Core
Professional reference monitors. Breathtaking accuracy for when you absolutely must hear every single detail.
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Core series
A reference monitor system is the heart of any great studio. Producers, engineers and musicians rely on reference speakers to reproduce exactly what was recorded – warts and all – so they can listen to, tweak and perfect their work.
Each Core speaker has been engineered and built in Denmark to perform flawlessly in this high-stress environment, faithfully reproducing your sound as you create it.
From pounding electronic drums and explosive low-frequency effects in the latest movie trailer to the finesse of pianissimo strings and breathy, airy vocals, Core monitors deliver the truth to your ears without compromise. If it sounds great, it is great. If there are problems in the mix, you won’t be lied to – you’ll get nothing but the honest truth so you can fix it, and fix it fast.
No more trips to the car to check the bass yet again. Dead-accurate midrange so vocals and dialogue end up at the right level on every system. Effortless high frequency details that don’t fatigue your ears after a long day in the studio. These are the hallmarks of a Dynaudio professional monitor, and the Core series takes them to a new level.
The science of art
Thanks to our Jupiter testing facility (among the largest in the world) and an ever-expanding engineering and design departments, we’ve been able to pursue advanced technology breakthroughs at a feverish pace.
And they aren’t just drawing-board concepts: witness Core’s Esotar Pro and Cerotar Pro tweeters. They take everything studio engineers know and love about previous Dynaudio soft-dome tweeters and add the inspired resonance-defeating Hexis device. This next-generation tech smooths out the frequency response and minimises unwanted resonances – revealing transients while maintaining sensitivity to low-level details, imaging, and depth. Get ready to hear things in the mix you’d never heard before.
Core’s midrange and bass drivers are built with novel combinations of elements to precisely optimise each unit’s performance for its intended purpose. Deep bass drivers, for example, have different requirements than midrange motors in three-way designs – so the materials used are specifically selected and tested to perform each duty at the highest level.
A copper voice-coil, glass-fibre former and ceramic magnet are implemented in the low frequency drive units to enhance the ‘BI’ (force factor) needed for punchy, deep, and accurate bass – whether you’re monitoring at low-level or the band is standing behind you and they’ve demanded you crank it.