*A Prince* (French: *Un prince*) is a 2023 French [drama](/page/Drama) [film](/page/Film) written and directed by Pierre Creton in his feature directorial debut.[](https://www.imdb.com/title/tt27706804/) The film follows Pierre-Joseph, a young [horticulture](/page/Horticulture) student whose apprenticeship in rural [Normandy](/page/Normandy) leads to complex romantic and sexual relationships with his mentors, blending themes of science, desire, and personal growth.[](https://variety.com/2024/film/reviews/a-prince-review-un-prince-1235999296/) It stars Antoine Pirotte as Pierre-Joseph, alongside Pierre Creton, Vincent Barré, and [Grégory Gadebois](/page/Grégory_Gadebois).[](https://www.imdb.com/title/tt27706804/fullcredits)

The [film](/page/Film) premiered at the [2023 Cannes Film Festival](/page/2023_Cannes_Film_Festival) in the [Directors' Fortnight](/page/Directors'_Fortnight) section and was released theatrically in [France](/page/France) on 18 [October](/page/October) 2023.[](https://cineuropa.org/en/film/441568/) It received mixed reviews, with praise for its unconventional storytelling and visual style but criticism for its oblique narrative, holding a 70% approval rating on [Rotten Tomatoes](/page/Rotten_Tomatoes) based on 10 critic reviews.[](https://www.rottentomatoes.com/m/a_prince) As of November 2025, it continues to screen at festivals and select theaters internationally.[](https://www.bam.org/film/2025/erotic-nature-a-prince)

*A Prince* follows the journey of Pierre-Joseph, a young man who enrolls in an [apprenticeship](/page/Apprenticeship) program to train as a gardener in rural [Normandy](/page/Normandy), [France](/page/France). Under the guidance of his mentors, [botany](/page/Botany) teacher Alberto and employer Adrien, Pierre-Joseph immerses himself in the cultivation of [plants](/page/Plant) and landscapes, which parallels his personal growth and exploration of intimacy. The narrative traces the evolving emotional and physical bonds among the three men, culminating in the formation of a romantic throuple that challenges conventional relationships. After these early developments, the story flashes forward 40 years, where Pierre-Joseph encounters Kutta, the adult son adopted by the school's principal Françoise Brown, adding layers to his ongoing personal evolution and reflections on time and community.[](https://www.theguardian.com/film/article/2024/jul/08/a-prince-review-queer-erotic-drama-of-sexual-enlightenment-through-gardening)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

The film employs a sparse use of [dialogue](/page/Dialogue), relying heavily on [voiceover](/page/Voice-over) [narration](/page/Narration) to convey the characters' inner thoughts, desires, and reflections on their experiences. This expository technique, delivered by the protagonists retrospectively, provides insight into their evolving connections without overt verbal exchanges, emphasizing [introspection](/page/Introspection) over direct confrontation. The story blends [docufiction](/page/Docufiction) elements—drawing from director [Pierre](/page/Pierre) Creton's prior works in the genre—with fictional progression, spanning several decades to depict the characters' maturation.[](https://www.theguardian.com/film/article/2024/jul/08/a-prince-review-queer-erotic-drama-of-sexual-enlightenment-through-gardening)[](https://4columns.org/elliott-nicholas/a-prince)

Key settings include the verdant rural landscapes of [Pays de Caux](/page/Pays_de_Caux), meticulously tended gardens, and intimate personal spaces such as cabins and natural enclosures, all symbolizing themes of nurturing, growth, and budding relationships. These environments underscore the film's focus on [harmony](/page/Harmony) between human bonds and the natural world, with long, contemplative shots highlighting the beauty and sensuality of everyday labor.[](https://4columns.org/elliott-nicholas/a-prince)[](https://insessionfilm.com/movie-review-cannes-film-festival-2023-un-prince/)

The principal cast of *A Prince* features a mix of non-professional and experienced actors, selected to reflect the film's intimate, semi-autobiographical exploration of personal growth and relationships in a rural [gardening](/page/Gardening) community. Director Pierre Creton casts himself in the role of the adult Pierre-Joseph, the protagonist whose journey as a [horticulture](/page/Horticulture) apprentice evolves into a [meditation](/page/Meditation) on love, labor, and self-discovery, infusing the performance with authentic vulnerability drawn from his own life experiences as a [gardener](/page/Gardener).[](https://www.nytimes.com/2024/05/09/movies/a-prince-review.html)[](https://4columns.org/elliott-nicholas/a-prince) This self-casting choice underscores the film's semi-autobiographical tone, allowing Creton to embody the character's reflective maturity without artificial distance.[](https://bombmagazine.org/articles/2025/03/17/vincent-barre-and-pierre-creton-by-nicholas-elliott/)

Antoine Pirotte portrays the young Pierre-Joseph, capturing the apprentice's initial curiosity and emotional openness as he enters the world of [gardening](/page/Gardening) and forms pivotal bonds.[](https://www.theguardian.com/film/article/2024/jul/08/a-prince-review-queer-erotic-drama-of-sexual-enlightenment-through-gardening) Pierre Barray plays Adrien, an experienced gardener who becomes Pierre-Joseph's employer and romantic partner, bringing a grounded, paternal intensity to the role that highlights themes of mentorship and desire.[](https://thefilmverdict.com/a-prince/) Vincent Barré embodies [Alberto](/page/Alberto), a fellow mentor and romantic figure in Pierre-Joseph's life, contributing to the character's evolving relationships through a portrayal of quiet companionship and shared passion for [nature](/page/Nature).[](https://bombmagazine.org/articles/2025/03/17/vincent-barre-and-pierre-creton-by-nicholas-elliott/) These casting decisions align with the film's emphasis on authentic, understated performances that mirror real-life intimacies rather than dramatic exaggeration.[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/)

In supporting roles, Manon Schaap appears as Françoise Brown, the principal of the [horticulture](/page/Horticulture) school, and Evelyne [Didi](/page/DiDi) as Catherine Dubreuil, contributing to the communal and familial aspects of the story that shape the protagonist's path, though their characters remain somewhat peripheral to the central romantic dynamics.[](https://www.fandango.com/a-prince-2023-237003/cast-and-crew) The [film](/page/Film) employs multiple narrators to provide inner monologues and deepen emotional resonance: [Mathieu Amalric](/page/Mathieu_Amalric) voices Alberto's perspective, Françoise [Lebrun](/page/Françoise_Lebrun) offers reflective narration tied to maternal and observational tones, and Grégory [Gadebois](/page/Grégory_Gadebois) contributes to the protagonist's introspections, creating a choral effect that enhances the semi-autobiographical intimacy without overpowering the visuals.[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) This narrative device, voiced by acclaimed performers, subtly underscores how the characters' relationships—rooted in [mentorship](/page/Mentorship) and romance—propel Pierre-Joseph's personal evolution.[](https://www.nytimes.com/2024/05/09/movies/a-prince-review.html)

The development of *A Prince* marked a significant evolution for director Pierre Creton, drawing directly from his personal experiences as a [gardener](/page/Gardener) and [beekeeper](/page/Beekeeper) in rural [Normandy](/page/Normandy), as well as reflections on mentorship and intimate relationships formed during his own teenage apprenticeship.[](https://cineuropa.org/en/interview/442616/) These elements infused the project with autobiographical undertones, particularly in exploring power dynamics akin to master-slave relationships and human connections to the natural world.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) This film represented Creton's first fully fictional narrative, departing from his earlier [docufiction](/page/Docufiction) works that blended romantic and observational styles.[](https://cineuropa.org/en/interview/442616/)

The screenplay was collaboratively written by Creton alongside Vincent Barré, Mathilde Girard, and Cyril Neyrat, emerging from a process rooted in close friendships and shared creative input.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) Each collaborator initially crafted monologues for key characters—such as the protagonists Pierre-Joseph, [Françoise](/page/Françoise), and [Alberto](/page/Alberto)—before Neyrat coordinated the structure around interpersonal meetings, with Creton subsequently integrating additional scenes.[](https://cineuropa.org/en/interview/442616/) This method emphasized poetic, introspective dialogue, blending literary influences like Georges Bataille's *The Impossible* with elements of [diary](/page/Diary) entries, [poetry](/page/Poetry), [autobiography](/page/Autobiography), and novelistic [prose](/page/Prose) to create a lyrical voice.[](https://cineuropa.org/en/interview/442616/)

Thematically, the script delved into [queer](/page/Queer) romance and [mentorship](/page/Mentorship), portraying adoption-like bonds and community ties within a framework of homosexual desires, while using [nature](/page/Nature)—particularly [gardening](/page/Gardening)—as a [metaphor](/page/Metaphor) for personal growth, joy, and existential distress.[](https://cineuropa.org/en/interview/442616/)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

Produced by Andolfi under Arnaud Dommerc, the project adopted a low-key arthouse approach suited to its intimate scale, supported by limited funding from sources including the Fonds de dotation Vincent Barré, Région Normandie (in partnership with the CNC), Procirep Angoa, and the Centre National du Cinéma et de l’Image Animée, despite a notably modest [budget](/page/Budget).[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) Andolfi's involvement, marking their third collaboration with Creton, facilitated this restrained production without major studio backing.[](https://cineuropa.org/en/newsdetail/441382/)

Conceptualized during the [COVID-19](/page/COVID-19) lockdown in the early 2020s through initial discussions with Barré and others, the screenplay took shape via the monologue drafts and was finalized by [2022](/page/2022), incorporating archival footage from Creton's 2006 [docufiction](/page/Docufiction) *L'Arc d’iris, Memories of a [Garden](/page/Garden)* during [pre-production](/page/Pre-production) planning.[](https://cineuropa.org/en/interview/442616/)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

[Principal photography](/page/Principal_photography) for *A Prince* took place over three weeks in [2022](/page/2022), primarily in the rural [Pays de Caux](/page/Pays_de_Caux) region of [Normandy](/page/Normandy), [France](/page/France), where the film's natural landscapes of flower fields and coastal areas were used to enhance the story's authenticity and connection to [horticulture](/page/Horticulture).[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)[](https://www.crew-united.com/en/A-Prince__316709.html) Specific sites included the Château d’Antiville and local gardens, with additional floral sequences shot in [Dungeness](/page/Dungeness), [England](/page/England), to capture diverse botanical environments.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

Cinematography was led by Pierre Creton, alongside Antoine Pirotte and Léo Gil-Mena, who employed a discreet, observational approach using handheld cameras and extended takes to foster an intimate portrayal of the characters' relationships and daily lives.[](https://www.crew-united.com/en/A-Prince__316709.html)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) The 16:9 digital [format](/page/The_Format) allowed for capturing the region's autumn light and natural flora in a [docufiction](/page/Docufiction) style, emphasizing visual storytelling over scripted exchanges.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf) This technique drew from the [film](/page/Film)'s thematic roots in rural labor and personal growth, influencing compositions that highlighted environmental textures.[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/)

The original score, composed by Jozef van Wissem, was developed and integrated during [post-production](/page/Post-production) to provide minimalistic, lute-driven underscoring that subtly amplified the emotional undercurrents of key scenes without overpowering the naturalistic [sound design](/page/Sound_design).[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/)[](https://jozefvanwissem.bandcamp.com/album/un-prince-original-soundtrack) Sound elements, handled by Joseph Squire and Jules Jasko, prioritized ambient recordings from the [Normandy](/page/Normandy) locations to maintain the [film](/page/Film)'s immersive, unadorned aesthetic.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

Filming faced logistical challenges due to the script's sparse [dialogue](/page/Dialogue), necessitating meticulous blocking and [rehearsal](/page/Rehearsal) to communicate interpersonal dynamics through [gesture](/page/Gesture), expression, and landscape interaction rather than spoken words.[](https://www.screendaily.com/reviews/a-prince-cannes-review/5182281.article)[](https://4columns.org/elliott-nicholas/a-prince) A deliberately small [crew](/page/Crew), comprising around a dozen members including non-professional locals, preserved the [docufiction](/page/Docufiction) intimacy and allowed for flexible, on-location adjustments amid limited funding and variable weather.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)[](https://bombmagazine.org/articles/2025/03/17/vincent-barre-and-pierre-creton-by-nicholas-elliott/)

The footage was edited down to a runtime of 82 minutes, emphasizing an [elliptical narrative](/page/Narrative) structure that relied on [voice-over](/page/Voice-over) narration and visual [ellipsis](/page/Ellipsis) to condense the expansive shooting material into a focused exploration of [memory](/page/Memory) and desire.[](https://cineuropa.org/en/film/441568/)[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

*A Prince* had its world premiere on 18 May 2023 at the [Cannes Film Festival](/page/Cannes_Film_Festival), screening in the [Directors’ Fortnight](/page/Directors'_Fortnight) section.[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/)

The film was selected for the sidebar due to its bold exploration of queer themes through a non-traditional narrative format that merges personal [memoir](/page/Memoir), [poetry](/page/Poetry), and eroticism, immediately drawing industry attention for its unconventional approach.[](https://cineuropa.org/en/newsdetail/442586/) This debut highlighted director [Pierre](/page/Pierre) Creton's distinctive style, which fuses elements of diary, autobiography, and fiction to examine sexuality and self-discovery in a rural French setting.[](https://cineuropa.org/en/interview/442616/)

Following [Cannes](/page/Cannes), *A Prince* received follow-up screenings at other major 2023 festivals, including the [New York Film Festival](/page/New_York_Film_Festival) in [September](/page/September), where it continued to build momentum in arthouse circles.[](https://www.filmlinc.org/nyff2023/) The film's [docufiction](/page/Docufiction) roots, inspired by Creton's real-life [apprenticeship](/page/Apprenticeship) and collaborative writing process during [lockdown](/page/Lockdown), appealed to programmers seeking innovative [queer](/page/Queer) cinema.[](https://cineuropa.org/en/interview/442616/)

At the [Cannes](/page/Cannes) premiere, Creton discussed the film's deep personal significance, noting that it drew directly from his teenage experiences as a [horticulture](/page/Horticulture) apprentice and encounters that shaped his understanding of desire and identity.[](https://cineuropa.org/en/interview/442616/) He emphasized the stylistic risks involved, such as employing multiple narrators and a fragmented structure without a conventional script, to capture the threshold between reality and invention.[](https://strandreleasing.com/wp-content/uploads/2023/12/aprince-press-kit.pdf)

The [Directors’ Fortnight](/page/Directors'_Fortnight) screenings were intimate affairs, fostering an atmosphere that underscored the film's visual poetry through its lush depictions of Normandy's landscapes and subtle erotic tensions.[](https://www.screendaily.com/reviews/a-prince-cannes-review/5182281.article)

Following its premiere at the [Cannes Film Festival](/page/Cannes_Film_Festival), *A Prince* received a limited theatrical rollout in [France](/page/France) on October 18, 2023, distributed by independent label JHR Films. The release targeted arthouse cinemas, reflecting the film's status as a [festival](/page/Festival) drama with experimental elements.[](https://cineuropa.org/en/film/441568/) In 2024, the film had limited theatrical screenings in the [United Kingdom](/page/United_Kingdom) in July, as well as [festival](/page/Festival) screenings in [Hong Kong](/page/Hong_Kong) in March and in [Australia](/page/Australia) in November 2023.[](https://www.theguardian.com/film/article/2024/jul/08/a-prince-review-queer-erotic-drama-of-sexual-enlightenment-through-gardening)[](https://letterboxd.com/film/a-prince/)

Internationally, North American rights were acquired by boutique distributor [Strand Releasing](/page/Strand_Releasing), which handled a limited U.S. theatrical release starting May 10, 2024.[](https://variety.com/2023/film/global/a-prince-north-american-distribution-cannes-directors-fortnight-1235667796/) For Asian markets, the film saw boutique distribution in regions like [Hong Kong](/page/Hong_Kong), with subtitled versions available in English, French, and local languages to accommodate diverse audiences.[](https://www.imdb.com/title/tt27706804/releaseinfo/) These deals emphasized the film's appeal to niche viewers interested in queer narratives and pastoral aesthetics.

Box office performance was modest, aligning with expectations for an arthouse title prioritizing critical acclaim over commercial viability. In [France](/page/France), it recorded 7,374 admissions as of late 2023.[](https://www.allocine.fr/film/fichefilm-315402/box-office/) U.S. earnings remained low due to the limited release strategy, underscoring the [film](/page/Film)'s focus on artistic impact rather than widespread [box office](/page/Box_office) success.[](https://www.the-numbers.com/movie/prince-Un-%282023-France%29)

Home media options became available shortly after theatrical runs. In [France](/page/France), a DVD edition was released on February 20, 2024, by JHR Films.[](https://www.amazon.com/PRINCE-DVD-Creton-Pierre/dp/B0CMVTLM2F) By mid-2024, streaming access expanded to platforms including the Criterion Channel, Mubi, Prime Video, and Dekkoo, offering subtitled versions for international viewers.[](https://www.criterionchannel.com/a-prince) A U.S. DVD release followed through [Strand Releasing](/page/Strand_Releasing), providing broader home availability.[](https://www.amazon.com/Prince-DVD-Pierre-Creton/dp/B0CTJ656H2)

Marketing efforts centered on festival circuits, highlighting the film's [queer](/page/Queer) themes, intimate exploration of desire, and visual artistry in blending [botany](/page/Botany) with [eroticism](/page/Eroticism).[](https://variety.com/2024/film/reviews/a-prince-review-un-prince-1235999296/) Promotions targeted LGBTQ+ film communities and cinephile audiences, leveraging reviews that praised its oblique yet literate portrayal of [gay](/page/Gay) relationships.[](https://www.screendaily.com/reviews/a-prince-cannes-review/5182281.article)

*A Prince* received positive overall critical reception, earning a 70% approval rating on [Rotten Tomatoes](/page/Rotten_Tomatoes) based on 10 reviews, with praise centered on its visual poetry and emotional resonance. On [Metacritic](/page/Metacritic), the film holds a score of 71 out of 100 from four critics, reflecting admiration for its evocative portrayal of rural life and intimate relationships. Critics frequently highlighted the film's stunning [cinematography](/page/Cinematography) of Normandy's landscapes, which underscores themes of growth and desire, as noted in *[The New York Times](/page/The_New_York_Times)* review describing it as a "beautifully enigmatic pastoral drama."[](https://www.rottentomatoes.com/m/a_prince)[](https://www.metacritic.com/movie/a-prince/)[](https://www.nytimes.com/2024/05/09/movies/a-prince-review.html)

The film garnered significant acclaim for its sensitive handling of queer representation, presenting non-exploitative depictions of intimacy and sexual awakening in a rural setting. *Variety* commended its "literate yet oblique" exploration of gay desire, emphasizing how director Pierre Creton avoids sensationalism in favor of a contemplative erotic sensibility. Similarly, *Screen Daily* described it as a "bizarre tale of horticulture and gay sex," appreciating the non-professional cast's authenticity in conveying emotional vulnerability without overt exploitation. This approach earned *A Prince* a spot tied for tenth on *Cahiers du Cinéma*'s list of the top 10 films of 2023, signaling its impact within arthouse circles.[](https://variety.com/2024/film/reviews/a-prince-review-un-prince-1235999296/)[](https://www.screendaily.com/reviews/a-prince-cannes-review/5182281.article)[](https://www.worldofreel.com/blog/2023/12/1/lb11hajvqnqg3lkqhpv8juihic7661)

Despite these strengths, some critics pointed to the film's sparse [dialogue](/page/Dialogue) and nonlinear structure as barriers to accessibility, potentially alienating viewers seeking clearer [narrative](/page/Narrative) progression. *Spectrum Culture* observed that the minimal spoken exchanges, reliant heavily on [voice-over](/page/Voice-over) narration, can make the story feel "overgrown" and hard to follow, prioritizing mood over plot clarity. Debates also emerged around its semi-autobiographical elements, with *Variety* critiquing the personal introspection as occasionally bordering on navel-gazing, rendering the film more conceptually intriguing than narratively cohesive. *[The Guardian](/page/The_Guardian)* echoed this by noting the challenging, literary style that demands patience from audiences.[](https://spectrumculture.com/2024/05/14/a-prince-review/)[](https://variety.com/2024/film/reviews/a-prince-review-un-prince-1235999296/)[](https://www.theguardian.com/film/article/2024/jul/08/a-prince-review-queer-erotic-drama-of-sexual-enlightenment-through-gardening)

Thematically, *A Prince* delves into love triangles amid natural environments, using [gardening](/page/Gardening) as a [metaphor](/page/Metaphor) for personal and relational evolution, which resonated with reviewers for its poetic fusion of human and botanical worlds. This focus on desire's interplay with [nature](/page/Nature) drew comparisons to contemplative cinema, though some found the elliptical storytelling evocative of [introspective](/page/Introspective) rural dramas. Its critical success contributed to formal recognitions at festivals, underscoring its artistic merit.[](https://www.nytimes.com/2024/05/09/movies/a-prince-review.html)[](https://cineuropa.org/en/newsdetail/442586/)

By 2025, retrospective coverage in queer film discourse has further emphasized *A Prince*'s influence on French arthouse cinema, particularly its role in depicting rural gay experiences. *Film Comment* highlighted its semi-autobiographical roots in a June 2025 feature, praising Creton's breakthrough in blending personal history with universal themes of identity. Additionally, a Pierre Creton retrospective at BAM Cinema, covered in *Gay City News*, positioned the film as a key exploration of gay life in rural France, affirming its lasting impact on queer narratives.[](https://www.filmcomment.com/blog/country-living-pierre-creton-review/)[](https://gaycitynews.com/category/arts/page/6/)

*A Prince* received several accolades following its premiere at the [2023 Cannes Film Festival](/page/2023_Cannes_Film_Festival), highlighting its recognition within French arthouse and queer cinema circles. The film's win at Cannes' [Directors' Fortnight](/page/Directors'_Fortnight) solidified its reputation for innovative storytelling blending nature, sexuality, and personal growth.[](https://variety.com/2023/film/awards/directors-fortnight-pierre-creton-a-prince-1235625120/)

At the [2023 Cannes Film Festival](/page/2023_Cannes_Film_Festival), *A Prince* won the SACD Prize for Best French-Language Film, awarded by the Société des Auteurs et Compositeurs Dramatiques during the [Directors' Fortnight](/page/Directors'_Fortnight) sidebar.[](https://variety.com/2023/film/awards/directors-fortnight-pierre-creton-a-prince-1235625120/) The film was also nominated for the Queer Palm, recognizing its [queer](/page/Queer)-themed narrative, though it did not win.[](https://filmmakermagazine.com/121518-cannes-2023-reviews-a-prince-close-your-eyes-awards-directors-fortnight/)

In November 2023, *A Prince* was pre-selected for the Prix Louis-Delluc in the Best Film category, placing it among nine notable French films of the year, though it did not secure the award, which went to *[Anatomy of a Fall](/page/Anatomy_of_a_Fall)*.[](https://www.lesinrocks.com/cinema/le-prix-louis-delluc-2023-devoile-ses-preselections-601936-23-11-2023/)

Later in 2023, the film earned a nomination for the Golden Alexander at the [Thessaloniki International Film Festival](/page/Thessaloniki_International_Film_Festival), underscoring its international appeal in European cinema circuits.[](https://www.imdb.com/title/tt27706804/awards/)

Critically, *A Prince* tied for tenth place on Cahiers du Cinéma's Top 10 Films of 2023 list, sharing the spot with Kelly Reichardt's *Showing Up* and affirming its artistic impact among influential French critics.

These honors, particularly the [Cannes](/page/Cannes) recognition, contributed to the film's legacy by enhancing its visibility in LGBTQ+ film festivals and academic discussions on experimental [queer](/page/Queer) narratives, leading to replays at events like the [New York Film Festival](/page/New_York_Film_Festival).[](https://thefilmstage.com/nyff-review-a-prince-is-a-meandering-otherworldly-tale-of-taboos/)