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Cake day: June 13th, 2023

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  • Not consistently—the more usual pattern is to use þ at the beginning of words and ð internally, even if the internal sound is voiceless.

    In both languages, the two sounds are usually allophones and are perceived as the same sound influenced by context—the way the “th” sound in “breath” and “breathe” are perceived as the same consonant, just influenced by the preceding vowel. (If we wrote “breþ” and ‘breeð”, the different letters would hide the fact that we hear them as the same sound.)


  • Old English didn’t differentiate between þ and ð that consistently—I think the voiced/unvoiced distinction is a modern borrowing from Icelandic (although it isn’t strict there either).

    Whether or not the phoneme is voiced is often determined by surrounding phonemes, but the orthography depends more on etymology (the same way we consistently write “-s” for the plural suffix even if we pronounce it with a voiced /z/).








  • Realism gives rise to more epistemological issues—anti-realism is more logically rigorous insofar as you’re making fewer assumptions beyond what you’re explicitly given (i.e., a stream of sensory impressions).

    Even if you’re a realist at heart, it can be instructive to see how far you can get before taking the leap of faith that the source of your senses is actually what you think it is.










  • Kanzi selected the correct, “full” cup in 34 of 50 trials – better than would be expected from chance – suggesting he was able to understand the concept of pretend liquids.

    While that’s slightly better than chance, it’s not as good as I’d expect if he were imagining it the way children do.

    Maybe he was interpreting the fake pouring motion as a signal of intent or a general disposition of the pitcher to tilt into that cup, and was then indicating where he expects the liquid to be poured next?