Abstract

The article reveals the deep connection of artistic time and emotional system of the cinematic work, viewed as a model of the nonequilibrium dynamic process. The author analyzes forms of time – specifically linear and cyclical time – that participate in the creation of tragic catharsis. She further shows that different artistic modes – heroic, tragic, comic, idyllic, elegiac, dramatic, ironic – can be realized in artworks through the specific temporal forms corresponding to them