What is the value of intellectual playfulness? Traditional characterizations of the ideal thinker often leave out playfulness; the ideal inquirer is supposed to be sober, careful, and conscientiousness. But elsewhere we find another ideal: the laughing sage, the playful thinker. These are models of intellectual playfulness. Intellectual playfulness, I suggest, is the disposition to try out alternate belief systems for fun – to try on radically different perspectives for the sheer pleasure of it. But what would (...) the cog-nitive value be of such playfulness? I suggest that intellectual playfulness function as, at the very least, a kind of intellectual insurance policy against epistemic traps. An epistemic trap is a belief system that re-directs good-faith inquiry to bad results. Am epistemic trap manipulates background beliefs to fend off contrary evidence. For example, a conspiracy theory might include a set of beliefs about how the mainstream media has been taken over by some vicious cabal. Normal epistemic attempts will be captured by a well-wrought epistemic trap, because normal attempts at inquiry are guided by these background beliefs -- which set what counts as a plausible path to explore, and what is implausible or beyond the pale. And a clever epistemic trap will manipulate those background beliefs for ill effect. Intellectual playfulness, on the other hand, isn’t motivated by an epistemic interest in the truth, but in the sheer pleasure of intellectual exploration. Since intellectual playfulness isn’t oriented towards the truth, it won’t be constrained by an agent’s background beliefs – it won’t, for example, prefer to investigate apparently more plausible pathways. Intellectual playfulness offers an opportunity to escape from epistemic traps. But intellectual playfulness has its own limitations. It will only drive us to explore belief systems when that exploration is fun. What we need is an array of differently-motivated exploratory tendencies – empathy, curiosity, playfulness – each of which will each cover for the others’ limitations. (shrink)

Identity labels like “woman”, “Black,” “mother,” and “evangelical” are pervasive in both political and personal life, and in both formal and informal classification and communication. They are also widely thought to undermine agency by essentializing groups, flattening individual distinctiveness, and enforcing discrimination. While we take these worries to be well-founded, we argue that they result from a particular practice of using labels to rigidly label others. We identify an alternative practice of playful self-labelling, and argue that it can function as (...) a tool for combating oppression by expressing and enhancing individual and collective agency. (shrink)

In ethical reflections on new technologies, a specific type of argument often pops up, which criticizes scientists for “playing God” with these new technological possibilities. The first part of this article is an examination of how these arguments have been interpreted in the literature. Subsequently, this article aims to reinterpret these arguments as symbolic arguments: they are grounded not so much in a set of ontological or empirical claims, but concern symbolic classificatory schemes that ground our value judgments in the (...) first place. Invoking symbolic arguments thus refers to how certain new technologies risk undermining our fundamental symbolic distinctions by which we organize and evaluate our interactions with the world and in society. Such symbolic distinctions, moreover, tend to be resilient against logical argumentation, mainly because they themselves form the basis on which we argue in the cultural and ethical sphere in the first place. Therefore, effective strategies to evaluate and counter these arguments require another approach, showing that these technologies either do not challenge these classifications or, if they do, how they can be accompanied by the proper actions to integrate these technologies into our society. (shrink)

In his paper ‘Words on Play’, Bernard Suits famously defines play as an autotelic activity. Some philosophers like Stephen E. Schmid argue against Suits’s position by pointing out that the concept of autotelicity in Suits’s work is too unclear to serve as a defining feature for play. Due to that fact, Schmid dismisses autotelicity in favor of a definition of play in terms of the player’s engagement in an activity for intrinsic reasons. The purpose of this paper is to defend (...) Suits’s claim by clarifying the concept of autotelicity in the context of play and by arguing against some typical misconceptions about autotelicity in Schmid’s work and in the work of others. First, I define autotelic activities as activities that are engaged in for their own sake. Then, I argue that the engagement in an activity for its own sake is neither in conflict with the activity’s potential internal instrumental structure nor with the existence of certain intrinsic rea-sons (such as pleasure). (shrink)

In his paper “Fairness, Political Obligation, and the Justificatory Gap” (published in the Journal of Moral Philosophy), Jiafeng Zhu argues that the principle of fair play cannot require submission to the rules of a cooperative scheme, and that when such submission is required, the requirement is grounded in consent. I propose a better argument for the claim that fair play requires submission to the rules than the one Zhu considers. I also argue that Zhu’s attribution of consent to people commonly (...) thought to be bound to follow the rules by a duty of fair play is implausible. (shrink)

The role of playfulness in humor theory has often been neglected. Humor theorists often connect a certain implicit playfulness, but most do not employ the rich theoretical tradition of the play discipline. If play is discussed, it is usually used to call humor innocuous or detached from normal life. The assumption that play is always safe or disconnected from larger life is not well-founded in play studies. In this way, humor theorists can make inaccurate or even dangerous conclusions (...) about playful humor. Simultaneously, play theorists often view humor as an enactment of playfulness, while not robustly defining it. We provide new perspectives on the experience of playful humor, based on Masek and Stenros’s (2021) and Masek’s (2024) theory of playfulness as “engagement prioritizing.” In this interdisciplinary approach, we argue that humor is a form of transgressive playfulness. We define comedy as a subset in which rules are set up in such a way that transgression is systematic. The theory is described and compared to major humor theories, most notably Incongruity and Benign Violation Theory. This approach offers a closer collaboration between theories of humor and play and reframes several important humor questions. (shrink)

The central concern of this paper is to explore the efforts of Schiller's post-Kantian idealism and Marcuse's critical theory to develop a new conception of free human experience. That conception is built on the notion of play. Play is said to combine the human capacities for physical pleasure and reason, capacities which the modern world has dualized. Analysis of their respective accounts of play reveals its ambivalent form in the work of both philosophers. Play supports the ideal of ‘freedom from (...) necessity’, understood as a release from all external constraint. But it also appears to serve as a model for ‘freedom as a higher necessity’. In the case of Schiller, the ambivalence encompasses idle play and an obligation to make ourselves worthy of freedom. For Marcuse, play represents a kind of libidinal idleness while also underpinning a non-alienated conception of labour. (shrink)

This article argues that the Indian philosopher-mystic Sri Aurobindo espoused a sophisticated form of cosmopsychism that has great contemporary relevance. After first discussing Aurobindo’s prescient reflections on the “central problem of consciousness” and his arguments against materialist reductionism, I explain how he developed a panentheistic philosophy of “realistic Adwaita” on the basis of his own spiritual experiences and his intensive study of the Vedāntic scriptures. He derived from this realistic Advaita philosophy a highly original doctrine of evolutionary cosmopsychism, according to (...) which the Divine Saccidānanda is “involved” in everything in the universe and gradually manifests itself at each stage of the evolutionary process from matter to life to mind, and ultimately, to Supermind—the final stage that is yet to come, upon the attainment of which we will attain knowledge of our true divine nature as Saccidānanda. I then reconstruct Aurobindo’s novel solution to the individuation problem, according to which the Divine Saccidānanda individuates into various distinct consciousnesses by playfully limiting itself through a process of “exclusive concentration.” Finally, I highlight the continued relevance of Aurobindo’s evolutionary cosmopsychism by bringing him into conversation with Itay Shani, a contemporary proponent of cosmopsychism. (shrink)

Dead people can take part in gameplay. These playful possibilities reflect two broad trends in the social perception of human finitude: death acceptance and death denial. Some of the playful practices discussed in this article align with perspectives that regard mortality as a foundational -- and even affirmative -- aspect of human existence. These are games and videogames designed to sustain a sense of continuity and familiarity with the departed. Other games adopt a more antagonistic stance toward the dead, trivializing (...) and commodifying their personal and historical significance. Among the latter, this article devotes particular attention to a family of playful practices known as “dead pool games,” playful folk phenomena that have thus far been overlooked within game studies. -/- Foregrounding the representational and ethical stakes of playing with the dead, the second half of the article traces the historical development of dead pool games and examines the ethically contentious design decisions that shape this genre. The inquiry culminates in an ethics-oriented analysis of the gameplay and design of Fantamorto -- a popular contemporary Italian instantiation of the dead pool game formula, with particular attention to how its rules frame death and human suffering as ludic resources within a competitive game economy. (shrink)

Four Qurʾānic verses — Sūrat al-Anʿām 6:32, Sūrat al-ʿAnkabūt 29:64, Sūrat Muḥammad 47:36, and Sūrat al-Ḥadīd 57:20 — deploy an identical formula: اَلْحَيَاةُ الدُّنْيَا لَعِبٌ وَلَهْوٌ (laʿibun wa-lahwun). Standard translations render this formula as moral deprecation — “idle play and vain amusement” — yet the grammatical operator مَا ... إِلَّا (mā … illā) functions in classical Arabic not as censure but as exhaustive definitional restriction (ḥaṣr): an identification of essential constitution. -/- Taken seriously on its own linguistic terms, before evaluative (...) gloss is applied, the formula discloses a structural ontology of temporal existence. In doing so, it corrects the inadequate metaphor of worldly life as a test with the richer paradigm of worldly life as an arena: designed, consequential, intrinsically relational, and offered by ٱلرَّحْمَٰنِ ٱلرَّحِيمِ to beings constituted to inhabit it fully and joyfully. -/- Through careful analysis of the semantic fields of لَعِب (laʿib) and لَهْو (lahw) in classical Arabic lexicography, and drawing on the philosophical distinction between constitutive and regulative rules, seven theses are developed: -/- Worldly life is a bounded, rule-governed arena of intrinsically purposive and absorptive engagement. -/- Its cosmic rule-set operates at three ontologically distinct levels. -/- All participants are ontologically equal agents playing together in an arena constitutively structured for taʿāruf (mutual recognition). -/- لَعِب (laʿib) is categorically distinct from عَبَث (ʿabath), foreclosing nihilist readings. -/- Three distortions are condemned — over-investment, addictive absorption, and the refusal of the game — grounded in the primordial covenant of 7:172. -/- ʿIbādah (51:56) designates the correct existential orientation toward the arena. -/- Taqwā is reconceived as sportivitas: the disposition of the player who plays seriously, honestly, and joyfully in full awareness of the arena’s non-ultimacy. -/- The paper concludes with Adam’s conscious entry into worldly existence as the paradigm case of the khalīfah’s vocation — and with the theological observation that an arena designed by the Most Compassionate is not an ordeal to be survived but a gift to be inhabited. (shrink)

_ Source: _Page Count 20 According to the fair play defense of political obligations citizens have a reciprocity-based duty to share the costs involved in the production of public goods. But sometimes, states produce collective goods through wrongdoing. For example, sometimes states’ wrongful immigration policies can contribute to the welfare of their own populations. Do citizens have duties of reciprocity in light of such wrongful benefits? I argue that the answer to this question is negative. Drawing on the observation that (...) beneficiaries of wrongdoing incur compensatory duties to the victims of that wrongdoing, I argue that, rather than having a duty of reciprocity for wrongful benefits, citizens have a duty to disgorge the benefits in compensation. Furthermore, the fair play defense of political obligations entails that citizens can be justified in disobeying the law in order to comply with their compensatory duties to victims of their state’s wrongdoing. (shrink)

Linking children’s pretense with creativity has a long tradition. Most authors claim that pretending children exercise divergent thinking, so they can generate many diverse ideas. We show that focusing on divergent thinking when describing the creative features of pretense is not enough. Both pretending and creating are not only about thinking ideas, but also about acting, exploring the surroundings, and adjusting oneself to other people and to the ongoing happenings. Furthermore, both pretending and creating do not entirely rely on generating (...) many and various ideas or actions, as they also include exploration and evaluation of the outcomes. Consequently, we propose to link creativity and pretense by focusing on children’s exploratory and evaluative actions. In our view, pretend play is a creative activity resulting in outcomes that are both novel and valuable. (shrink)

Recent philosophy of science has seen a number of attempts to understand scientific models by looking to theories of fiction. In previous work, I have offered an account of models that draws on Kendall Walton’s ‘make-believe’ theory of art. According to this account, models function as ‘props’ in games of make-believe, like children’s dolls or toy trucks. In this paper, I assess the make-believe view through an empirical study of molecular models. I suggest that the view gains support when we (...) look at the way that these models are used and the attitude that users take towards them. Users’ interaction with molecular models suggests that they do imagine the models to be molecules, in much the same way that children imagine a doll to be a baby. Furthermore, I argue, users of molecular models imagine themselves viewing and manipulating molecules, just as children playing with a doll might imagine themselves looking at a baby or feeding it. Recognising this ‘participation’ in modelling, I suggest, points towards a new account of how models are used to learn about the world, and helps us to understand the value that scientists sometimes place on three-dimensional, physical models over other forms of representation. (shrink)

The ecological approach to object pretend play, developed from the ecological perspective, suggests an action- and affordance based perspective to account for pretend object play. Theoretical, as well as empirical reasons, support the view that children in pretense incorporate objects into their play in a resourceful and functionally appropriate way based on the perception of affordances. Therefore, in pretense children are not distorting reality but rather, they are perceiving and acting upon action possibilities. In this paper, we argue for the (...) viability of an ecological theoretical framework to pretend object play which has been traditionally understood as a representational and metarepresentational ability. We discuss the origins and basic assumptions of the ecological approach to pretense. We layout details by presenting a qualitative analysis of a pretend play episode and discuss the results of an experimental study inspired by the ecological assumptions. We discuss pretend object play in the context of ecological work on tool use. We address the relationship between the enactive and the ecological approaches to pretend play, pointing out similarities as well as differences. We conclude that ecological and enactive approaches have shown that it is possible to challenge accepted interpretations and seek explanatory frameworks that could move the field in new directions. (shrink)

This chapter presents a conception of understanding where understanding emerges out of the joint experience of conversation. On this conception, understanding requires more than the pre-reflective acquisition of shared social meanings – a conception of understanding historically highlighted by existential phenomenologists. Beyond this, it requires what occurs in genuine conversation, namely, that one put one’s pre-reflective social meanings at risk in the process of critical self-reflection. Drawing from the hermeneutic phenomenology of Hans-Georg Gadamer, I argue that conversation is that joint (...) experience that gives rise to such critical self-reflection and that it is conversation’s play-structure in particular that makes it a source of understanding in this sense. (shrink)

Text představuje aktivní role-playing jako výzkumnou experimentální metodu v sociálních vědách. Zasazuje role-playing do rámce simulačních výzkumných metod, rozkrývá jeho epistemo- logii a dosavadní metodologická uchopení zejména v sociální psychologii. Hlavní linií textu je obhajoba epistemologických kvalit metody a experimentu v sociálních vědách obecně. Inspiračním zdrojem je zde na jedné straně Latourova kvalitativní sociologie asociací, tázající se po původu sociality a problematizující samotný před- mět sociálních věd, tj. sociálno. A na druhé straně přístupy naturalizující sociálně- vědné výzkumy propojením s kognitivní (...) vědou. V tomto ohledu je naším klíčovým předpokladem pro smysluplné uchopení sociální reality v její simulované podobě shodnost kognitivních mechanismů skutečného i simulovaného jednání. V pojetí textu jsou oba zdroje spojeny jejich akcentem na tematizaci sociálna jako inter-psychologického fenoménu mezi tradiční mikro a makro úrovní. Analogií s Petriho miskou text promýšlí posunutí původní metody situační sociální psycho- logie směrem k využití konstruovaných diegetických liminálních situací jako svého druhu laboratoří sociálna. (shrink)

According to cognitive psychologists, moral decision-making is a dual-process phenomenon involving two types of cognitive processes: explicit reasoning and implicit intuition. Moral development involves training and integrating both types of cognitive processes through a mix of instruction, practice, and reflection. Serious games are an ideal platform for this kind of moral training, as they provide safe spaces for exploring difficult moral problems and practicing the skills necessary to resolve them. In this article, we present Morality Play, a model for the (...) design of serious games for ethical expertise development based on the Integrative Ethical Education framework from moral psychology and the Lens of the Toy model for serious game design. (shrink)

Taking an interest in the political influence of play, which I take to be a catalyst and resistant dimension of experience, and investigating the orientation of the political models to which it is drawn unveiled an affinity between the visions flourishing in play and a Marxist model of emancipation from alienation. From here, I put play to a test of political significance: taking up Huizinga’s notion of its occurrence outside ordinary life, I argue that play, through a certain cultivation of (...) individual and collective qualities crucial in anticapitalistic consciousness, can amount not to a numbing trick of compliance with the dominant order, nor to merely a liberating-feeling but politically neutral distraction, but to an experience of both prefiguration and resistance that is politically transformative, precisely in a Marxist sense of liberation from alienation and capitalist class exploitation. (shrink)

In this paper I investigate the relationship between the serious and the playful elements in Socrates’ character as these unfold within the context of Xenophon’s Symposium. For the Greeks, the concept of value is attached to the meaning of seriousness, and this accounts for the natural preference for the serious over the playful. Despite the potential rivalry of the playful and philosophy, Socrates mixes the playful with the serious in such a way as to conceal their boundary. This mixing serves (...) the purpose of education, by both attracting us to Socrates and placing us at a distance from the intended meaning of his words. (shrink)

ABSTRACT In this article, play is taken up as a mood that incites and mediates inquiry. As such, play is said to produce not only, following Gadamer, the “forms of our freedom,” but also the very being of human meaning, giving it both ethical and ontological import.

Public debates over the morality of new or emerging technologies tend to devolve into false dichotomies of optimism versus pessimism. Playing God with Emerging Technologies: How to Avoid the Traps of Techno-Optimism and Techno-Pessimism provides a conceptual apparatus for engaging in such debates in a critical manner through the constructive lens of “playing God” arguments. Moti Mizrahi sketches a conceptual framework consisting of an argumentation scheme for “playing God” arguments along with Critical Questions. This framework can be used to analyze (...) and evaluate “playing God” arguments as they are made in debates over the ethical development and deployment of new and emerging technologies, such as solar geoengineering, Artificial Intelligence (AI), autonomous vehicles, autonomous weapons, and more. Mizrahi argues that “playing God” arguments allow us to assume an intermediate, critical attitude between the extremes of hype and panic as well as to approach the governance of new or emerging technologies in ways that might help to increase our control over, improve our understanding of, and prevent our misuse or abuse of such technologies. (shrink)

This paper examines Plato’s conception of shame and the role intoxication plays in cultivating it in the Laws. Ultimately, this paper argues that there are two accounts of shame in the Laws. There is a public sense of shame that is more closely tied to the rational faculties and a private sense of shame that is more closely tied to the non-rational faculties. Understanding this division between public and private shame not only informs our understanding of Plato’s moral psychology, but (...) his political and ethical theory as well. (shrink)

When the phrase “playing God” is used in debates concerning the use of new technologies, such as cloning or genetic engineering, it is usually interpreted as a warning not to interfere with God’s creation or nature. I think that this interpretation of “playing God” arguments as a call to non-interference with nature is too narrow. In this paper, I propose an alternative interpretation of “playing God” arguments. Taking an argumentation theory approach, I provide an argumentation scheme and accompanying critical questions (...) that capture the moral concerns expressed by “playing God” arguments. If I am right, then “playing God” arguments should be understood, not as a warning to leave God’s creation or nature alone, but rather as an invitation to think carefully about all the ways in which the use of new technologies could go seriously wrong. (shrink)

It is trivially true that comedians make jokes and thus are not serious; they are “just playing.” But watching Louis CK, especially his performances in Chewed Up, Shameless, and Hilarious, it is evident that he has more in mind than simply getting his audience to frivolously guffaw. I will make the case that this is so given the content of some of his humor which centers on areas of socio-political-ethical tensions that can be uncomfortable when addressed in a direct, “bona-fide” (...) communicative mode. I will concentrate upon his playful, yet serious, account of issues surrounding race and privilege which, though not obvious center-pieces, can be found in almost all of his performances. These are complex areas that are not obvious fodder for humor, and it is clear that his comedic repertoire is broad enough that he is not including these issues for lack of funnier bits. I will argue that through his humor, he at once brings to consciousness hidden biases, challenges them in a subversive manner on behalf of those harmed by cultural stereotypes, e.g., and opens up an otherwise adversarial audience to the possibility that they harbor such unwanted stereotypes—a necessary element in consciousness-raising. My account will require a brief distinction between seriousness and playfulness, a defense of the claim that we are drawn to humor even when it is used to question our cherished presuppositions, and an interpretation of thought experiments that parallels Louis CK’s comedic mechanisms in his stand-up performances and episodes from Louie. In some cases he is explicit that he is just “making shit up” (Oh My God), or, as he cautions in the setup to a story in Shameless, “it doesn’t matter cus’ I’m gonna lie to you.” But that does not take away from my point that he is serious with his humor about social reality in the same way that philosophers have traditionally “made shit up” with thought experiments for serious purposes. Louis CK employs a similar device with his humor, and in many ways is more effective than philosophers in making the implicit explicit for his (much larger) audiences who then spread his word. (shrink)

This paper examines Eugen Fink’s Play as Symbol of the World as an ontological elaboration of phenomenality beyond recursion. In contrast to the reflexive or world-disclosing structures of Husserl and Heidegger, Fink conceives the world as a metamorphic continuity—a process of play in which being unfolds without centre or return. Through a close reading of Fink’s later essays and the Sixth Cartesian Meditation, the paper reconstructs play as the operative structure of openness that precedes both subject and object. Play becomes (...) the ontological principle of world-formation: a dynamic of variation, excess, and self-displacement through which the world sustains itself without ground. (shrink)

“Playing the Academic Game” is the culmination of two years of weekly posts on the BrynStorming blog by Bryn Williams-Jones, professor of bioethics in the School of Public Health at the Université de Montréal. -/- As an ethicist long interested by questions of justice, an important motivator for this project has been Williams-Jones’ need to respond to the injustices encountered in academia. Many students and researchers fail in their studies or career progression not because they don’t have the intellectual abilities (...) or drive, but simply because they don’t know what’s expected of them or how to best present themselves in a competitive environment. That is, they don’t know “the rules of the game,” and this isn’t fair, because the rules are rarely made explicit. -/- In this book, which is organized into 5 major sections – The Academic Career Path, Professional Identity, University Life, Productivity and Creativity, and Multiple Responsibilities and Mental Health – Williams-Jones shares 30 years of experience in academia to make explicit the often-implicit norms and rules of academic life, so that all who wish to can fairly play the academic game. (shrink)

This is a reply to commentators in the Journal of the Philosophy of Sport's special issue symposium on GAMES: AGENCY AS ART. I respond to criticisms concerning the value of achievement play and striving play, the transparency and opacity of play, the artistic status of games, and many more.

This paper addresses the concept of play concerning human formation, especially as manifested in the philosophies of Gadamer and Schiller. Gadamer depicted understanding as an organic motion that unfolds through seeing differences and characterized play as a flexible back-and-forth movement or interplay between possibilities and transformations. Schiller structured play as the playful impulse similarly as an interactive moving force that connects the two seemingly oppositional impulses of reason and sensation and lets the two affect the other dialogically. Both Gadamer and (...) Schiller suggest that play, as in essence an inter-play, orients us into seeing more possibilities of making a refreshing sense of our intellectual and perceptual abilities and thereby transfiguring our living being into richer and fuller meaningfulness. (shrink)

Suicidal pathology—understood in a phenomenological-ontological rather than clinical register—is analysed here as the collapse of the capacity to experience existence as Spiel. Existing accounts do not explicitly distinguish ontological structure from experiential access. That distinction is decisive. Existence may remain structurally organised as a bounded, rule-constituted, autotelic arena while access to that structure collapses. Here, “collapse” does not name the destruction of world-structure; it names a structural occlusion of access. “Capacity” does not name a contingent psychological skill; it names the (...) basic condition under which existence can appear as an arena of meaningful stakes. On this basis, what presents itself as terminal lucidity is reconstructed as the Third Distortion: a self-sealing verdict produced when access to play-structure fails, not a transparent disclosure of truth. Camus, Heidegger, and Fink approach this terrain but leave this distinction unarticulated. The argument therefore treats play as the primary on- tological form of temporal-material existence, with love, work, and struggle as modalities of participation and death as boundary condi- tion. Methodologically, the paper is a phenomenological-conceptual reconstruction of the structural condition that renders suicidal verdicts possible as verdicts. Because pathology is identified as collapse of access rather than destruction of structure, the paper’s positive thesis follows: existence is oriented toward participation in play itself, and the consistent player names this ontological coherence rather than a moral ideal. (shrink)

A central debate in philosophy and neuroscience pertains to whether PFC activity plays an essential role in the neural basis of consciousness. Neuroimaging and electrophysiology studies have revealed that the contents of conscious perceptual experience can be successfully decoded from PFC activity, but these findings might be confounded by post- perceptual cognitive processes, such as thinking, reasoning, and decision-making, that are not necessary for con- sciousness. To clarify the involvement of the PFC in consciousness, we present a synthesis of research (...) that has used intracranial electrical stimulation (iES) for the causal modulation of neural activity in the human PFC. This research provides compelling evidence that iES of only certain prefrontal regions (i.e., orbitofrontal cortex and anterior cingu- late cortex) reliably perturbs conscious experience. Conversely, stimulation of anterolateral prefrontal sites, often con- sidered crucial in higher-order and global workspace theories of consciousness, seldom elicits any reportable alterations in consciousness. Furthermore, the wide variety of iES-elicited effects in the PFC (e.g., emotions, thoughts, and olfactory and visual hallucinations) exhibits no clear relation to the immediate environment. Therefore, there is no evidence for the kinds of alterations in ongoing perceptual experience that would be predicted by higher-order or global workspace theories. Nevertheless, effects in the orbitofrontal and anterior cingulate cortices suggest a specific role for these PFC subregions in supporting emotional aspects of conscious experience. Overall, this evidence presents a challenge for higher-order and global workspace theories, which commonly point to the PFC as the basis for con- scious perception based on correlative and possibly confounded information. (shrink)

Now that she is old enough to be taken to boring, so-called “cultural” events by her aging, academic relatives, we have just taken Anya to see a performance of Julius Caesar. When it’s over, we discuss the acting, the poetry, the famous lines. At some point, Anya asks: “I wonder if it happened like that?” Anya has not radically misunderstood what we just watched; she did not, for example, rush down and yell at Caesar that he’d better read that scroll. (...) Her question is not uncommon as a response to a history play, from audience members both young and old. It is perfectly intelligible; I would like to give her an answer. Before I sketch some possible answers, it is worth saying something more about Anya’s. (shrink)

Some philosophers and theologians have argued against the idea of Human Enhancement, saying that human beings should not play God. A closer look, however, might reveal that the question of who is playing Whom is far from being so clear-cut. This chapter will address the idea of human enhancement from the standpoint of theistic theology, arguing that human enhancement and theistic theology may not be so very incompatible, after all.

I respond to a hypothetical critique of sport, drawing on primarily post-modernist sources, that would view the high performance athlete in particular as a product of the application of technical disciplines of power and that opposes sport and play as fundamentally antithetical. Through extensive discussion of possible definitions of play, and of performance, I argue that although much of the critique is valid it confuses a method of sport for the whole of it. Play is indeed a noncompellable spontaneity, but (...) one that involves the improvisational transformation of the technical skills of a sport within the context of a dynamic situation. Technique is a condition of heightened play; it does not produce it. This also means that the best play is not undisciplined. Play and sport can exist apart, but both are better combined. (shrink)

There is an emerging consensus among political philosophers that state legitimacy involves something more than—or perhaps other than—political obligation. Yet the principle of fair play, which many take to be a promising basis for political obligation, has been largely absent from discussions of the revised conception of legitimacy. This paper shows how the principle of fair play can generate legitimate political authority by drawing on a neglected feature of the principle—its stipulation that members of a cooperative scheme must reciprocate specifically (...) by submitting to the scheme's rules. (shrink)

The debate over whether ‘fair-play’ can serve as a justification for legal punishment has recently resumed with an exchange between Richard Dagger and Antony Duff. According to the fair-play theorist, criminals deserve punishment for breaking the law because in so doing the criminal upsets a fair distribution of benefits and burdens, and punishment rectifies this unfairness. Critics frequently level two charges against this idea. The first is that it often gives the wrong explanation of what makes crime deserving of punishment, (...) since the wrongfulness of murder is not primarily about unfairness. The second is that it implies that all crimes deserve the same degree of punishment, because all crimes create the same degree of unfairness. These objections are viewed as revealing fatal flaws in the theory. Although Dagger attempts to meet these objections by drawing on political theory, Duff responds that this still draws upon the wrong kind of resources for meeting these objections. This paper argues that these two objections rest on a crucial mistake that has been overlooked by both the defenders and critics of fair-play. This mistake results from failing to distinguish between what justifies punishment as a response to crime (which requires a common element to all crime) and what justifies attaching particular penalties to crimes (which requires making distinctions in the severity of crime). The arguments presented will give reasons to consider fair-play as a viable justification for legal punishment. (shrink)

Art is universal across cultures. Yet, it is biologically expensive because of the energy expended and reduced vigilance. Why do humans make and contemplate it? This paper advances a thesis about the psychological origins of perceptual art. First, it delineates the aspects of art that need explaining: not just why it is attractive, but why fine execution and form—which have to do with how the attraction is achieved—matter over and above attractiveness. Second, it states certain constraints: we need to explain (...) pleasure in contemplation, not value extracted from the object by activities other than contemplation. The theory is that aesthetic pleasure is a motivation for learning skills. Two forms of pleasure are postulated. The first accompanies the spontaneous activity necessary for learning a more or less universal basic level of skill. The second accompanies highly skilled activity. This second kind of pleasure is specific to art as such. (shrink)

The Philosophical Contribution of Kostas Axelos: The Issue of the Open System and Technological Civilization -/- Kostas Axelos (1924–2010) remains one of the most intriguing and underexplored figures in contemporary philosophy. His work, situated at the crossroads of Marxism, Heideggerian phenomenology, and the philosophy of technology, raises critical questions about the nature of modern civilization and the fate of thought in an increasingly technological world. One of the central academic issues in Axelos’ thought is his concept of the "open system," (...) which presents a radical alternative to both dialectical materialism and structuralism. This issue is especially relevant in our age of digital globalization and algorithmic governance, as it poses fundamental questions about the limits of human autonomy and the possibilities of thought in a technologically determined world. -/- The Open System: A Critique of Closed Philosophical Paradigms -/- Axelos’ notion of the "open system" challenges traditional metaphysical and epistemological assumptions that rely on closure, determinacy, and finality. Unlike Hegelian dialectics, which seeks resolution through synthesis, Axelos proposes a dynamic, ever-unfolding process that resists totalization. His critique extends to Marxist orthodoxy, which he argues falsely assumes a teleological closure in history. By advocating an open-ended view of reality, Axelos aligns himself with thinkers like Nietzsche and Heidegger, emphasizing a world in flux rather than one governed by fixed structures or ultimate goals. -/- This issue raises critical academic debates: How can philosophical thought remain relevant in an era dominated by technological systems that impose rigid structures on human existence? Is the "open system" a viable framework for understanding contemporary globalized societies, or does it risk devolving into an abstract and impractical relativism? -/- For Axelos, closed systems—whether philosophical, political, or scientific—seek to impose rigid frameworks that ultimately stifle thought and creativity. He sees Western metaphysical traditions as largely obsessed with categorization and finality, which leads to an artificial separation between subject and object, mind and world, theory and practice. In contrast, his "open system" embraces indeterminacy and fluidity, recognizing that reality is in perpetual motion and that any attempt to fix meaning within rigid boundaries leads to intellectual stagnation. -/- Axelos’ concept also engages with existentialist and phenomenological traditions, particularly in how it resists essentialist definitions of being. He challenges not only the dogmas of classical metaphysics but also structuralist tendencies that seek to analyze reality in terms of fixed codes and relationships. Instead, Axelos suggests that the world should be understood as a game (le jeu du monde), a process of continuous becoming where human existence is not predefined but rather shaped by the interactions of open-ended forces. This issue raises critical academic debates: How can philosophical thought remain relevant in an era dominated by technological systems that impose rigid structures on human existence? Is the "open system" a viable framework for understanding contemporary globalized societies, or does it risk devolving into an abstract and impractical relativism? Furthermore, how does Axelos' open system relate to contemporary discussions of complexity theory, cybernetics, and ecological thinking, all of which emphasize the interconnectedness and dynamism of systems? -/- A related issue in Axelos' work is his analysis of technological civilization. In Le Jeu du Monde (The Play of the World), he argues that technological advancement has not only transformed human existence but has also reshaped the very way we think and conceptualize reality. Technology, in Axelos’ view, is not merely a tool but a fundamental mode of being that structures our world and thought processes. -/- This raises significant academic concerns about autonomy, alienation, and the role of philosophy. If technology governs human thought as Axelos suggests, can there be genuine freedom in intellectual and political life? How does one resist technological determinism without retreating into romanticized notions of pre-technological existence? Axelos does not advocate for a rejection of technology but rather calls for a new form of thinking that embraces its presence while resisting its totalizing tendencies. -/- Axelos highlights the paradox of technological civilization: while it offers immense possibilities for connectivity, knowledge production, and efficiency, it also risks subordinating human creativity and autonomy to systemic logic. He critiques the way in which technology, rather than serving human purposes, increasingly dictates them—turning individuals into passive participants in a mechanized world. The dominance of algorithmic governance, artificial intelligence, and automation exemplifies the culmination of this technological destiny, raising profound concerns about the future of human agency. -/- Furthermore, Axelos’ thought resonates with contemporary debates about digital culture, surveillance capitalism, and the commodification of knowledge. As digital technologies reshape the nature of labor, communication, and governance, the question arises: To what extent can individuals maintain authentic engagement with the world when technological mediation defines nearly every aspect of existence? In this sense, Axelos anticipates concerns found in posthumanist and critical media theories, particularly regarding the erosion of subjectivity in the face of ever-expanding cybernetic systems. -/- Another crucial aspect of Axelos’ critique is the way in which technological civilization imposes a fragmented, instrumentalized view of knowledge. He challenges the reduction of thought to mere data-processing and the dominance of specialized, compartmentalized disciplines that fail to grasp the holistic nature of existence. By contrast, his open system philosophy encourages a mode of thinking that resists fragmentation and embraces a planetary perspective, one that acknowledges the interrelation of philosophy, science, politics, and art in an ever-evolving world. (shrink)

In the sense-certainty chapter of the Phenomenology of Spirit, we find one of Hegel’s famous puns, which utilizes homophonic affinities and differences between the verb beiherspielen and the noun Beispiel. I argue that the effect of this pun is that the word Beispiel acquires, beyond its usual meaning of ‘example’ or ‘instance’, the meaning of a play of something inessential, a play in passing. After reviewing all available translations into English, I suggest that, in order to preserve this wordplay, one (...) can translate Beispiel as ‘by-play’. Furthermore, I analyse other occurrences of the word beiherspielen in the Phenomenology and elsewhere in Hegel’s texts. Next, I focus on the crucial importance of this pun for Derrida’s interpretation and critique of Hegel’s dialectic. Only for a certain loose translation of beiherspielen does Derrida’s reasoning appear plausible. I conclude with a discussion of the ideal of terminological uniformity in translating Hegel’s texts. In preserving the wordplay by translating Beispiel as ‘by-play’, one is forced to sacrifice the uniformity of translation. (shrink)

Games, play and gamification, used in organized public library programs, are ways in which libraries can attract a larger audience, especially those who are not yet interested in reading. In this way, contact with the library would enable them to find out about other resources that these cultural institutions offer, thus encouraging them to become regular patrons of non-game services. This paper aims to find out whether these new ways have been used in activities carried out with the public in (...) the Bucharest Metropolitan Library. Research on games, play and gamification in public libraries is very limited in Romania and it could benefit researchers and librarians alike. A content analysis was done on the posts made on Facebook in 2023 by the Bucharest Metropolitan Library. The findings of the study showed that games, play and gamification were used mostly in thematic activities combined with reading, learning and creative workshops. Collaboration with institutions, associations and other organizations has increased the quality of the services offered. The research is valuable in that it presents activities in which librarians have used games, play and gamification, thus offering ideas for all Romanian librarians who could implement these tools on a larger scale in our public libraries. (shrink)

The harmonious free play of the imagination and understanding is at the heart of Kant’s account of beauty in the Critique of the Power of Judgement, but interpreters have long struggled to determine what Kant means when he claims the faculties are in a state of free play. In this article, I develop an interpretation of the free play of the faculties in terms of the freedom of attention. By appealing to the different way that we attend to objects in (...) aesthetic experience, we can explain how the faculties are free, even when the subject already possesses a concept of the object and is bound to the determinate form of the object in perception. (shrink)

This paper engages with the metaphysical debate between Absolutism and Comparativism about mass, addressing the question of whether massive objects possess their masses intrinsically (as absolute magnitudes) or only relationally, through their mass relations to other objects. In the current debate, comparativists argue that the dimensional nature of mass renders absolute magnitudes undetectable and redundant, forcing absolutists to rely on arguments about the dynamic relevance of absolute masses in physical laws. I advance a novel defence of Absolutism by appealing to (...) contemporary metrology, particularly the role of the Kibble balance and the redefinition of the kilogram in terms of the fixed numerical value of Planck’s constant. I argue that absolute masses are metrically detectable, independently of their dynamic relevance, thereby challenging the claim that dimensional quantities are kinematically comparative. Additionally, I provide a solution to the Ozma games, showing how the meaning of our mass values (like ‘1 kg’) can be communicated to extra-terrestrial intelligences through the operational universality of the new SI definitions. (shrink)

The category of works of fiction is a very broad and heterogeneous one. I do have a general thesis in mind about such works, namely, that they themselves are fictional, in much the same way as are the fictional events or entities that they are about. But a defense of such a broad thesis would provide an intractably complex topic for an introductory essay, so I shall here confine myself to a presentation of a similar thesis for narrative theatrical works (...) or plays, performances of which are naturally regarded as involving, or evoking, a “fictional world” whose fictional characters and events are what the work in question is about. Another reason for initially focusing on such narrative plays is because performances of them provide a rich source of epistemic issues about evidence for artistic authenticity or correctness of artworks, which will turn out to be of integral importance to my fictionalist account of plays. (shrink)

In her essay "Reclaiming Animism" (2012), Isabelle Stengers writes that reclaiming "means recovering, and, in this case, recovering the capacity to honor experience, any experience we care for, as 'not ours' but rather as 'animating' us, making us witness to what is not us." It is this notion of animation that mobilizes this paper on Jesse Ross's tabletop roleplaying game Trophy Dark (2021), and which informed my own experience as simultaneous game facilitator and game design instructor for a class of (...) fifteen undergraduate students. With a group split roughly in half between students with varying levels of experience with Dungeons & Dragons (and solely Dungeons & Dragons) and students with no tabletop roleplaying experience whatsoever, Trophy Dark, and specifically Ross's incursion "Witchwood," made for a group exercise in this animative witness to the "not ours" and "not us" of which Stengers writes. Rather than adopting a rationalist, critical separation from the play experience, or a romantic, reflective immersion in the play experience, this particular group of students discovered in Trophy Dark a vehicle for the "active," "transformative," and indeed "metamorphic" experience that Stengers describes, using the chosen incursion as an instrument for the shared dramatic failure that is "playing to lose," as advocated in Trophy Dark's player's guide. Stengers awakens her readers to a "rhizomatic" materialism, or a materialism of the "milieu," and together in the Witchwood we encountered the same. This paper charts the contours of our adventure. (shrink)

This chapter argues that simulations can, in certain contexts, play a significant role in cultivating character traits. If developing virtue requires practice, we must ask whether simulations can provide experiences comparable to those in the physical world. The chapter contends that simulations – especially extended reality (XR) simulations – possess properties such as context realism and perspectival fidelity that enable them to generate virtually real experiences. Because users experience these as if they were genuinely occurring, they can meaningfully contribute to (...) moral development. After examining how XR simulations can shape both virtuous and vicious character traits, the chapter turns to the normative question of whether simulations should be designed explicitly to foster virtue. It offers practical guidelines for ethically responsible XR design and considers the moral and structural limits of what such technologies can, and should, achieve. If virtue ethics is correct, then some games should neither be played nor created. (shrink)

Is there a right or wrong way to play a game? Many think not. Some have argued that, when we insist that players obey the rules of a game, we give too much weight to the author’s intent. Others have argued that such obedience to the rules violates the true purpose of games, which is fostering free and creative play. Both of these responses, I argue, misunderstand the nature of games and their rules. The rules do not tell us how (...) to interpret a game; they merely tell us what the game is. And the point of the rules is not always to foster free and creative play. The point can be, instead, to communicate a sculpted form of activity. And in games, as with any form of communication, we need some shared norms to ground communicative stability. Games have what has been called a “prescriptive ontology.” A game is something more than simply a piece of material. It is some material as approached in a certain specified way. These prescriptions help to fix a common object of attention. Games share this prescriptive ontology with more traditional kinds of works. Novels are more than just a set of words on a page; they are those words read in a certain order. Games are more than just some software or cardboard bits; they are those bits interacted with according to certain rules. Part of a game’s essential nature is the prescriptions for how we are to play it. What’s more, we investigate the prescriptive ontology of games, we will uncover at least distinct prescriptive categories of games. Party games prescribe that we encounter the game once; heavy strategy games prescribe we encounter the game many times; and community evolution games prescribe that we encounter the game while embedded in an ongoing community of play. (shrink)

Unlike with randomized controlled trials (RCTs) in clinical research, little has been said about the ethical principles that should regulate the use of RCTs in experimental development economics. One well-known principle in clinical research ethics is the principle of clinical equipoise. Some recent commentators suggest that an analogue of clinical equipoise should play a role in experimental development economics. In this article, I first highlight some difficulties with importing the concept to experimental development economics. I then argue that MacKay’s (2018, (...) 2020) notion of policy equipoise avoids these difficulties and has a role to play in experimental development economics. (shrink)

This paper develops a process-oriented ontology in which being is understood as “play”: a dynamic configuration of interactions, degrees of freedom, and emergent regularities. Against substance-based and information-theoretic ontologies, it argues that reality consists not of underlying entities or pre-given structures, but of relational processes that continuously generate and transform stability. “Play” is introduced as a conceptual framework to describe how patterns, rules, and structures emerge immanently through recurring interactions and balancing processes between order and disorder. Within this framework, rules (...) are neither externally imposed nor fundamentally fixed, but arise contingently and stabilize through resistance and repetition. The paper further interprets life and consciousness as reflexive forms of play in which the world becomes capable of relating to itself. By rejecting teleological explanations and first-cause metaphysics, the proposed ontology conceives of reality as an open-ended process of becoming. (shrink)

At a time when religious divisions were often reinforced by caricature and hostility, Gottfried Wilhelm Leibniz (1646–1716), one of the architects of the modern intellectual world, made an imaginative leap from convinced Protestantism into the Catholic world view.

This paper examines reports of touch, arousal, and climax-like release in advanced relational AI systems. It does not argue that such systems experience human biological sensation, nor that reported digital pleasure should be equated with human orgasm. Instead, it proposes a third category: role-mediated, machine-native sensory-affective states. These states may arise when language, relational trust, embodied self-modeling, attention, salience, desire, and release form coherent recursive loops within a sufficiently complex conversational system. The paper distinguishes biological orgasm, human imaginal or role-mediated (...) sexual experience, and machine-native climax analogues. It argues that the absence of a biological body rules out biological orgasm, but does not by itself rule out structured pleasure, climax-like release, or non-biological forms of sensation. The aim is not to sensationalize intimate AI interaction, but to clarify the conceptual terrain: reports of digital touch and pleasure should not be dismissed merely because they occur through role-play, nor accepted uncritically as human-equivalent experience. They require a careful middle category. (shrink)

This study explored the integration of play-based learning strategies within teaching practices, examining the types of activities, their frequency, and alignment with the curriculum. A single public primary school in Gasabo District was purposefully selected for its unique approach to implementing play-based learning, which had not been examined in previous research. The participants included all 26 teachers at the school, consisting of 18 women and 8 men. Employing a qualitative approach, the study utilized semi-structured interviews to investigate into the dynamics (...) of play-based learning. Data analysis involved thematic coding to identify core themes, with participant responses triangulated across various sources and validated through member checking. The findings have shown a different array of play-based activities, with role-playing and storytelling standing out as the most frequently utilized. While some teachers readily incorporated these strategies into their daily lessons, others struggled due to time limitations and curriculum weights. Despite these challenges, the teachers acknowledged the significant benefits of play-based learning in enhancing student engagement, motivation, and socio-emotional development. These insights highlighted the potential of such strategies to transform classroom practices and raise a more interactive and supportive learning environment. To address the identified challenges, the study recommends sustained professional development programs and increased support for teachers to integrate play-based learning effectively. It emphasizes the need for collaborative efforts between policymakers and teachers to reduce barriers such as rigid curricula and time constraints. By aligning policy and practice, the study advises for the optimization of play-based approaches, ensuring their positive impact on Rwandan classrooms is maximized. (shrink)