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Cake day: January 15th, 2024

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  • That’s a very good point… Solarpunk has an entire ideology with various independent aspects that can each support their own communities, while steampunk is primarily an aesthetic. I know steampunk also has a heavily DIY mindset, but there isn’t much to discuss other than “here’s how I made a thing.” I wonder if that’s due to being a primarily “fantasy” genre for a world that can’t actually exist.

    And I guess that’s what cyberpunk and solarpunk have in common… While they each have a unique aesthetic, they aren’t just an aesthetic. There are entire world views underpinning that aesthetic. One happens to be aspirational while the other is a warning, but they both provide lots to areas for discussion.

    Huh, I hadn’t thought about that before, thanks! I always kinda viewed steampunk as cyberpunk’s little brother but cyberpunk actually has more in common with solarpunk. Neat!


  • Here’s a quick snippet from an interview with William Gibson in 2014:

    “I was really fond of the film that I wrote and that Robert shot, but that wasn’t the film that Sony Image Works released. It’s a really extreme example of not being the director’s cut. It was written to be comic in its own way, and be a commentary on sci-fi films and how they are made. Keanu never played any of it straight because we didn’t want him to.”

    So yeah, it sounds like Keanu’s performance was intentional but then the studio messed with the movie so much that his performance didn’t make sense anymore.
















  • Yeah, I saw an interview where Edgar Wright said he changed the ending and got it approved by Stephen King as basically being the closest you could stick to the original ending in today’s world.

    In this new movie, it ends with

    spoiler

    the main character flying the airplane at the studio building but it gets shot down before hitting the building (with the main character ejecting right before the plane blows up).