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Boston Baroque specializes in historically informed performances of European musical works from the 17th and 18th centuries, anchored in downtown Boston since 1973. The ensemble performs on period-accurate instruments, including baroque violins, natural horns, and original harpsichords maintained by specialist conservators. Their repertoire spans from Monteverdi's early operas to Mozart's symphonic works, with particular emphasis on reconstructing authentic performance practices. The organization partners with the Boston Early Music Festival for joint productions and educational initiatives throughout New England. Music Director Martin Pearlman leads collaborations with guest artists and directors including Peter Sellars, while maintaining relationships with regional conservatories and music schools. Boston Baroque's programming includes pre-concert lectures, score workshops, and scholarly publications examining historical context and interpretation. The ensemble's commitment to accessibility manifests through comprehensive venue accommodations and detailed program materials for diverse audiences. Their performance spaces feature wheelchair access, assisted listening systems, and large-print programs to serve patrons with varying needs. Boston Baroque maintains an archive of performance documentation and scholarly resources available to researchers and music historians.