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Making Comics into Film
In Aaron Meskin & Roy T. Cook, The Art of Comics. Wiley‐Blackwell. pp. 145–164 (2012-01-27)
Abstract
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comics and the other arts, sequence as two or more events in causal relation making comics into film film, an art form, depending on adaptations from other media comic‐to‐film adaptations, a recent popularity comics and film, intimately connected by specific traits of the media art form of comics, esteemed, on a par with the novel narrative aspects specific to comics and film, as medium‐specific comics or film using mimetic/diegetic, comics, diegetic as boxed words film and comics, discontinuous in diegetic time/diegetic space Watchmen, not being adapted into film, for its medium‐specific features
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Citations of this work
The Report Versus the Transparency Models of Appreciation: The Case of Comics.Bradford Skow - 2023 - Canadian Journal of Philosophy 53 (7-8):548-558.
Teaching & Learning Guide for: The Philosophy of Comics.Aaron Meskin - 2012 - Philosophy Compass 7 (5):361-364.
References found in this work
S.Marcus Willaschek, Jürgen Stolzenberg, Georg Mohr & Stefano Bacin - 2015 - In Marcus Willaschek, Jürgen Stolzenberg, Georg Mohr & Stefano Bacin, Kant-Lexikon. Berlin: De Gruyter. pp. 1995-2243.
The Power of Movies.Noël Carroll - 2003 - In Peter Lamarque & Stein Haugom Olsen, Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Hoboken, NJ: Wiley-Blackwell. pp. 21.
Narrative in Comics.Henry John Pratt - 2009 - Journal of Aesthetics and Art Criticism 67 (1):107-117.
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