Max Duncan
Max Duncan is a filmmaker based in Beijing.
January 2020
Divided cities'I had no idea hot summers could kill': how 'climate apartheid' divides Delhi – videoAs the Earth continues to break new heat records, the UN is warning of a 'climate apartheid' between those who can afford to keep themselves cool and those who must live, work, suffer – and sometimes die – in the heat
November 2019
Divided cities'There’s food… it’s just not real food’: inside America's hunger capital - videoIn the 'food deserts' of Memphis, Tennessee, locals lack what seems a basic human right in the richer half of the city: a supermarket. Are they doomed to die younger than their neighbours – or can they fight for their right to nutrition?
July 2018
February 2018

Frozen out: the US interpreters abandoned on Europe’s border
Ahmad and Mati served the US military as interpreters during the war in Afghanistan, but like many others who did so they haven’t been granted visas to emigrate to the US. With their lives threatened by the Taliban, they joined migrants heading for western Europe only to find themselves trapped in Serbia on the wrong side of impenetrable borders
November 2017
October 2017
June 2017
November 2015
Keep it in the groundThe Mekong river: stories from the heart of the climate crisisThe fate of 70 million people rests on the Mekong river. With crucial UN climate talks in Paris next week, John Vidal journeys down south-east Asia’s vast waterway and meets people affected by climate change, dams, deforestation and urbanisation
September 2015
The artist and their cityAi Weiwei on Beijing: 'It's a prison for freedom of speech' - videoA Guardian Cities / Tate special series Chinese artist Ai Weiwei was born in Beijing but spent the first 18 years of his life in exile with his family. He now lives and works in the capital, far from the centre but under constant surveillance. In the first of this new series of short films, he offers a unique insight into the artists’ community he helped build in Caochangdi – and reveals his playful techniques for carving out a space in ‘a city that doesn’t really belong to its residents’





