Journal tags: ship

Maureen has written a really good overview of web feeds for this year’s HTMHell advent calendar.

The common belief is that nobody uses RSS feeds these days. And while it’s true that I wish more people used feed readers—the perfect antidote to being fed from an algorithm—the truth is that millions of people use RSS feeds every time they listen to a podcast. That’s what a podcast is: an RSS feed with enclosure elements that point to audio files.

And just as a web feed doesn’t necessarily need to represent a list of blog posts, a podcast doesn’t necessarily need to be two or more people having a recorded conversation (though that does seem to be the most common format). A podcast can tell a story. I like those kinds of podcasts.

The BBC are particularly good at this kind of episodic audio storytelling. I really enjoyed their series Thirteen minutes to the moon, all about the Apollo 11 mission. They followed it up with a series on Apollo 13, and most recently, a series on the space shuttle.

Here’s the RSS feed for the 13 minutes podcast.

Right now, the BBC have an ongoing series about the history of the atomic bomb. The first series was about Leo Szilard, the second series was about Klaus Fuchs, and the third series running right now is about the Cuban missile crisis.

The hook is that each series is presented by people with a family connection to the events. The first series is presented by the granddaughter of one of the Oak Ridge scientists. The second series is presented by the granddaughter of Klaus Fuch’s spy handler in the UK—blimey! And the current series is presented by Nina Khrushcheva and Max Kennedy—double blimey!

Here’s the RSS feed for The Bomb podcast.

If you want a really deep dive into another pivotal twentieth century event, Evgeny Morozov made a podcast all about Stafford Beer and Salvadore Allende’s collaboration on cybernetics in Chile, the fabled Project Cybercyn. It’s fascinating stuff, though there’s an inevitable feeling of dread hanging over events because we know how this ends.

The podcast is called The Santiago Boys, though I almost hesitate to call it a podcast because for some reason, the website does its best to hide the RSS feed, linking only to the silos of Spotify and Apple. Fortunately, thanks to this handy tool, I can say:

Here’s the RSS feed for The Santiago Boys podcast.

The unifying force behind all three of these stories is the cold war:

• 13 Minutes—the space race, from the perspective of the United States.
• The Bomb—the nuclear arms race, from Los Alamos to Cuba.
• The Santiago Boys—the CIA-backed overthrow of a socialist democracy in Chile.

If you work at a clever company, then you should let them know about sponsoring Web Day Out.

All the details are in this PDF sponsorship pack. Basically there are three (and only three) spots available, at three different levels of sponsorship.

One of the best things about the venue for Web Day Out is that always having an excellent auditorium, the Studio Theatre has a really nice space for the breaks. It would be the perfect spot to set up a stand and chat with all the smart attendees.

All the attendees will, by definition, be smart because they got tickets for Web Day Out—a steal at just £225+VAT.

For the past couple of years, myself and Jessica have been going to the Belfast Tradfest in the Summer. It’s an excellent event with great workshops, sessions, and concerts. And it helps that Belfast is such a lovely city to spend a week in.

What struck me the first time we were participating in workshops there was the great mix of age ranges. It always warms my heart to see young people getting really into the music.

Then I found out about their bursary sponsorship scheme:

For many young musicians, financial barriers stand in the way of this invaluable experience. Your support can make a real difference by sponsoring a bursary that covers the cost of tuition for a deserving student.

Last year, I decided to forego one month’s worth of donations to The Session—the contributions that help cover the costs of hosting, newsletters, geocoding, and so on. Instead the money went towards bursary sponsorships for Belfast Tradfest.

It was a great success that managed to cover places for quite a few young musicians.

So we’re doing it again.

Normally, I wouldn’t mention the ins-and-outs of TheSession.org over here on adactio.com but I thought you might like to partake in this year’s fund drive:

For the month of April 2025, any donations made to The Session will go towards bursary sponsorships for young musicians to attend workshops at this year’s Belfast Trad Fest:

thesession.org/donate

Maybe you’ve liked something I’ve written here. Maybe you enjoyed Resilient Web Design, the free book I published online. You can also read HTML5 For Web Designers and Going Offline for free now too.

I’ve never asked for any recompense for my online ramblings, but if you’ve ever wanted to drop me some money to thank me for something I’ve put out there, now’s your chance.

Any contribution you make will go towards fostering the next generation of traditional Irish musicians, something that’s very dear to my heart.

So Frostapalooza happened on Saturday.

It was joyous!

It all started back in July of last year when I got an email from Brad:

Next summer I’m turning 40, and I’m going to use that milestone as an excuse to play a big concert with and for all of my friends and family. It’ll sorta be like The Last Waltz, but with way more web nerds involved.

Originally it was slated for July of 2024, which was kind of awkward for me because it would clash with Belfast Trad Fest but I said to mark me down as interested. Then when the date got moved to August of 2024, it became more doable. I knew that Jessica and I would be making a transatlantic trip at some point anyway to see her parents, so we could try to combine the two.

In fact, the tentative plans we had to travel to the States in April of 2024 for the total solar eclipse ended up getting scrapped in favour of Brad’s shindig. That’s right—we chose rock’n’roll over the cosmic ballet.

Over the course of the last year, things began to shape up. There were playlists. There were spreadsheets. Dot voting was involved.

Anyone with any experience of playing live music was getting nervous. It’s hard enough to rehearse and soundcheck for a four piece, but Brad was planning to have over 40 musicians taking part!

We did what we could from afar, choosing which songs to play on, recording our parts and sending them onto Brad. Meanwhile Brad was practicing like hell with the core band. With Brad on bass and his brother Ian on drums for the whole night, we knew that the rhythm section would be tight.

A few months ago we booked our flights. We’d fly into to Boston first to hang out with Ethan and Liz (it had been too long!), then head down to Pittsburgh for Frostapalooza before heading on to Florida to meet up with Jessica’s parents.

When we got to Pittsburgh, we immediately met up with Chris and together we headed over to Brad’s for a rehearsal. We’d end up spending a lot of time playing music with Chris over the next couple of days. I loved every minute of it.

The evening before Frostapalooza, Brad threw a party at his place. It was great to meet so many of the other musicians he’d roped into this.

Then it was time for the big day. We had a whole afternoon to soundcheck, but we needed it. Drums, a percussion station, a horn section …not to mention all the people coming and going on different songs. Fortunately the tech folks at the venue were fantastic and handled it all with aplomb.

We finished soundchecking around 5:30pm. Doors were at 7pm. Time to change into our rock’n’roll outfits and hang out backstage getting nervous and excited.

Right before showtime, Brad gave a heartfelt little speech.

Then the fun really began.

I wasn’t playing on the first few songs so I got to watch the audience’s reaction as they realised what was in store. Maybe they thought this would be a cute gathering of Brad and his buddies jamming through some stuff. What they got was an incredibly tight powerhouse of energy from a seriously awesome collection of musicians.

I had the honour of playing on five songs over the course of the night. I had an absolute blast! But to be honest, I had just as much fun being in the audience dancing my ass off.

Oh, I was playing mandolin. I probably should’ve mentioned that.

The first song I played on was The Weight by The Band. There was a real Last Waltz vibe as Brad’s extended family joined him on stage, along with me and and Chris.