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Stuart Heritage
Stuart Heritage writes about film, TV and music for the Guardian
June 2026
How much does Sean Penn hate selfies? Enough to invoke the Holocaust
‘Absolutely wonderful’: why everyone should be watching Widow’s Bay
The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’
‘I’m asking people to do a lot, but that’s what it means to be a human’: why one man made the first straight-to-video movie in 20 years
TV review
Clarkson’s Farm review – you might as well call him Jeremy Kardashian
‘Pure, unyielding torture pornography’: is Half Man too unpleasant to be good TV?
May 2026
‘I am very serious about being silly’: children’s illustrators on the art of storytelling
Turning up late and making Helen Mirren wait: has Tom Hardy been fired from MobLand?
TV review
Make That Movie review – Sam Campbell has made the funniest TV show of the entire year
Kinky hippos, foul-mouthed raccoons and heaps of heart: Big Mouth’s creators’ wild new animated comedy
‘Bluey does Cocomelon’: TV’s best kids show is available in bite-size form. What do the episodes tell us?
By offering all Emilys a free medium Coke per ticket, Showcase Cinemas prove their commitment to drama
Swindon is not enough – every new housing estate deserves a Dench Close
Ranked
Spit, vomit and a banned baby: Cannes controversies – ranked!
You’re right to feel suspicious: Wordle is the TV spinoff the world does not need
I dare you to censor this, BBC! The biggest and bravest shocks of the TV Baftas
David Attenborough’s 100 Years on Planet Earth – as it happened
Happy centenary, David! Attenborough’s 100 most spectacular TV moments
The best show on TV again (for one glorious scene): The Bear’s surprise new prequel
The Woman Who Loves Luxury Goods 2: why the Devil Wears Prada title goes back to basics in Vietnam
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