_ Source: _Volume 53, Issue 2-4, pp 269 - 293 This article presents some results of the study of seventeen medieval treatises containing a logical analysis of the syncategorem ‘_an_’. On the one hand, a new classification is proposed of the literary genres of the _Logica Modernorum_, based on the four elements involved in the logical analysis of syncategorematic terms: the meaning of the syncategorem, logical rules, related sophisms, and proposed solutions. On the other, three texts are studied in detail, (...) showing the origins and development of the logical analysis of the syncategorem ‘_an_’ between the 12th and the 13th centuries. Finally, a comparative study is offered of different analyses of the sophism ‘_Tu scis an de mentiente sit falsum Sortem esse illum_’, a sophism that does not raise any problem as to the particle ‘_an_’, but introduces the issue of the truth conditions of the _dicta_. (shrink)

Resumen El artículo muestra la relación estructural entre el testimonio y el juicio estético, y cómo la mentira estructural se implica irreductiblemente como la posibilidad de la verdad. Se explica la necesaria imposibilidad del testimonio como condición de su posibilidad, argumento anticipado por J. L. Borges: “No hay una sola hermosa palabra, con la excepción dudosa de testigo, que no sea una abstracción”. La argumentación se apoya en la teoría husserliana del syncategorema y en los deícticos ; asimismo, se toma (...) de I. Kant el papel de la imaginación y los efectos del “como si”.This essay demonstrates the structural relationship between testimony and aesthetic judgment. The implications of this discovery are several, the most important being the relationship between the lie and truth, implicating that lie indicates the irreducible possibility of truth. The essay explains the necessary impossibility of the testimony as a condition of its possibility, an argument anticipated in Jorge Luis Borges’ beautiful phrase, “There is not a single beautiful word, with the dubious exception of witness, that is not an abstraction”. The argument is based on Husserl’s theory of the syncategorem and on deictic words ; as well, it takes from Kant, the role of the imagination and the effects of the “as if”. (shrink)

Resumen El artículo muestra la relación estructural entre el testimonio y el juicio estético, y cómo la mentira estructural se implica irreductiblemente como la posibilidad de la verdad. Se explica la necesaria imposibilidad del testimonio como condición de su posibilidad, argumento anticipado por J. L. Borges: “No hay una sola hermosa palabra, con la excepción dudosa de testigo, que no sea una abstracción”. La argumentación se apoya en la teoría husserliana del syncategorema y en los deícticos ; asimismo, se toma (...) de I. Kant el papel de la imaginación y los efectos del “como si”.This essay demonstrates the structural relationship between testimony and aesthetic judgment. The implications of this discovery are several, the most important being the relationship between the lie and truth, implicating that lie indicates the irreducible possibility of truth. The essay explains the necessary impossibility of the testimony as a condition of its possibility, an argument anticipated in Jorge Luis Borges’ beautiful phrase, “There is not a single beautiful word, with the dubious exception of witness, that is not an abstraction”. The argument is based on Husserl’s theory of the syncategorem and on deictic words ; as well, it takes from Kant, the role of the imagination and the effects of the “as if”. (shrink)

Resumen El artículo muestra la relación estructural entre el testimonio y el juicio estético, y cómo la mentira estructural se implica irreductiblemente como la posibilidad de la verdad. Se explica la necesaria imposibilidad del testimonio como condición de su posibilidad, argumento anticipado por J. L. Borges: “No hay una sola hermosa palabra, con la excepción dudosa de testigo, que no sea una abstracción”. La argumentación se apoya en la teoría husserliana del syncategorema y en los deícticos ; asimismo, se toma (...) de I. Kant el papel de la imaginación y los efectos del “como si”.This essay demonstrates the structural relationship between testimony and aesthetic judgment. The implications of this discovery are several, the most important being the relationship between the lie and truth, implicating that lie indicates the irreducible possibility of truth. The essay explains the necessary impossibility of the testimony as a condition of its possibility, an argument anticipated in Jorge Luis Borges’ beautiful phrase, “There is not a single beautiful word, with the dubious exception of witness, that is not an abstraction”. The argument is based on Husserl’s theory of the syncategorem and on deictic words ; as well, it takes from Kant, the role of the imagination and the effects of the “as if”. (shrink)

Resumo: Este texto parte da letra A, da sua importância e da sua centralidade na Desconstrução de Derrida. Em função dessa letra iniciática, indício da “ironia muda” da différance como sincategorema do pensamento de Derrida, tentar-se-á acompanhar o modo como se apresenta à Filosofia Contemporânea como uma espécie de sismo, de abalo e de nova propulsão. Sismografias tenta então reconhecer, na postura e no desenvolvimento dessa letra “A”, a forma como o trabalho de Derrida abala pela base o território dos (...) conceitos, convocando a urgência e a responsabilidade da filosofia, da escrita e do pensamento. Nesse sentido, trata-se aqui de acompanhar as linhas de desenvolvimento de uma letra motriz, que pontuou, do início ao fim e em todas as direções, o pensamento de Derrida como idioma, como revolução filosófica, como sismografia.: This text departs from the letter A, in its importance and its centrality in Derrida’s deconstruction. From this initiatic letter, a sign of différance’s “mute irony” as a syncategorem of Derrida’s thought, we will try to follow the way in which it presents itself to Contemporary Philosophy as a kind of earthquake, a quake and a new propulsion. Seismographies tries therefore to recognise, in the posture and development of this letter “A”, the way in which Derrida’s work shakes up at its base the domain of concepts,, summoning up the urgency and responsibility of philosophy, of writing and of thought. In this sense it is intended to follow the lines of development of a leading letter, which marked, from beginning to end and in all directions, Derrida’s thought as an idiom, as a philosophical revolution, as a seismographie. (shrink)

Resumen El artículo muestra la relación estructural entre el testimonio y el juicio estético, y cómo la mentira estructural se implica irreductiblemente como la posibilidad de la verdad. Se explica la necesaria imposibilidad del testimonio como condición de su posibilidad, argumento anticipado por J. L. Borges: “No hay una sola hermosa palabra, con la excepción dudosa de testigo, que no sea una abstracción”. La argumentación se apoya en la teoría husserliana del syncategorema y en los deícticos ; asimismo, se toma (...) de I. Kant el papel de la imaginación y los efectos del “como si”.This essay demonstrates the structural relationship between testimony and aesthetic judgment. The implications of this discovery are several, the most important being the relationship between the lie and truth, implicating that lie indicates the irreducible possibility of truth. The essay explains the necessary impossibility of the testimony as a condition of its possibility, an argument anticipated in Jorge Luis Borges’ beautiful phrase, “There is not a single beautiful word, with the dubious exception of witness, that is not an abstraction”. The argument is based on Husserl’s theory of the syncategorem and on deictic words ; as well, it takes from Kant, the role of the imagination and the effects of the “as if”. (shrink)

Ockham has a very particular definition of modality: every term that is predicable of a whole sentence is a modal term. His definition reaches well beyond “necessary,” “possible,” “contingent” and “impossible,” including predicates such as “known” and “believed,” but also “written” and “spoken.” He provides a general framework for inferences including every term covered by his definition of modality. However, there is a proper modal syllogistic in Ockham only for the Aristotelian modalities, that combines two distinct semantic apparatus, constituted by (...) Ockhamist modal predicates, on the one hand, and by modal and modally modified copulae, on the other. For the development of a syllogistic for the Aristotelian modalities, both are needed. There is no similar apparatus for other modalities in Ockham. (shrink)

Originally motivated by a sophism, Pardo's discussion about the unity of mental propositions allows him to elaborate on his ideas about the nature of propositions. His option for a non-composite character of mental propositions is grounded in an original view about syncategorems: propositions have a syncategorematic signification, which allows them to signify aliquid aliqualiter, just by virtue of the mental copula, without the need of any added categorematic element. Pardo's general claim about the simplicity of mental propositions is developed (...) into several specific thesis about mental propositions: a) it is not judgement which gives its unity to mental propositions, but judicative acts always follow some previous apprehensive act that is simple in its own right; b) this simplicity is compatible with a certain kind of complexity, that can be explained in terms of the "causal history" of the acts of knowing; c) traditional conceptions about subject and predicate must be recast, while keeping their usual explicative power concerning logical properties; d) of course, the traditional conception about the copula has been modified, giving rise to a fully innovative conception of the nature of mental propositions. Nevertheless, this innovative conception of mental language seems still infected by certain "common sense" prejudices, which lead Pardo to propose also a provocative conception of vocal language, which I consider unnecessary. (shrink)

Jerónimo Pardo's analysis of the problems raised by some popular trinitarian paralogisms is studied in this paper. The purpose is to show how the notions employed by the theologians in order to solve theological problems were introduced into a textbook on logic to deal with some genuinely logical problems. First, the problem, common to all logical approaches, of achieving a fine-grained analysis of the logical form of syllogistical inferences. Second, the problem, typical of the terminist approach to logic, of guaranteeing (...) that Latin is an adequate vehicle for logical analysis. (shrink)

_ Source: _Volume 53, Issue 2-4, pp 405 - 423 This article deals with a brief _difficultas_ in the _Tractatus de compositione propositionis mentalis_ by Fernando de Enzinas: _qualiter copule significent tempus et an copule de presenti et preterito sint synonime_. A progressive determination of the signification of the copula is analysed: first, Enzinas defines his position about the principal syncategorematic signification of the copula; then, he analyses the sense of the consignification of time traditionally attributed to the copula. The (...) originality of Enzinas’ position is highlighted, given the fact that he gives preference to the question as to _how_ the copulae signify time rather than the question as to _which_ time the copulae signify. (shrink)