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BECOME A MUSKRAT BOOK REVIEWER
MUST SEE FILM WINNERS LIST FROM THE MONTREAL 2022 FIRST PEOPLES FESTIVAL
MONTREAL FIRST PEOPLES FESTIVAL FILMS ARE BACK! THE GREAT MOVEMENT FILM REVIEW
MUSKRAT’S PROVOCATIVE SUMMER READ: ‘HEART BERRIES’ BY TERESE MARIE MAILHOT
WHY SOME HIGH SCHOOL STUDENTS ARE CHOOSING NOT TO STAND FOR THE NATIONAL ANTHEM
MISSING MATOAKA: THE TRUE STORY OF POCAHONTAS
MOHAWK ARTIST BRENDT THOMAS DIABO ON WHAT INSPIRES HIM AND WHY SPEAKING UP ON INDIGENOUS REPRESENTATION IS IMPORTANT
YOLANDA BONNELL ON HOW WE ARE NEVER TRULY LOST
WAYFINDING IN THE VORTEX: PART 4
MUSKRAT’S MARCH INDIGENOUS MUSIC MUSTS
WAYFINDING IN THE VORTEX: PART 3
WAYFINDING IN THE VORTEX: PART 2
WAYFINDING IN THE VORTEX: PART ONE
ZAINAB AMADAHY WAYFINDING IN THE VORTEX, INDIGENOUS BLACK FUTURISMS AND SPACE FOR CONNECTIONS
THE KENOSHA SHOOTINGS, AHMAUD ARBERY & COLTEN BOUSHIE: WHY WHITE CULTURE VALUES PROPERTY OVER BLACK AND BROWN LIVES
BLACK AND INDIGENOUS RELATIONSHIPS PART 4: EXPANDING COLLECTIVE CONSCIOUSNESS
BLACK & INDIGENOUS RELATIONSHIPS PART 3: WHAT MAKES FOR RIGHT RELATIONS
RESERVATION DOGS: A START IN REZPRESENTATION IN TELEVISION
INDIGENOUS FILMS TO GET EXCITED FOR AT TIFF 2021
INTERNATIONAL FIRST PEOPLES AWARDS LIST - 2021 WINNING FILMS
BLACK & INDIGENOUS RELATIONS PART I: A THREAT TO THE FOUNDATIONS OF SETTLER COLONIALISM
INDIGENOUS TORONTO: TANNIS NIELSEN ON THE SIMCOE STREET MURAL
“THEY PROTECT THE CATHOLIC CHURCH THAT TRIED TO EXTERMINATE OUR RACE” – COLOMBIA’S REPRESSION: A MASSACRE AGAINST THE PEOPLE
RAP NEWCOMER IS A SHARP AND FIERCE VOICE FOR BLACK & INDIGENOUS WOMEN OF COLOUR
SILLA AND RISE UNMISTAKABLY NORTHERN NEW TRACK: PANDEMONIUM
WHEN WILL CANADIANS CEASE TO BE SHOCKED AND TAKE ACTION? THE KAMLOOPS RESIDENTIAL SCHOOL MASS GRAVE EXPOSES WHO WE ARE AND THE WORK AHEAD
PODCAST INTERVIEW WITH FILMMAKER COURTNEY MONTOUR ON MARY TWO-AXE EARLEY’S HISTORICAL FIGHT FOR INDIGENOUS WOMEN’S RIGHTS
VOTE FOR ZEEGWON SHILLING ON CBC MUSIC TOYOTA SEARCHLIGT
HOT DOCS PODCAST INTERVIEW SERIES WITH ELLE-MÁIJÁ TAILFEATHERS ON HER FILM KÍMMAPIIYIPITSSINI: THE MEANING OF EMPATHY
TANYA TALAGA ON HER FILM SPIRIT TO SOAR, DEBUTING AT HOT DOCS ‘21
MUSKRAT’S FEATURE ARTIST: TARA WILLIAMSON ON DECOLONIZING THE MEANING OF LOVE
Indigenous Toronto: Stories that Carry this Place
A LOOK BACK: INDIGENOUS FASHION WEEK TORONTO 2020
DR. SHERYL LIGHTFOOT: THE FIRST INDIGENOUS WOMAN FROM CANADA APPOINTED TO UNITED NATIONS EMRIP
IT’S A MITIG BY BRIDGET GEORGE
INDIGENOUS WOMEN MUSICIANS SLAYING IT ON INTERNATIONAL WOMEN’S DAY (& EVERY OTHER DAY)
ACCLAIMED ACTOR CARMEN MOORE ON RUSTIC ORACLE, MMIWG, WHAT’S CHANGED IN THE SCREEN INDUSTRY
INDIGENOUS LOVE TRADITIONS
A MĀORI OPINION: WHY INDIGENOUS CANADIANS LIVES DIDN’T MATTER TO MICHELLE LATIMER
2020: TAMING THE WÉTIKO VIRUS: 2021
HOLDING ARTISTS ACCOUNTABLE IS NOT “LATERAL VIOLENCE”
INDIGENOUS HOLIDAY GIFT IDEAS OF 2020
FEATURED ARTIST: MATTINAWAY CHAKASIM
NICK SHERMAN ON STORIES, SONG, AND RACISM IN THUNDER BAY
INTERVIEW WITH SANDRA LARONDE ON FLOW: A BEAUTIFUL STREAMING COLLABORATION IN A 2020 POLITICAL LANDSCAPE
SHAWNEE ON AWAKENING HER TWO-SPIRITED IDENTITY
CINDY BLACKSTOCK & ISKWĒ EXAMINE COLONIAL VIOLENCE ON INDIGENOUS YOUTH
CHERYL L’HIRONDELLE & LACEY HILL ON APTN’S NEWEST SHOW: AMPLIFY
INTERVIEW WITH FILMMAKER MICHELLE LATIMER ON THE INCONVENIENT INDIAN: THE DOCUMENTARY
VANCE BANZO NEW GENERATION STAND-UP COMEDIAN AT THE GCHI DEWIN FESTIVAL
FOUR INDIGENOUS SCHOLARS GAUGE PROGRESS IN RESPECTING CULTURE, SCHOLARSHIP
MUSKRAT SPEAKING TO KIDS ON WHITE SUPREMACY AND SYSTEMIC RACISM #BLACK+INDIGENOUSLIVESMATTER
WHAT IS HANKY PANKY, WHAT IF HANKY PANKY
QUEERING THE NORTH: INUKSUK HIGH SCHOOL’S PRIDE WEEK
SASSY, BAD-ASSY, YET CLASSY: INDIGENOUS STAND-UP COMEDIAN STEPHANIE PANGOWISH
WHAT I’VE SEEN
ZEEGWON SHILLING PERFORMS AT THE GCHI DEWIN FESTIVAL

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