Sháńdíín Brown
PhD student, curator & creative from the Navajo Nation
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Instagram
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Email
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LinkedIn
Diné Weaver Venancio Aragón Dyes Wool With Kool-Aid
Diné Weaver Venancio Aragón Dyes Wool With Kool-Aid
Bio | Yale Department of the History of Art
Bio | Yale Department of the History of Art
Smoke in Our Hair | TEXTE ZUR KUNST Review
Smoke in Our Hair | TEXTE ZUR KUNST Review
Mitchell Herrmann on “Smoke in Our Hair: Native Memory and Unsettled Time” at the Hudson River Museum, New York
Smoke in Our Hair | New York Times Review
Smoke in Our Hair | New York Times Review
Writing | Hyperallergic
Writing | Hyperallergic
Sháńdíín Brown is a curator, creative, and citizen of the Navajo Nation from Arizona.
Writing | Pasatiempo
Writing | Pasatiempo
Writing | Forge Project
Writing | Forge Project
Writing | RISD Museum
Writing | RISD Museum
Writing | Fashion Studies
Writing | Fashion Studies
Podcast Episode | Momus
Podcast Episode | Momus
This episode features an interview with Sháńdíín Brown (Diné), continuing our series talking to participants in the Momus residency “Estuaries: An International Indigenous Art Criticism Residency”...
Diné Textiles | RISD Museum
Diné Textiles | RISD Museum
Diné (Navajo) apparel design is constantly evolving, often in response to historical events. After Spanish colonists introduced Churro sheep to what is now the Southwest United States in the late 1500s, Diné developed a Navajo-Churro breed that produced wool ideal for weaving. By the 1800s, Diné women were creating wool blankets, mantas, and other forms of apparel. After the 1868 Treaty of Bosque Redondo subjected Diné to US federal government rule, forced assimilation, and American capitalism, Diné apparel transitioned from woven wool textiles to sewn commercial fabrics.
Diné Textiles Video Tour | RISD Museum
Diné Textiles Video Tour | RISD Museum
Being and Believing in the Natural World | RISD Museum
Being and Believing in the Natural World | RISD Museum
Human relationships with the natural world are explored across these ancient Mediterranean, Asian, and Indigenous North American objects. Rather than searching for similarities across cultures, this exhibition embraces the layers of meaning that emerge in bringing these different perceptions together. Dating from 2000 BCE to the present day, many of these objects could be presented within multiple contexts. Grouped as they are, they consider how diverse makers interacted with the natural world and suggest points of departure for thinking about our own narratives today.
Unbroken | Hood Museum of Art
Unbroken | Hood Museum of Art
Jewelry Practice | Instagram
Jewelry Practice | Instagram
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