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Voiding Cinema: Subjectivity Beside Itself, or Unbecoming Cinema in Enter the Void
Film-Philosophy 19 (1):124-145 (2015)
Abstract
This essay examines Gaspar Noë's film, Enter the Void, in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and describe by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies.Other Versions
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Citations of this work
Hap-Tech Narration and the Postphenomenological Film.Daniel Paul O’Brien - 2019 - Philosophies 4 (3):47.
References found in this work
The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
Time’s Arrow and Archimedes’ Point: New Directions for the Physics of Time.Huw Price - 1996 - New York, US: OUP Usa.
Time’s arrow and Archimedes’ point.Huw Price - 1996 - Philosophical and Phenomenological Research 59 (4):1093-1096.
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