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Jonathan Jones

Headshot of Jonathan Jones

Jonathan Jones writes on art for the Guardian and was on the jury for the 2009 Turner prize

June 2026

  • A grid of colorful squares in red, orange, yellow, green, blue, and purple creates an abstract mosaic pattern

    Julio Le Parc review – as if Bridget Riley had opened a riotous funfair

  • MC Escher, Bond of Union, 1956.

    Art Weekly newsletter
    Mind-melting MC Escher, mesmerising Marilyn and the greatness of Glasgow – the week in art

  • detail of Relativity, 1953, by MC Escher. Figures walk up and down flights of stairs set in a triangle, but the perspective of what is up and what is down is constantly shifting

    MC Escher review – hallucinatory insights from the master of the mind-bending staircase

  • Jack White: These Thoughts May Disappear exhibition at Newport Street Gallery, Newport St Gallery, UK - 28 May 2026Artist and musician Jack White poses with his 2016 art sculpture titled 'Sam Philips Sofa" at his exhibition 'These Thoughts May Disappear marks the first public presentation of his art works at The Newport Street Gallery. Jack White: These Thoughts May Disappear exhibition at Newport Street Gallery, Newport St Gallery, UK - 28 May 2026

    Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time

May 2026

  • A landscape painting shows green fields with a sandy path, dark trees, and pale sky

    Art Weekly newsletter
    Green and pleasant views, digital dreams and a White Stripe sculpts – the week in art

  • A black cannon on a wooden mount sits on a sandy beach at Walmer with people in the water and cloudy sky beyond. A painting by Sir Winston Churchill, The Beach at Walmer, 1938.

    Art Weekly newsletter
    Lo-fi sci-fi, hollow metal people and Churchill’s big guns – the week in art

  • Arrangement in Grey and Black No 1 (AKA Whistler’s Mother), 1871, by James McNeill Whistler

    James McNeill Whistler review – a luscious, seductive blockbuster for the painter who scandalised Britain

  • James McNeill Whistler, Coast of Brittany (Alone with the Tide), 1861. Wadsworth Museum of Art. In memory of William Arnold Healy, given by his daughter, Susie Healy Camp

    Art Weekly newsletter
    Queer eyes in focus, sculpture hits pay dirt and Whistler’s world – the week in art

  • Art Weekly newsletter
    Artists v fascists, Khmer Rouge horrors, fab flowers and an eye-popping nude – the week in art

  • Art Weekly newsletter
    A mind-bending Spaniard, an imagistic Puerto Rican and a lush Latvian – the week in art

April 2026

  • German painter and sculptor Georg Baselitz poses next to his Women of Dresden sculptures at Paris Modern Art museum in 2011.

    ‘In every slurp of paint, you see the Holocaust’: the genius and torments of Georg Baselitz

  • St Peter Nolasco kneeling before apparition of crucified St Peter by Zurbarán

    Zurbarán review – ecstatic visions, primitive surrealism … and the finest loincloths ever painted

March 2026

  • Konrad Mägi's 1909 Norwegian Landscape painting featuring a lake with mountains and autumn trees.

    Konrad Mägi review – these bland, blobby paintings are expressionism without expression

  • A painting of a woman in a purple dress standing against a red background.

    Art Weekly newsletter
    Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

  • a detail from Sir Lawrence Alma-Tadema’s Orchids, 1879

    In Bloom review – this rip-roaring history of botanical adventurers disturbs and delights

  • Sir Lawrence Alma Tadema (1836 – 1912) Orchids , 1879 Oil on panel, 40 x 49.5 cm

    Art Weekly newsletter
    Abstract erotica, Japanese giants face off and spring arrives in Oxford – the week in art

  • Stubbs: Portrait of a Horse review – this magnificent nag deserves a longer canter

  • Art Weekly newsletter
    Hockney scrolls through Bayeux, Brideshead gets revisited and Stubbs leads the field – the week in art

  • ‘The Donald Trump of ancient Egypt’: Ramses II’s ego is on full display in new exhibition

February 2026

  • "Tracey Emin: A Second Life" at Tate Modern, in LondonTracey Emin poses for a portrait in front of her installation "Its Not me Thats Crying its my Soul" during a photocall for her exhibition "Tracey Emin: A Second Life" at Tate Modern, in London, Britain, February 23, 2026. REUTERS/Maja Smiejkowska

    Art Weekly newsletter
    Tracey Emin’s lust for life, gaudy Egyptian treasure and Don McCullin at 90 – the week in art

    Emin reminds us of the deep power of art, Ramses II parades his megalomaniac gold and Rose Wylie’s witty paintings finally get their due
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