipatory with cosmopolitan catastrophism. (...) Cosmopolitan catastrophism seeks to adjoin an event-centered approach with a relational understanding of world risk society. By emphasizing cosmopolitan trajectories we avoid the linear fallacies plaguing earlier theories of modernity. Beck’s iterative approach provides us with a heuristic tool, which addresses the ongoing interplay of universal scripts and local appropriations in the context of contingencies and uncertainties. Previously seen as residual, catastrophism becomes the center of our analytic efforts. (shrink)

What is the relationship between law, memory, and propaganda? I approach this question by examining how the illiberal regime in Hungary (2010–) manipulates coexisting memory traditions to enact domestic propaganda legislation and challenge European Union (EU) values. I trace how the illiberal regime instrumentalises an antagonism between cosmopolitanism and nationalism that becomes discernible in propaganda legislation and the political struggle over the rule of law in the EU. By examining two legislative acts on George Soros and LGBTQ rights (...) whose intellectual foundations lie in the nationalistic canon of memory, I show that such laws should be understood as memory laws which draw on a re-emerging European intellectual tradition which questions Enlightenment universalism. In part, the illiberal regime’s manipulation of Counter-Enlightenment thought is enabled by the fact that the EU itself promotes a supranational and universalist memory tradition at the expense of others. Thus, by reversing the EU’s mnemonic exclusion and by promoting a reductionist reading of the Counter-Enlightenment, illiberal memory politics places these coexisting traditions of memory into a zero-sum competition. Finally, I argue that illiberal memory laws departing from the narrow sense of the term are a global phenomenon deserving of comparative study. (shrink)

‘Methodological cosmopolitanism’ connotes a profound transformation of the (social) sciences as forms of public reflexive social analysis on learning to live well together through building homes in the world: what may be called the ‘Beckian vision’, in memory of Ulrich Beck. This short note considers how Beck’s concept of emancipatory catastrophism may not be the most productive development of his own programme. This is precisely brought out by a methodologically cosmopolitan analysis of a key East Asian response to (...) the global risk of climate change: innovation of low-carbon cities in China. Instead, these presumptively archetypically cosmopolitan initiatives offer something of a political education regarding the irreducibly strategic power/knowledge dynamics at work – including in ongoing contestation about the very term ‘cosmopolitan’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Cosmopolitan Peirce:The Impact of His European ExperienceJaime Nubiola, Guest EditorKeywordsCharles S. Peirce, Europe, ScienceThe common image of Charles Sanders Peirce as an isolated thinker writing in Arisbe without any contact with the world is not only historically inaccurate, but also makes it difficult to understand some key elements of his philosophy. Charles S. Peirce traveled to Europe on five different occasions. The five trips occurred between the (...) years 1870 and 1883, all of them in the service of the Coast and Geodetic Survey, at that time the chief scientific agency of the United States. Those trips—which covered a total of thirty-eight months—were a rich mixture of scientific research and tourism, of communication with other scientists and also of enjoying the artistic treasures of Europe. The impact of this extensive travelling was so relevant in Peirce’s life and thought that it makes perfect sense to identify this period of time as his “cosmopolitan period”—to use Max Fisch’s expression (Fisch 1986, 227).Peirce’s experiences of his European trips are lively reflected in his broad correspondence (professional and family letters), which until now has been unduly neglected by the scholarship, due in part to the difficulties accompanying access to it and in part to the general lack of interest from the analytic tradition in the biographical aspects of philosophy. We are convinced that the feelings that Peirce experienced in Europe were seeds which bore fruit in later years. A close study of Peirce’s letters and other documents of those years will help in avoiding a number of misunderstandings about his thought and its evolution by highlighting his active participation in the first line of several fields of cooperative scientific research (astronomy, geodesy, etc.). [End Page 425]In this issue we collect three papers presented at the 2014 Charles S. Peirce International Centennial Congress, authored respectively by Nathan Houser, Sara Barrena and myself. The first paper, written by Nathan Houser, describes how Peirce’s European experiences influenced the development of his thought and helped shape his philosophy. It appears likely that his thought was decidedly influenced by his intellectual and personal contact with European scientists and philosophers. So to understand Peirce as an American philosopher it is necessary to grasp that he was profoundly influenced by European thought and culture and to inquire how his American and European experiences worked together to form his ideas and shape him into the world-renowned philosopher he became.Sara Barrena’s paper focuses on Peirce’s aesthetics. While Peirce claims to not be well acquainted with aesthetics, he always was interested in that field. In spite of the fact that Peirce did not develop the issue in depth, aesthetics is at the foundation of the other normative sciences. Barrena suggests that the trips through Europe and the contemplation of so many works of art and of historic places left in his memory impressions that are at the basis of the importance that Peirce would assign to art and aesthetics in his later years.The final paper, by Jaime Nubiola, describes—with documental support from Peirce’s correspondence from his first and second European trips—Peirce’s conception of science as a collective and cosoperative activity of people whose lives are animated by the desire to find out the truth and by “an impulse to penetrate into the reason of things” (CP 1.44, c.1896). The paper deals with Peirce as an inventor and builder of research instruments around which scientific communities are built, and with Peirce’s own experience of cooperation in science.In sum, a close study of Peirce’s letters and other documents of his “cosmopolitan period” will help avoid certain misunderstandings about his thought and its evolution, highlighting his active participation in the first line of several fields of cooperative scientific research (astronomy, geodesy, etc.). A better understanding of Peirce’s activity in those years will provide a richer and more sympathetic approach to him, and correct that all too common but inaccurate image of Peirce as an isolated thinker.Jaime Nubiola, Guest EditorUniversidad de Navarra [email protected], Charles S. Collected Papers of Charles Sanders... (shrink)

This article conceptualizes the lofty term of cosmopolitanism from people's historical experience. It attempts to find a bridge between theory and life. Many writers now maintain that cosmopolitanism is no longer a dream, but rather the substance of social reality - and that it is increasingly the nation-state and our particular identities that are figments of our imagination, clung to by our memories. The aim of this article is to concretize this argument and demonstrate how some of the Jewish intellectuals (...) who emerged from World War II and the Holocaust argued passionately about the status of their Jewishness and how this related to abstract and universal ideals of modernity and human rights. The article focuses on Hannah Arendt's responses to her critics instead of her vast theoretical work to illustrate this point. In responding to her critics, Arendt came closest to providing a formula for a concept of cosmopolitanism, which attempts to square the circle between the universal and the particular. (shrink)

Most descriptive and normative theories of political identity can be plotted between two poles. At one end are accounts of particular cultural political identities, which are based on inherited and primarily homogeneous cultural elements. At the other pole are accounts of ‘civic’ identities, strictly political identities grounded in uncoerced consent to a set of laws, political procedures and institutions. My thesis is that to understand and to encourage the formation and maintenance of viable political identities within the context of multicultural, (...) democratic societies it is necessary to attend to the role that memory, and particularly memory of suffering and shame, plays in that process. Working through memories of suffering and shame is a precondition for developing the cross-cultural and trans-national empathy and understanding that are instrumental in creating stable multicultural, democratic nations and, eventually, a just cosmopolitan global order. (shrink)

This paper critically revisits the A-bomb victims’ plea for cosmopolitan commemoration that takes humanity, rather than nationality, as a primary frame of reference. To this end, I first elaborate the nature of cosmopolitan commemoration espoused by A-bomb victims in Hiroshima and Nagasaki in comparison with another form of cosmopolitan commemoration pertaining to the Holocaust victims. I then analyze limitations in these cosmopolitan commemorations and explore how they can be transcended. In light of my critical analysis, I (...) argue that genuinely cosmopolitan commemoration, a prerequisite for reconciliation and world peace, will appear on the horizon if the commemorations of the two events are synthesized with the help of ‘historians’ debate’ that continuously subjects the logic of nationalism to critical reflections. This synthesis has the potential to help people envision cosmopolitan politics – cosmopolitics – where they can engage in peaceful but agonistic struggles, not as enemies but as fellow humans, in collectively governing their lives in today’s war-torn world. (shrink)

In popular imagery, the littorals of Sulu and Zamboanga conjure visions of pirates, terrorists, and bandits marauding its rough seas, open shores, and rugged mountains. These bleak accounts render the region nothing but a violent and peripheral southern Philippine backdoor inconspicuous to the sophisticated constituencies of the world’s metropolitan centres. Obscured from these imageries are the lasting cosmopolitan traits of openness, flexibility, and reception of local folk to trans-local cultural streams that marked Sulu and Zamboanga as a globalised space (...) across the ages and oceans. The distinctive features of these cosmopolitan sensibilities are strikingly discernible in inter-generationally shared narratives, artefacts, and performances that were continually renewed from the days when Sulu and Zamboanga served as a borderless trading and cultural enclave nestled at the crossroads of the Pacific and the Indian Oceans. These enduring cosmopolitan sensibilities are embodied in the blending, among others, of the time-honoured dance of pangalay and the pop-musical dance genre celebrated on actual, analogue, and digitally-mediated spaces of the contemporary world. Furthermore, these embodied sensibilities are evident in song compositions that proclaim the humanistic themes of hope, peace, and prosperity to their place and the world in ways that exemplify the local people’s broader sense of connections beyond the narrow association of family, community, ethnicity, religion, and identity. This mixed bag of age-old and recent imaginaries and cultural traffic evoke a sociality that link the social spaces of the troubled but once and current globalised region to continuing acts of transcendence in history, memory, and visions of the future. In these marginalized places, we can see an unyielding tradition of cultural re-adaptation and creativity made up of myriad everyday acts that are down-to-earth, pragmatic, interstitial, and practical cosmopolitanism. (shrink)

Where do we look when we look inward? In what sort of space does our inner life take place? Augustine said that to turn inward is to find oneself in a library of memories, while the Indian Buddhist tradition holds that we are self-illuminating beings casting light onto a world of shadows. And a disquieting set of dissenters has claimed that inwardness is merely an illusion-or worse, a deceit. Jonardon Ganeri explores philosophical reflections from many of the world's intellectual cultures, (...) ancient and modern, on how each of us creates an inner world. In brief and lively chapters, he ranges across an unexpected assortment of diverse thinkers: Buddhist, Hindu, Islamic, Chinese, and Western philosophy and literature from the Upanishads, Socrates, and Avicenna to Borges, Simone Weil, and Rashomon. Ganeri examines the various metaphors that have been employed to explain interiority-shadows and mirrors, masks and disguises, rooms and enclosed spaces-as well as the interfaces and boundaries between inner and outer worlds. Written in a cosmopolitan spirit, this book is a thought-provoking consideration of the value-or peril-of turning one's gaze inward for all readers who have sought to map the geography of the mind. (shrink)

Platonic Noise brings classical and contemporary writings into conversation to enrich our experience of modern life and politics. Drawing on writers as diverse as Plato, Homer, Nietzsche, Borges, Don DeLillo, and Philip Roth, Peter Euben shows us the relevance of both popular literature and ancient Greek thought to current questions of loss, mourning, and democracy--all while arguing for the redeeming qualities of political and intellectual work and making an original case against presentism.Juxtaposing ancient and contemporary texts, politics, and culture, Euben (...) reflects on a remarkable range of recent issues and controversies. He discusses Stoic cosmopolitanism and globalization, takes a critical look at Nietzsche's own efforts to make the Greeks speak to the issues of his day, examines a Greek tragedy through Hannah Arendt's eyes, compares the role of comedy in ancient Athens and contemporary America, analyzes political theory as a reaction to an acute sense of loss, and considers questions of agency and morality.Platonic Noise makes a case for reading political theory and politics through literature. Working as much through example as through explicit argument, Euben casts the literary memory of Athenian democracy as a crucial cultural resource and a presence in contemporary political and theoretical debates. In so doing, he reasserts the moral value of what we used to call participatory democracy and the practical value of seeing ourselves with the help of insights from long-gone Greeks. (shrink)

Derrida's recent book, On Cosmopolitanism and Forgiveness, offers a succinct and elegant understanding of forgiveness as ‘impossibility’, unencumbered by any conditions or threats of instrumentalization. However it also contains a disturbing implication. The first part of this article discusses the theory at length, followed by a series of critiques in the second part that shows how his aporetic theory of forgiveness is morally dangerous, for it unwittingly rests upon erasing the memory of the transcendental shortcomings of his conception. The (...) article goes on to outline an alternative theory of forgiveness. (shrink)

This paper examines the collapse of Soviet internationalism through the lens of artistic resistance, using cultural analysis and chaos theory to explore tensions between unity and diversity within universalist projects. It analyzes the works of Sergei Parajanov, Andrei Tarkovsky, Vladimir Vysotsky, Bulat Okudzhava, and Chingiz Aitmatov, whose films, songs, and narratives did not oppose Soviet ideology from outside but operated within its symbolic framework, exposing its internal limits. Through folklore, spiritual motifs, and personal memory, these artists rendered visible the (...) fragility of ideological coherence and the contradictions embedded in the internationalist project. While art did not cause the Soviet Union’s unravelling, it amplified systemic dissonances and made legible the symbolic limits of imposed identity. Conceptualised as a ‘strange attractor,’ Soviet internationalism generated bounded instability rather than equilibrium, orbiting an unattainable ideal of unity. The paper concludes by situating this analysis in structural – rather than historical – relation to contemporary frameworks such as cosmopolitanism, pluriversalism, and global citizenship, suggesting that sustainable internationalism depends not on cultural standardisation but on the capacity to host multiplicity, with art functioning as a critical diagnostic of universalist ambition. (shrink)

In The Conservation of Races, Du Bois advocates that African Americans hold on to their distinctiveness as members of the black race because this enables them to participate in a cosmopolitan process of cultural exchange in which different races collectively advance human civilization by means of different contributions. Kwame Anthony Appiah and Tommie Shelby have criticized the position that Du Bois expresses in that essay as a problematic form of racial essentialism. This article investigates how Du Bois’ 1924 book (...) The Gift of Black Folk escapes or fails to escape that criticism. It is easy to worry that the diversity of what Du Bois in this book is willing to treat as a black contribution to the development of America pushes us from the problem of essentialism to the other extreme: a lack of any conceptual constraints whatsoever on what can count as a black gift. I will argue that recognizing the cultivation of historical memory as a form of cultural activity is key to understanding the concept's unity. (shrink)

Relevance. The article explores how the question of individual and collective identity shapes the reception of contemporary Ukrainian art in the global field. The purpose of this article is to analyze the work of Ukrainian female artists based on the problem of identification and identity, as well as the problematiza­tion of the possibility of “being Ukrainian” or “being from Ukraine” within the framework of the postcolonial situation and decolonial analysis, applying the con­cepts of hybridity and borderland and mimicry. Methods. The (...) study shows how the imperial infrastructure of the USSR directed professional biographies from the Ukrainian SSR to Moscow, turning Ukraine into a “province” and complicating artists’ self-identification within international discourse. Drawing on interviews, exhibition histories, and museum politics, the article traces ambivalent labeling regimes-“Soviet,” “Russian,” “Ukrainian,” “ex-Soviet” – and their impact on canon formation. Novelty. Hybridity is read not as a loss of belonging but as an operative category revealing local sources of subjectivity. In this sense, Boris Mikhailov’s Kharkiv and Yurii Leiderman’s Odesa appear as strong urban loci, where com­munity, memory, and language generate alternative axes of identification beyond the imperial center. Conversely, the strategies of Ilya and Emilia Kabakov and Igor and Svetlana Kopystiansky illustrate two modes of “escape from empire”: tran­scendence through a cosmopolitan utopia of art and assimilation within Western institutional landscapes, both of which complicate national attribution. Conclu­sion. The article argues that the question “who is who?” cannot be reduced to na­tional or passport identity; identity here is a process of identification that unfolds through choices of institutions, networks, themes, and places of articulation. In wartime, this dynamic opens a “window of opportunity” to reposition Ukrainian artists within the global canon –through decolonial research, the reattribution of museum collections, and renewed attention to local histories that provide a basis for self-identification and recognition. (shrink)

This essay advances an innovative perspective on war by defining it not as an extension of individual aggressiveness but as public intergroup violence, the product of collective intelligence and force. War is qualitatively distinct from interpersonal conflicts, since it presupposes technical and symbolic organization, shared memory and ideology, strategic coordination, and political legitimation. Thus, the naturalization of war and peace, through theodicies or anthropologies, is rejected, and its historical-cultural contingency is emphasized, as an epigenetic and technical process of human (...) sociality. By constructing a differentiated typology of violence (intergroup, interpersonal, hybrid, unilateral, pseudo-warlike), the essay offers a new philosophical taxonomy that clarifies the specific sense of war as a motivated, collective, and contingent phenomenon. Peace, in turn, emerges as an anthropological and juridical possibility rooted in civic self-critique, political deliberation, and cooperative capabilities. The original contribution lies in articulating the philosophy of war with cosmopolitan ethics and law, thus providing a conceptual reconstruction of the borders and relationships between violence, war, and peace. (shrink)

War remembrance is a salient issue. It usually is a means to cement a particular political identity. And therein lies the problem—at least, for a cosmopolitan account of peace after war. For if cosmopolitans are right that national-cum-political borders do not in fact have the moral status and importance which war remembrance confers on them, it would seem that a cosmopolitan will have very little to say, _qua_ cosmopolitan, about war remembrance. This chapter mounts a justification for (...) war remembrance which transcends those borders. On this cosmopolitan account, war remembrance is a way to honour the memory of war victims and a vehicle for discharging our general, relationship-independent duty to bring about peace. (shrink)

Why do people in South Africa fight over statues – even to the extent of tying themselves to a mere bust? Using insights, especially from Jan Assmann, the study develops the argument that material culture (such as images and statues) provides the social energy that drives the manner in which history is told, that is, historiography; they provide the ‘silent objects’ with the power to control the public discourse and collective identity. Statues encapsulate all we need to know, inversely, concerning (...) public discourse, particularly, concerning issues pertaining to control, power and class. From this perspective, those who vandalise them may be regarded as contesting public discourse identity and historiography. Insights from this discussion provide parallel discussions, especially, in Galatians where Paul contrasts the image of Abraham with that of Moses – choosing Abraham as the public image that best represents the identity complexity, cosmopolitan and heterogeneous nature that characterises the Hellenistic context. (shrink)

With the Hegel Lecture 2010, held by Homi K. Bhabha, the Dahlem Humanities Center is launching the Open Access publication of the series. In his talk, Bhabha evokes the spirit of Hegel in an attempt to understand contemporary issues of ethical witness, historical memory and the rights and representations of minorities in the cultural sphere. Who is our neighbour today? What does hospitality mean for our times? Why is the recognition of others such an agonizing encounter with the alterity (...) of the self? The lecture examplifies how the “Third Space” - one of the key theories of Postcolonialism - helps us to establish a new understanding of cosmopolitanism and hospitality in a globalized world, based on the right of difference in equality. (shrink)

In this article, I defend the pragmatic relevance of race in history. Kant and Hegel's racist development thesis assumes that nonwhite, non-European racial groups are defective practical agents. In response, philosophers have opted to drop race from a theory of history and progress. They posit that denying its pragmatic relevance amounts to anti-racist egalitarianism. I dub this tactic “colorblind cosmopolitanism” and offer grounds for its rejection. Following Du Bois, I ascribe, instead, a pragmatic role to race in history. Namely, Du (...) Bois argues that race is an “instrument of progress” that advances emancipatory struggle. He appeals to the writing of history—or historiography—to cultivate group consciousness of historical memory in order to strengthen intragroup bonds among the racially oppressed, especially black Americans, and create intergroup bonds that reconstruct the republic on the basis of universal ideals. I detail Du Bois's defense of the black struggle for freedom in the wake of the U.S. Civil War to provide a concrete illustration of “spirit” in American history. (shrink)

This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particular kind of agency exclusive to Jewish youth, shaped by the simultaneous attachment to and disconnect from the environments they crossed. Travel is observed as a space in which freedom and restrictions were negotiated, preparing youngsters for (...) a near future of sometimes radically independent choices. Moreover, it is investigated in its capacity of offering instances of contact – planned or spontaneous – with other youth, with Jewish adults or with Germans, which additionally shaped the youngers’ identities on the move. Photography not only helped youngsters to produce records and memories. It also incited new trips and encounters. The camera, then, served as a means of translation which helped Jewish teenagers make sense of their surroundings in a moment of utmost crisis. Ultimately, the photographs attest to an alternative German topography created by independent youngsters who found a home in a cosmopolitan way of life tested on provincial roads. (shrink)

The aim of this paper is to map the reconfiguration and displacement of the emerging trauma of the Holocaust in the cinematic narratives of SFR Yugoslavia. The analysis of three nearly forgotten Yugoslav films of the 1960s - Killer on Leave, Witness Out of Hell and Smoke - follows Kansteiner?s thesis about the changes of Holocaust memorial narratives in the films shown on German television in the 1970s. Accordingly, I claim that the analyzed films position the trauma of the Holocaust (...) as a crime committed by others, over there, and then in the past. Further, they broaden the trauma to accommodate the diversified roles of victims, perpetrators, witnesses and bystanders, and help the Germans come to terms with the Nazi criminal legacy and their own role. The co-productional terms allow the films to balance the memory of the Holocaust as both anti-fascist and cosmopolitan, multidirectional within the real Yugoslav/German symbolic narrative space and its intrinsic poetics. (shrink)

The perceived importance of a global experience in higher education is hard to underestimate. University presidents are known to boast of their “percentage,” or the proportion of undergraduates who study abroad. At least part of the rationale is a cosmopolitan one: an essential part of being acknowledged as educated derives in part from an appreciation of different cultures and development of worldliness. The expectation is that a global experience will stand out as an enduring memorial of an encounter with (...) others. These experiences are edified in resumes and narrated with veneration, further illuminating their cultural importance as coming-of-age rituals, particularly among a striding upper middle class... (shrink)

The visit (1479-1481) of Gentile Bellini to the Ottoman court is a precious and significant memory of a cross-cultural meeting of East and West. Bellini's stay in Constantinople is attested to mostly in Italian sources. It did, however, leave testimonies in works by the Ottoman palace school as well as by Bellini's workshop. These works warrant close reading to understand this encounter of two visual cultures. There is the Boston leaf (Isabella Stewart Gardner Museum, P15e8) of a seated scribe (...) that has been interpreted as providing a model of an Ottoman artist as seen from an Italian perspective. The picture is an exception in Bellini's working method, as it is a miniature painting on parchment - a practice common at the Ottoman court. From the opposite viewpoint, there are portraits of Mehmed ii that clearly respond to the portraiture created in Bellini's workshop at the Ottoman court. In one of these, the Ottoman response picture depicts the Sultan smelling a rose, which is taken to be a subtle reference to the prophet. Such a departure from tradition, however, met also with resistance among the Venetian's Ottoman colleagues and did not survive the reign of Mehmed ii, as it was regarded by Mehmed's successor, Bayezid ii, as too liberal. The exchange between Bellini and Ottoman artists must be regarded as part of a program to fashion the new Ottoman court, as it emerged after the conquest of Constantinople, as a cosmopolitan place comparable to the Renaissance courts in the West. (shrink)

The paper explores the role played by concepts of temporality in shaping the self's identity and its moral responsibility. This theme is examined in both Kant and Benjamin, two theorists who view the modern self as an essentially historical being. For Kant, teleological and uniform time shoulders the heightening of the self's universal attributes and the constant expansion of a moral community. The desired end is the establishment of an integrated and homogeneous human space, a cosmopolitan stage wherein history (...) is finally redeemed. This progressive notion of time is seen as dangerous by Benjamin, since it generates forgetfulness and inner impoverishment of the self. Instead, Benjamin advances a fragmented conception of time, one allowing conversation between distant moments and grounding identity in concrete images. While the poetic recovery of memory leads to the distinct and exclusive, Benjamin follows Kant in demanding universal moral responsibility of the self. However, Benjamin's strategy, so to speak, is the integration of our temporal - not spatial - experience. Key Words: Benjamin • history • Kant • nation-state • space • time. (shrink)

Philosophy after Hiroshima offers a philosophical analysis of the issues surrounding war and peace, and their challenges to ethics. It reminds us that the threat posed to civilization by nuclear weapons persists, as does the need for continuing philosophical reflection on the nature of war, the problem of violence, and the need for a workable ethics in the nuclear age. The book recalls the atomic bombings of Hiroshima and Nagasaki as the beginning of the nuclear age, the Cold War, and (...) subsequently of the hegemonic unilateralism of the sole superpower. Reviewing early critical responses to the first atomic bombings by such figures as Camus, Sartre, Russell, Heidegger, Jaspers and others, the authors themselves respond to contemporary threats to peace, including the US "global war on terrorism," the recrudescence of militarism, and the continuation of imperial power politics by other means. In the nuclear age, the use of military force as a political instrument threatens the future of humanity. This poses formidable challenges to philosophy and calls for its transformation. In using memories of the atomic bombings to help us to grasp the moral implications of the current escalation of global violence, the authors hope to show the urgent relevance of nonviolence in the contemporary context. Drawing on a range of philosophical traditions Taoist and Western the contributors take up a welter of philosophical and political concerns of topical interest, including human rights, toleration, the politics of memory, intercultural dialogue, the ethics of co-responsibility, and the possibility of a cosmopolitan order of law and peace. Going beyond postmodernism and deconstruction, several of the authors develop a post-critical, constructive paradigm of thinking a philosophy of the possible and a new methodology for the realization of the creative potential of the humanities. Philosophy is viewed as a peace-promoting global dialogue. (shrink)

Seyla Benhabib’s The Claims of Culture: Equality and Diversity in the Global Era (2002), is considered in terms of three main virtues: first, it moves the question of political justice beyond the debate on the priority of recognition over distribution; second, it contributes to the expansion of the notion of communicative freedom and how it relates to rights; and third, it lays down the foundation for a cosmopolitan, post-nationalistic, form of citizenship that would have as its core the rights (...) of association and existence. Three areas of concern and potential disagreement are discussed: first, whether Benhabib could be accused of a type of culturalism that celebrates too quickly postethnic America at the expense of the agenda of racial justice still to be addressed in the United States; second, whether in this work Benhabib has given enough attention to the political claims of memory, especially when these claims are enunciated from colonial pasts; third, in conclusion, how cultural justice, or respect for cultural diversity, can contribute to biodiversity’s preservation in the age of the coming largest extinction of biodiversity. (shrink)

Platonic Noise brings classical and contemporary writings into conversation to enrich our experience of modern life and politics. Drawing on writers as diverse as Plato, Homer, Nietzsche, Borges, Don DeLillo, and Philip Roth, Peter Euben shows us the relevance of both popular literature and ancient Greek thought to current questions of loss, mourning, and democracy--all while arguing for the redeeming qualities of political and intellectual work and making an original case against presentism.Juxtaposing ancient and contemporary texts, politics, and culture, Euben (...) reflects on a remarkable range of recent issues and controversies. He discusses Stoic cosmopolitanism and globalization, takes a critical look at Nietzsche's own efforts to make the Greeks speak to the issues of his day, examines a Greek tragedy through Hannah Arendt's eyes, compares the role of comedy in ancient Athens and contemporary America, analyzes political theory as a reaction to an acute sense of loss, and considers questions of agency and morality.Platonic Noise makes a case for reading political theory and politics through literature. Working as much through example as through explicit argument, Euben casts the literary memory of Athenian democracy as a crucial cultural resource and a presence in contemporary political and theoretical debates. In so doing, he reasserts the moral value of what we used to call participatory democracy and the practical value of seeing ourselves with the help of insights from long-gone Greeks. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Characterization of Hanno in Plautus’ PoenulusGeorge Fredric FrankoPoenulus commands our attention because it is the one specimen of Roman New Comedy in which the main characters are not Greeks. Although the action takes place in the Aetolian city of Calydon, the young lover Agorastocles, his beloved Adelphasium, her sister Anterastilis, and the title character Hanno are all natives of Carthage. While the first three are represented as if (...) they were typical Greeks in Roman comedy, Hanno is represented as patently Punic in his physiognomy, dress, speech, and behavior, making him the earliest extant portrayal of a Carthaginian in Latin literature. Since the Carthaginians were the most formidable and vilified enemies of the Romans, any Roman portrayal of a Carthaginian figure holds our interest. Yet the portrayal of Hanno rouses special interest because he is not a villain. Modern readers familiar with the anti-Punic discourse prevalent throughout Latin literature are continually struck by the “sympathetic” portrayal of this Carthaginian, especially since Poenulus was composed when the Second Punic War was in recent memory. A. S. Gratwick, in his masterly chapter on Roman drama in the Cambridge History of Classical Literature (vol. 2, 94) observed that Hanno’s “portrayal is wholly (if disparately) sympathetic, and there is no trace of xenophobia, although the play was certainly produced within Hannibal’s lifetime.... that Plautus should even have envisaged its successful production tells us something of his authority in the theatre and of the openmindedness of his audience.” Others have seen more than mere sympathy and openmindedness. For example, a review of a recent performance of Poenulus observed that “the play is timely in light of the American university’s recent preoccupation with multiculturalism” and proceeded to make much ado about the sympathetic portrayal of the Carthaginian title character and the magnanimity that such sympathy reveals. The review even saw proof of “Plautus as humanitarian and social commentator” (Frauenfelder, “Plautus non manu”). Certainly the fact that an amiable Carthaginian is portrayed as neither villain nor scapegoat deserves our close attention; however, Poenulus must not be appropriated as an example of benevolent Roman multiculturalism without reflection because while there are indeed cosmopolitan elements in the play there are also powerful images of xenophobia and ethnocentrism. We must not allow our present-day preoccupations with magnanimous pluralism to influence our interpretation of [End Page 425] how the play was understood by a Roman audience. This analysis of Hanno’s characterization will reveal that the attractive aspects of his portrayal are offset by some unsavory ethnic stereotyping.We should not dismiss Hanno’s portrayal as “sympathetic” (whatever one takes that word to mean) without further comment, for his portrayal is far more complex than that, containing strongly positive and strongly negative elements which do not permit encapsulation by such a simple adjective. In fact, there are at least four distinct components or layers of Hanno’s characterization and these components constantly play off of each other. 1) Hanno is first and foremost a senex filling traditional roles in the palliata. He is primarily the father who recovers his lost children, a pater pius like Hegio in Captivi or Daemones in Rudens. He also assumes the role of senex lepidus, like Periplectomenus in Miles, and thus at times he behaves like a servus callidus (Gratwick, “Drama” 110). He is indeed the “master of many roles” (Slater, “Plautine Negotiations” 143). 2) But Hanno is unique because he is our only extant Carthaginian senex and the Roman audience must have viewed him differently from other senes because of his Punic ethnicity. The speaker of the prologue, the slave Milphio, and the soldier Antamoenides draw the audience’s attention to negative stereotypes of Punics and attribute perceived vices in Hanno’s behavior to his non-Greek ethnicity. 3) Although Hanno does display some stereotyped Punic vices, he also manages to display two peculiarly Roman virtues, namely, exemplary pietas and a mastery of Roman law. This is not a mere sidelight but a central issue of the play: Hanno uses Roman strengths, not the expected Punic or servile trickery, to recover his family and achieve a happy ending. 4) Yet Hanno also uses these Roman strengths for frivolous... (shrink)

Playing an irreplaceable role for the whole speedy development in East Asia, Hong Kong is an example of a multicultural cosmopolitan urban centre in the Pacific Rim with strong ties with the Atlantic. However, with regards to mainland China, Hong Kong has always held a marginal position, carrying multiple marginal labels. In recent years, Hong Kong has been struggling to move beyond its Chinese/Western identities, simultaneously searching its own native insular self. This is shown in the way contemporary intellectuals (...) approach Hong Kong’s memory. As an example, this paper looks at Dung Kai-cheung’s novel Atlas: The Archaeology of an Imaginary City. Although Rey Chow describes the Hong Kong situation as namely, “the struggle between the dominant and the subdominant within the native culture itself”, I would like to argue that Dung Kai-Cheung does not engage in the sort of radical anti-colonial, nationalist discourse that could be read through the lens of The Empire Writes Back. Rather, he seeks a new form of anti-colonial discourse which advances a reconciliatory cosmopolitan vision of multicultural coexistence in a marginocentric city. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Political Affections: Civic Participation and Moral Theology by Joshua HordernMichael P. JaycoxPolitical Affections: Civic Participation and Moral Theology By Joshua Hordern NEW YORK: OXFORD UNIVERSITY PRESS, 2013. 312 PP. $125.00Hordern asks his reader to consider that the decline of participatory democracy in Western societies may be ameliorated by a renewed appreciation of the role of emotions in politics. Creatively retrieving many elements of the Augustinian tradition, he argues (...) that the “evaluative intentionality” of emotions is an imperfect type of moral insight whereby human beings both participate in and conform themselves to the created “order of value” (40, 77). Although the power of sin profoundly destabilizes human inclinations, emotions can become stable moral guides through a process of “intersubjective verification” (81). Hordern claims that the epistemological capacities of socially stabilized emotions are substantial enough to enable the community to “participate in and evaluate the goods with which institutional practices are concerned, recognize the authority of those who promote the proper ends of those goods, and initiate common political reflection and deliberation” (142).Bringing these insights to bear upon his own political context, Hordern claims the “resentment,” “alienation,” and “disillusionment” that some British citizens feel toward the cosmopolitan project of the European Union stands as [End Page 213] evidence that “law which is not primarily rooted in the locality which it governs will run the risk of opposing the affections of the people” (22, 23, 242). Working from the premise that “local loves are the fertile soil in which more wide-ranging loves may grow,” Hordern champions “the politically beneficial possibilities of a limited ethnocentricity,” by which he means that emotions shared in smaller communities and within nation-states motivate citizens to attend to the common good most effectively (224, 240).Anticipating the objections to this proposal, Hordern assures his reader that the influence of Christianity upon democratic processes minimizes the negative effects of ethnocentric nationalism, such as the oppression of socially vulnerable groups. Insofar as Christian emotions participate uniquely in the transcendent order of values, the participation of this community in the temporal order would “disturb, renew, or correct patterns of social trust” (271) and provide “a critical standpoint whereby affections in all institutions may be described and assessed” (164).This reviewer shares some of Hordern’s general premises regarding the intelligence of emotions and their motivational potential in public life. By way of evaluation, however, I find three significant problems with his argument. First, although Hordern grasps Martha Nussbaum’s emotion theory quite well, he habitually mischaracterizes the more central aspects of her moral thought in order to prop up his somewhat more conservative agenda. For example, he accuses her of denying the existence of a “stable moral order” and of endorsing an individualistic concept of agency (98). These inferences fail to account for the highly social and essentialist vision of human flourishing that provides the normative content of her capability theory and her feminist ethic.Second, he offers some weak arguments as he develops his account of emotional stabilization. For example, he alleges that virtue cannot stabilize emotion because it is a form of “epistemological self-dependence” that “tends to block repentant attentiveness,” but this assertion is grounded in his antecedent concern to discredit Aristotelian habituation as a moral theory (110, 101). As he develops his own alternative proposal about intersubjective verification by appeals to “the power of memory,” he glosses over significant counterarguments concerning the “contested” nature of social memories of historical events (110, 115).Third, Hordern does not propose any universal norms of justice capable of checking the authority of particular civil governments. For example, he seems dismissive about the moral dangers of emotionally motivated nationalism, the gravity of which he attempts to minimize by emphasizing the critical aspect of Christian political participation. (The historical record of fascism in Europe would hardly support such a claim.) Nevertheless, he presumes a tacit normative point of reference every time he offers a political judgment. For example, he claims that civil authority should caution “against overreaching [End Page 214] itself in pride,” but this is to beg the question of what the interventionist role of governments should be vis-à-vis systemic injustice (198).Political... (shrink)

This text is dedicated to the memory of Peter Kemp (1937–2018) and his later philosophical project cultivating citizens of the world as a response to globalization. Inspired by Grundtvig, he developed world-citizenship from a post-post-national perspective, combining the aim for the equality of the people with equality of all mankind. In this presentation, Kemp is recognized as a “struggling” philosopher according to Ricoeur’s critical hermeneutics. As a horizon of understanding, the author brings in a discussion on the anthropological deficit (...) of the new competition state (Ove Kaj Pedersen), generated by the shift from a moral determination of the self to an opportunistic economic man wholly motivated by self-interest and utility maximization. Conclusively, it is being argued that Kemp’s way of introducing Ricoeur into the field of education, by transforming his hermeneutics of the self into a hermeneutics of the cosmopolitan self, has simultaneously revealed how much Ricoeur is a profound universalistic thinker. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Craig Walton 1934-2007Rudolf A. Makkreel and Gerald A. PressThe Journal of the History of Philosophy is saddened to report that Craig Walton died on October 11th, 2007. Professor Walton served the Journal for many years. He was involved with it from its inception in 1963 and knew personally many of the founding philosophers, who had been at the Claremont Graduate Center. He was the Book Review Editor from 1975 (...) until 1981 and was a member of the Board of Directors from 1978 until 2004, where he promoted the study of the history of philosophy in many ways and maintained our institutional memory. For instance, it was Craig who remembered the important roles Salih Alich and Oskar Piest played in our early history. From 2001–03, he was the Treasurer of the Board. He believed strongly in the cosmopolitan nature of scholarship, and, as Book Review Editor, he was tireless in his efforts to review books on the history of philosophy written in languages other than English.Craig was born on December 6, 1934, in Los Angeles and earned his doctorate in philosophy at Claremont Graduate University in 1965. His dissertation, De la recherche du bien: A Study of Malebranche's Science of Ethics, was approved in 1964 by a doctoral committee that included Theodore Waldman, Herbert Schneider, and Philip Merlan, though he also worked with Richard Popkin, the founder of the Journal. He taught at the University of Southern California, Northern Illinois University and Emory University before moving to the University of Nevada, Las Vegas in 1972. Craig was Chair of the Philosophy Department there from 1986 to 1989 and became the Director of the Institute for Ethics and Policy at UNLV in 1987. He held this post until his retirement in 2004. After his early work on Malebranche, for much of his career he was a scholar of David Hume and Thomas Hobbes; but he spent the last decade of his life urging that ethical issues be studied across the curriculum. Upon retiring from teaching, Craig extended his work in ethics by founding the Nevada Center for Public Ethics. The Chancellor of the Nevada System of Higher Education praised Craig as the voice of ethics in Nevada.As members of the Board of Directors of the Journal of the History of Philosophy, we remember Craig Walton for his enthusiasm for the history of philosophy and his warmth as a human being.Copyright © 2007 Journal of the History of Philosophy, Inc.... (shrink)

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On a chilly, mid-November afternoon in 1979, Zhang Shenfu was allowed to meet with a Western scholar for the first time in over twenty years. Good fortune and China's new policy of openness to the West enabled me to be the American researcher chosen to interview this octogenarian philosopher. Our conversation took place in the reception room of the National Beijing Library-the official unit to which Zhang Shenfu belonged in his capacity as "senior researcher". The meeting of November 12 turned (...) out to be the first in a series of sixty hours of taped interviews, all the rest conducted in Zhang's own home over the next four years. From our initial encounter, it became clear that Zhang considered himself to be China's fore most Russell expert. The more I listened to Zhang Shenfu's story, the more I checked its details against the documents and memories of the intellectuals of the same generation (the most cosmopolitan of all the generations of twentieth-century Chinese intellectuals), the greater the mystery of why this eminent philosopher should have been overlooked in the history of modern Chinese thought. (shrink)

``I am therefore I have rights," argues this paper. Mere existence qualifies a human being for universal human rights. Yet human beings do not live in solitude; they are always embedded in a network of social relations which determines their rights and duties in its own terms. Consequently, the debate about the universality and relativism of human rights can be best understood by combining legal and sociological perspectives. Such an approach is used in this article to explore the tensions and (...) contests around the universality of human rights in Islamic law. Whether all human beings or just citizens are qualified for the inviolability of human rights is a question which divided Muslim jurists into two schools: Universalistic School, emanating from Abu Hanifa, advocated for the universality of human rights, while Communalistic School, originating from Malik, Shafii and Ibn Hanbal, advocated for civil rights. Universalistic School was adopted by such great cosmopolitan empires as Umayyads, Abbasids, Mughals and Ottomans. It was also reformed by the Ottomans during the nineteenth century in the light of the new notions of universal human rights in Europe to purge remaining discriminatory practices against non-Muslim citizens and to justify constitutionalism and democracy. Yet the universalistic tradition in Islamic law has been forgotten as the chain of memory was broken after the collapse of Ottoman Empire. This article briefly unearths the forgotten universalistic approach in Islamic law to build upon it a modern universalistic human rights theory for which there is a pressing need at this age of globalization. (shrink)