Jonathan Freedland

Jonathan Freedland is a Guardian columnist and the host of the Guardian's Politics Weekly America podcast. He also presents BBC Radio 4's The Long View and is the author of the award-winning The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World, along with several thrillers under the pseudonym Sam Bourne. He is a past winner of an Orwell prize for journalism

Tony Blair says he is all about the future – but his vision is woefully stuck in the past
Jonathan FreedlandHe insists he is so right but gets so much badly wrong, not least the absurdity that the UK should have joined Donald Trump in the quagmire that is Iran, says Guardian columnist Jonathan Freedland
Politics Weekly AmericaTrump: the boy who cried ‘peace’ in the Middle East | Politics Weekly AmericaThis week, as the US-Iran deal remains in a precarious state, Jonathan Freedland speaks to Ali Vaez of the International Crisis Group about why Trump keeps changing his mind on what to do to end the war

Arsenal’s title win should be studied by politicians everywhere – and especially Keir Starmer. Here’s why
Jonathan FreedlandThe sensational victory didn’t happen by accident, it took years of dedication and clever planning, something the PM – himself a fan – should note, says Guardian columnist Jonathan Freedland
Politics Weekly AmericaTrump’s new ‘slush fund’ for his pals | Politics Weekly AmericaThis week, Donald Trump dropped a personal $10bn lawsuit he had against the Internal Revenue Service in exchange for a so-called anti-weaponisation fund. The $1.8bn fund will be used to compensate those who think they have been unfairly investigated by the government in the past. Jonathan Freedland speaks to the legal analyst Kristy Greenberg about why critics are calling this fund ‘corruption on steroids’

‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy
His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’














