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19 Articles

From PostScript To PDF

April 24, 2025 by 35 Comments

There was a time when each and every printer and typesetter had its own quirky language. If you had a wordprocessor from a particular company, it worked with the printers from that company, and that was it. That was the situation in the 1970s when some engineers at Xerox Parc — a great place for innovation but a spotty track record for commercialization — realized there should be a better answer.

That answer would be Interpress, a language for controlling Xerox laser printers. Keep in mind that in 1980, a laser printer could run anywhere from $10,000 to $100,000 and was a serious investment. John Warnock and his boss, Chuck Geschke, tried for two years to commercialize Interpress. They failed.

So the two formed a company: Adobe. You’ve heard of them? They started out with the idea of making laser printers, but eventually realized it would be a better idea to sell technology into other people’s laser printers and that’s where we get PostScript.

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Adobe Scientist Cuts A Dash With LCD Shifting Dress

October 22, 2023 by 64 Comments

Adobe research scientist [Christine Dierk] showed off an interesting new project at the Adobe Max conference: Project Primrose, a dress covered with a series of liquid crystal panels that could react to movement, changing the design of the dress. Now, Adobe has released a paper showing some of the technical details of the process.

The paper is from the User Interface & Software (UIST) conference in 2022, so the examples it uses are older: it discusses a canvas and handbag. The dress uses the same technology, though, draped over a scientist rather than a frame. If you can’t access the version from UIST, [Dierk] has a free version here.

The dress uses Polymer-dispersed Liquid Crystal (PDLC) panels from the wonderfully named Shanghai HO HO Industry Co and is designed for use in windows and doors for privacy. It uses an Indium Tin oxide-coated PET film that is opaque by default but becomes transparent when a voltage difference is applied across the material.

These panels are shaped to a hexagonal shape, then wired together with flexible PCBs in a daisy chain. Interestingly, [Dierk] found that the smaller the panels were made, the lower the voltage was required to trigger them. For their canvas example, they dropped the voltage to a much safer -15V to 15V levels to trigger the two states, which is much safer for a wearable device.

The panels are also not completely transparent when triggered: the paper describes them as having a “soft ivory” look when they are overlaying a reflective material. Greyscales can also be made using Pulse Coded Modulation (PCM) to vary the panel’s transparency. Driving the panels at 3.2KHz, they created 64 shades of grey.

The main controller is a custom PCB with a Teensy 4.1 and a BlueFruit LE SPI module. The power comes from two 14.8V LiPo batteries, with converters to power the chips and switch modules so the Teensy can switch the -15 and +15V levels for the panels directly from each battery.

The array is made from modules, each with four panels connected to a controller PCB, which has several Analog Signal Device (ASD) ADG1414 chips. These receive the signals from the bus with switch registers to switch the panels individually.

Rather cleverly, [Dierk] uses the bus that daisy chains the modules together to deliver both power and the bus signal that controls the panels, using the -15 and +15V levels modulated with a 50Hz square wave to create the bus signal and power the panels at the same time. That’s a neat hack that reduces the complexity of the modules significantly.

The Teensy 4.1 controls the whole system and can use its IMU to sense movement and change the pattern accordingly. You don’t get to see the system’s electronics in the dress video, but they claim that the canvas example took just 0.58 Watts to drive, so the dress probably only needs a few watts.

It is a fascinating build (and a rather cute dress), and has a lot of potential. What would you do with this?

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The Other Way To Fight Software Rental

July 8, 2023 by 208 Comments

It’s been a distressing trend over the last decade, that of taking commercial software from a paid-for licence model and moving into the cloud and onto a rental model. In out line, we’ve seen this with CAD packages and notably with EAGLE PCB CAD, but it’s hit other sectors in exactly the same way. The art and design communities, in particular, are feeling the pinch from Adobe Suite going towards a rental model, and now the artist and perennial thorn in the side of anyone who seeks to own a colour, [Stuart Semple] is doing something about it. He’s launching a competing suite called provocatively, Abode, which will follow an affordable paid-for licence model. It’s a development that raises interesting questions for the open source community, so it’s definitely worth a second look from that perspective.

Taking on software rental can only be a good thing, and we hope that the new package gains a foothold for that reason. But since we’re sure that there will be open-source enthusiasts asking the question: why are the established open-source equivalents such as GIMP and Inkscape not the obvious alternatives to the Adobe suite? In there may be some uncomfortable moments of soul searching for the software libre world around usability and interfaces.

Whatever your take on open source versus paid software, it’s extremely encouraging to have somebody mount a high-profile challenge to the software rental model. We hope that Abode makes it to market and that it succeeds in making the graphics software market a little more open. Meanwhile, we’ve mentioned [Stuart Semple] before for his colour activism over the blackest of blacks, and for previously taking on Adobe over Pantone pricing.

LED Matrix Displays Get New Look Thanks To SMD Stencils

April 28, 2023 by 26 Comments

Even if surface-mount skills aren’t in your repertoire, chances are pretty good that most of us are at least familiar with SMD stencils. These paper-thin laser-cut steel sheets are a handy way to apply a schmear of solder paste to the pads of a PCB before component placement and reflowing. But are stencils good for anything else?

It turns out they are, if you’ve got some plain old 8×8 LED matrix displays you want to jazz up a bit. In this case, [upir]’s displays were of the square pixel type, but this trick would work just as well for a matrix with circular elements. Most of the video below is a master class in Adobe Illustrator, which [upir] used to generate the artwork for his stencils. There are a lot of great tips here that make creating one simple shape and copying it over the whole array with the proper spacing a lot easier. He also details panelizing multiple stencils, as well as the workflow from Illustrator to manufacturing.

When lined up properly over the face of the LED matrix, the stencils have quite an effect. We really liked the narrow vertical bars, which make the LED display look a bit like a VFD. And just because [upir] chose to use the same simple shape over all the LEDs in a matrix doesn’t mean that there aren’t other options. We can see how you might use the same technique to create different icons or even alphanumeric characters to create custom LED displays. The possibilities are pretty much limited to your imagination.

This isn’t the first time we’ve seen [upir] teaching old displays new tricks.

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After 40 Years, Adobe Releases PostScript Source V0.10 For Posterity

December 13, 2022 by 28 Comments

Celebrating their 40th anniversary, Adobe released the source code of PostScript v0.10 to the Computer History Museum. But before you ask, we tried and it won’t compile with GCC out of the box – it’s missing at least except.h, but we’d bet you can hack around it with a little dedication.

PostScript is the precursor to PDF, and at the time it was revolutionary. Coming out of Xerox’s PARC, the idea was to create device- and resolution-independent documents where all the characters, symbols, and graphics are described by their shapes instead of bitmaps. PostScript’s secret sauce was in how it went back to a pixel-based representation for end use on monitors or printers. It’s no exaggeration to say that this ended up revolutionizing the print industry, and it makes sense in the CHM’s collection.

Still, on the trade-secret front, you shouldn’t get too excited. Apparently the code released here only includes a first-draft version of Adobe’s font hinting algos, as evidenced by the early version number. Nonetheless, you’re free to dig into pretty readable C. For instance, vm.c contains the virtual machine that implements PostScript’s almost Forth-like language.

Of course, if you’d just like to mess around with PostScript, downloading a modern open-source interpreter like GhostScript probably makes a lot more sense. Even so, it’s fun to see the original codebase where it all started.

Interview: Stuart Semple On Pantone, Freetone, Colour, And Open Source

November 16, 2022 by 73 Comments

We recently covered the removal of Pantone colour support from the Adobe cloud products, with the two companies now expecting artists and designers to pay an extra subscription for a Pantone plugin or face losing their Pantone-coloured work to a sea of black blocks. Our coverage focused on our community, and on how the absurdity of a commercial entity attempting to assert ownership over colours would have no effect on us with our triple-byte RGB values.

Interview With An Artist And Pigment Activist